The courtesan in art: Historical fact or modern fantasy?

Notes

• Freedberg , David . 1989 . The Power of Images: Studies in the History and Theory of Response , 13ff 317ff Chicago : University of Chicago Press .
   Google Scholar
• Allen , Virginia . 1977 . “The Naked Lady: A Look at Venus in the Renaissance,” . Feminist Art Journal , 61 : 27 – 9 . 50
   Google Scholar
• Vecellio , Cesare . 1977 . Vecellio's Renaissance Costume Book , New York : Dover .
   Google Scholar
• Lawner , Lynne . 1987 . Lives of the Courtesans , 6 18 New York : Rizzoli .
   Google Scholar
• Molmenti , Pompeo and Ludwig , Gustav . 1907 . The Life and Works of Vittorio Carpaccio , Edited by: Cust , Robert H. Hobart . 211 London : John Murray .
   Google Scholar
• Pignatti , Terisio . 1958 . Museo Correr , 68 Bergamo : Instituto italiano d'arti grafiche .
   Google Scholar
• Lauts , Jan . 1962 . Carpaccio: Paintings and Drawings , Edited by: Millman , Erica and Kay , Marguerite . 251ff London : Phaidon .
   Google Scholar
• Muraro , Michelangelo . 1966 . Carpaccio , VIII – XI . Florence : Edizioni d'arte Il Fiorino .
   Google Scholar
• Zampetti , Pietro . 1966 . Vittore Carpaccio , 66ff Venice : Edizioni Alfieri .
   Google Scholar
• Cook , E.T. and Wedderburn , Alexander , eds. 1906 . The Works of John Ruskin , Vol. XXIV , 364ff London : George Allen .
   Google Scholar
• Masson , Georgina . 1975 . Courtesans of the Italian Renaissance , London : Secker and Warburg .
   Google Scholar
• 1930 . ("Cortegiane del Rinascimento: Antea,” . Illustrazione italiana , 23 Feb. : 313 – 315 .
   Google Scholar
• Freedberg , Sydney J. 1950 . Parmigianino: His Works in Painting , 214ff Cambridge : Harvard University Press .
   Google Scholar
• Oberhuber's , Konrad . c.1986 . The Age of Correggio and the Carracci: Emilian Painting of the Sixteenth and Seventeenth Centuries , 163ff Washington, D.C. : National Gallery of Art . essay in
   Google Scholar
• Cropper , Elizabeth . 1976 . “On Beautiful Women, Parmigianino, Petrarchismo, and the Vernacular Style,” . Art Bulletin , 58 ( 99 ) : 392
   Google Scholar
• Cropper , Elizabeth . 1986 . “The Beauty of Woman: Problems in the Rhetoric of Renaissance Portraiture,” . In Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe , Edited by: Ferguson , Margaret W. , Quilligan , Maureen and Vickers , Nancy J. 175 – 90 . Chicago : University of Chicago Press .
   Google Scholar
• Ramsden . 1983 . ’Come Take this Lute’: A Quest for Identity in Italian Renaissance Portraiture , 99 – 102 . Tisbury/Salisbury : Nadder .
   Google Scholar
• Ost . 1981 . “Tizians sogenannte ‘Venus von Urbino’ und andere Buhlerinnen,” . In Festschrift für Eduard Trier zum 60. Geburtstag , Edited by: Hofstede , Justus Müller and Spies , Werner . 137ff Berlin : Gebr. Mann .
   Google Scholar
• Held , Julius . 1961 . “Flora, Goddess and Courtesan,” . In Essays in Honor of Erwin Panofsky , Edited by: Meiss , Millard . 212 New York : New York University Press .
   Google Scholar
• Mellencamp , Emma H. 1969 . “A Note on the Costume of Titian's Flora,” . Art Bulletin , 51 : 174 – 7 .
   Google Scholar
• 1987 . ("Renaissance Dreams,” . Renaissance Quarterly , 40 ( 21 ) 697
   PubMedGoogle Scholar
• Ruggiero , Guido . 1985 . The Boundaries of Eros: Sex Crime and Sexuality in Renaissance Venice , New York/Oxford : Oxford University Press .
   Google Scholar
• 1980 . Titian , 82 London : Jupiter Books .
   Google Scholar
• Hope , Charles . 1987 . “Renaissance Beauties,” . The New York Review of Books , 28 May : 37
   Google Scholar