Engendering Peace: Representations of Women in Gary Mitchell’s Post-Good Friday Agreement Drama

Works Cited

• Aretxaga, Begonña. Shattering Silences: Women, Nationalism, and Political Subjectivity in Northern Ireland. Princeton, NJ: Princeton UP, 1997.
   Google Scholar
• As the Beast Sleeps. Dir. Harry Bradbeer. Screenplay: Gary Mitchell. BBC: 2002. DVD.
   Google Scholar
• BBC News. 2012. “Marie Stopes Private Abortion Clinic to Open in Belfast.” 11 October 2012. http://www.bbc.co.uk/news/uk-northern-ireland-19902778
   Google Scholar
• BBC News. 2012b. “Women Bishops: A Century-Long Struggle for Recognition.” 21 November 2012. http://www.bbc.co.uk/news/uk-20426123
   Google Scholar
• Belfast Telegraph. “Young Mother’s Grave Tarred and Feathered in Ballymena.” 5 April 2012. http://www.belfasttelegraph.co.uk/news/local-national/northern-ireland/young-mothers-grave-tarred-and-feathered-in-ballymena-16140344.html
   Google Scholar
• Benedict, David. “Reviews: All by Mouth.” The Independent. 6 March 1998. Lexis Nexis. 14 October 2012.
   Google Scholar
• Billington, Michael. “Arts Review: Theatre, Trust.” The Guardian. 18 March 1999. Lexis Nexis. 14 October 2012.
   Google Scholar
• Billington, Michael. “Reviews.” The Guardian. 12 April 2000. Lexis Nexis. 14 October 2012.
   Google Scholar
• Burgess, Jonathan. The Billie Girl. Performance. Castledawson: Castledawson Primary School. 29 May 2013.
   Google Scholar
• Clarke, Liam. “Sinn Fein Is Dubbed ‘Judas’ for Blocking Abortion Amendment.”; Belfast Telegraph. 12 March 2013. http://www.belfasttelegraph.co.uk/news/politics/sinn-fein-is-dubbed-judas-for-blocking-abortion-amendment-29123476.html
   Google Scholar
• Coyle, Jane. “Mapping the Hard Road.” The Irish Times. 8 February 1997. Lexis Nexis. 14 October 2012.
   Google Scholar
• Crawley, Peter. “Love Matters.” The Irish Times. 14 March 2012. http://www.irishtimes.com/culture/music/2.749/love-matters-1.481287
   Google Scholar
• Curtis, Nick. “The Accent Is on Brutal Reality; Trust Royal Court Upstairs.” The Evening Standard. 16 March 1999. Lexis Nexis. 14 October 2012.
   Google Scholar
• De Jongh, Nicholas. “Not the Usual Suspects.” The Evening Standard. 11 April 2000. Lexis Nexis. 14 October 2012.
   Google Scholar
• De Jongh, Nicholas. “Union of Troubled Natures.” The Evening Standard. 12 November 2003. Lexis Nexis. 14 October 2012.
   Google Scholar
• Fearon, Kate, and Rachel Rebouche. “Whatever Happened to the Women? Promises, Reality and the Northern Ireland Women’s Coalition.” A Farewell to Arms? From War to Peace in Northern Ireland. Eds. Michael Cox, Adrian Guelke, and Fiona Stephen. 2nd edition. Manchester: Manchester UP, 2006. 280–301.
   Google Scholar
• Fricker, Karen. “As the Beast Sleeps. ” Variety. 29 June–12 July 1998. Lexis Nexis. 14 October 2012.
   Google Scholar
• Hill, Ian. “Belfast Dramatist Takes Dublin by Storm.” Belfast News Letter. 22 June 1998. Lexis Nexis. 14 October 2012.
   Google Scholar
• Hutchinson, Ron. Paisley & Me. Dir. Matt Torney. Performance. Belfast: Grand Opera House, 3 November 2012.
   Google Scholar
• Jays, David. “Troubles at Home.” New Statesman. 26 March 1999. Lexis Nexis. 14 October 2012.
   Google Scholar
• Kramer, Peter D. Freud: Inventor of the Modern Mind. New York: Harper Collins, 2006.
   Google Scholar
• McAuley, James, Jon Tonge, and Andrew Mycock. Loyal to the Core?: Orangeism and Britishness in Northern Ireland. Dublin: Irish Academic P, 2011.
   Google Scholar
• McKay, Susan. Northern Protestants: An Unsettled People. Belfast: Blackstaff P, 2005.
   Google Scholar
• Mitchell, Gary. Tearing the Loom and In a Little World of our Own. London: Nick Hern, 1998.
   Google Scholar
• Mitchell, Gary. Trust. London: Nick Hern Books in association with the Royal Court Theatre, 1999.
   Google Scholar
• Mitchell, Gary. The Force of Change. London: Nick Hern Books, 2000.
   Google Scholar
• Mitchell, Gary. As the Beast Sleeps. London: Nick Hern Books, 2001.
   Google Scholar
• Mitchell, Gary. Loyal Women. London: Nick Hern Books, 2003.
   Google Scholar
• Mitchell, Gary. Love Matters. Dir. Brid Ó Gallchoir and Tony Devlin. Performance. Belfast: Lyric Theatre, 3 March 2012.
   Google Scholar
• Mitchell, Gary. Love Matters. Aisling Ghear Theatre Company: Unpublished Script, 2012. Word Document.
   Google Scholar
• Moroney, Mic. “Theatre: In a Little World of Our Own Peacock Theatre, Dublin.” The Independent. 19 February 1997. Lexis Nexis. 12 October 2012.
   Google Scholar
• O’Halloran, Marie. “Abortion Poses Greatest Threat to SF Unity since ‘Peace Process.’”; The Irish Times. 13 April 2013. http://www.irishtimes.com/news/politics/abortion-poses-greatest-threat-to-sf-unity-since-peace-process-1.1359809
   Google Scholar
• Sales, Rosemary. “Gender and Protestantism in Northern Ireland.” Who Are ‘The People’? Unionism, Protestantism and Loyalism in Northern Ireland. Eds. Peter Shirlow and Mark McGovern. Chicago, IL: Pluto P, 1997.
   Google Scholar
• Sierz, Aleks. “Stage Master of True Feeling; Theatre Review, Royal Court Upstairs, Trust.” The Stage. 25 March 1999. Lexis Nexis. 14 October 2012.
   Google Scholar
• Sihra, Melissa. “Introduction: Figures at the Window.” Women in Irish Drama: A Century of Authorship and Representation. Ed. Melissa Sihra. Basingstoke: Palgrave Macmillan, 2007. 1–22.
   Google Scholar
• Ward, Rachel. Women, Unionism and Loyalism in Northern Ireland: From “Tea-Makers» to Political Actors. Dublin: Irish Academic P, 2006.
   Google Scholar