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Women's Studies
An inter-disciplinary journal
Volume 44, 2015 - Issue 2: Irish Women’s Writing and Experience–Issue I
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Original Articles

“Slaughter was going on in the dining room”: Food and Violence in Molly Keane’s Fiction

Mara ReismanNorthern Arizona University, FlagstaffCorrespondence[email protected]
Pages 156-182 | Published online: 06 Feb 2015

Works Cited

  • Adams, Alice. “Coming Apart at the Seams: Good Behaviour as an AntiComedy of Manners.” Journal of Irish Literature 20.3 (1991): 27–35. Print.
  • Boylan, Clare. “Sex, Snobbery and the Strategies of Molly Keane.” Contemporary British Women Writers: Narrative Strategies. Ed. Robert E. Hosmer Jr. New York: St. Martin’s P, 1993. 151–160. Print.
  • Breen, Mary. “Piggies and Spoilers of Girls: The Representation of Sexuality in the Novels of Molly Keane.” Sex, Nation and Dissent in Irish Writing. Ed. Éibhear Walshe. Cork: Cork UP, 1997. 202–220. Print.
  • Devlin, Polly. Introduction. The Rising Tide. By Molly Keane. London: Virago, 2006. v–xvi. Print.
  • Ford, Ford Madox. 1915. The Good Soldier. New York: Penguin, 2002. Print.
  • Franková, Milada. “Molly Keane’s Black Comedy: A Critique of Class.” Brno Studies in English 23 (1997): 95–104. Print.
  • Imhof, Rüdiger. “Molly Keane, Good Behaviour, Time After Time, and Loving and Giving.” Ancestral Voices: The Big House in Anglo-Irish Literature. Ed. Otto Rauchbauer. Hildesheim: Olms, 1992. 195–203. Print.
  • Keane, Molly. Good Behaviour. 1981. London, Virago P, 2006. Print.
  • Keane, Molly. Queen Lear. 1988. New York: Penguin, 1990. Print.
  • Kreilkamp, Vera. “The Persistence of Illusion in Molly Keane’s Fiction.” The Anglo-Irish Novel and the Big House. New York: Syracuse UP, 1998. 174–194. Print.
  • Lynch, Rachael Jane. “The Crumbling Fortress: Molly Keane’s Comedies of Anglo-Irish Manners.” The Comic Tradition in Irish Women Writers. Ed. Theresa O’Connor. Gainesville: Florida UP, 1996: 73–98. Print.
  • McGovern, Kelly J. S. “Fattening Out Memories: Big House Daughters and Abjection in Molly Keane’s Good Behaviour and Loving and Giving.” Molly Keane: Centenary Essays. Ed. Éibhear Walshe and Gwenda Young. Portland, OR: Four Courts P, 2006. 125–136. Print.
  • O’Brien, Ellen L. “Anglo-Irish Abjection in the ‘Very Nasty’ Big House Novels of Molly Keane.” LIT 10 (2001): 35–62. Print.
  • O’Toole, Bridget. “Three Writers of the Big House: Elizabeth Bowen, Molly Keane and Jennifer Johnston.” Across a Roaring Hill: The Protestant Imagination in Modern Ireland. Ed. Gerald Dawe and Edna Longley. Dover, NH: Blackstaff P, 1985. 124–138. Print.
  • Phipps, Sally, and Virginia Brownlow. “Memories of Molly Keane.” Molly Keane: Centenary Essays. Ed. Éibhear Walshe and Gwenda Young. Portland, OR: Four Courts P, 2006. 17–24.
  • Quinn, John, ed. “Molly Keane.” A Portrait of the Artist as a Young Girl. London: Methuen London Ltd., 1986. 63–78. Print.
  • Roberts, Michele. Introduction. Loving and Giving. 1988. By Molly Keane. London: Virago, 2006. n.p. Print.
  • Sceats, Sarah. Food, Consumption and the Body in Contemporary Women’s Fiction. Cambridge: Cambridge UP, 2000. Print.
  • Weekes, Ann Owens. “Molly Keane.” Irish Women Writers: An A-to-Z Guide. Ed. Alexander G. Gonzalez. Westport, CT: Greenwood P, 2005. 168–172. Print.

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