The aesthetic and spiritual contexts of Giriama vigango in Kenya and their relationship to contemporary sculptural form

References

• Brown , Jean Lucas . 1980 . Miji-Kenda Grave and Memorial Sculptures . African Arts , 13 : 36 – 39 . 88
   Google Scholar
• Coote , J. and Shelton , A. , eds. 1995 . Anthropology, Art and Aesthetics Oxford : Clarendon Press .
   Google Scholar
• Hilty , G. , Reason , D. and Shelton , A. 1995 . Hold: Acquisition, Representation, Perception , Catalogues and Occasional Papers Series II Brighton, East Sussex : The Green Centre for Non-Western Art and Culture at The Royal Pavillion, Art Gallery and Museums .
   Google Scholar
• Parkin , D. J. 1991 . Sacred Void: Spatial Images of Work and Ritual among the Giriama of Kenya Cambridge : Cambridge University Press .
   Google Scholar
• Paolozzi , E. 1985 . “ Lost Magic Kingdoms: and Six Paper Moons ” . In Nahuati—an Exhibition at the Museum of Mankind 25 – 39 . London : Museum of Mankind .
   Google Scholar
• Philips , T. , ed. 1995 . Africa: The Art of a Continent London : Royal Academy of Arts .
   Google Scholar
• Spear , T. T. 1978 . The Kaya Complex: A History of the Mijkenda Peoples of the Kenya Coast to 1900 Nairobi : Kenya Literature Bureau .
   Google Scholar
• Willis , J. 1996 . The northern Kayas of the Mijikenda . Azania , XXXI : 75 – 98 .
   Google Scholar
• Wolfe , E. III . 1986 . Vigango-Commemorative Sculpture of the Mijikenda of Kenya Williamstown, Massachusetts : Williams College Museum of Art .
   Google Scholar