Hipsters End: Queer Time, and Imitation versus Authenticity, in Matthew Lopez’s the Inheritance

References

• Alcott, L. M. (1989). Little women. New York, NY: Penguin.
   Google Scholar
• Andersson, J. (2019). Homonormative aesthetics: AIDS and ‘de-generational unremembering’ in 1990s London. Urban Studies, 56(14), 2993–3010. doi:https://doi.org/10.1177/0042098018806149
   Google Scholar
• Barone, J. (2019, October 25). What generations of gay men hand down in ‘The InheritanceThe New York Times. Retrieved from https://www.nytimes.com/2019/10/25/theater/the-inheritance-broadway.html
   Google Scholar
• Bennett, A. (2004). The history boys. London, UK: Faber & Faber.
   Google Scholar
• Billington, M. (2018, March 29). The Inheritance review — Angels in America meets howards end. The Guardian. Retrieved from https://www.theguardian.com/stage/2018/mar/29/the-inheritance-review-stephen-daldry
   Google Scholar
• Bowles, H. (2019, October 2). The Inheritance, London’s epic, 7-hour “play of the century” arrives on Broadway. Vogue. Retrieved from https://www.vogue.com/article/matthew-lopez-the-inheritance-broadway
   Google Scholar
• Buerkle, C. W. (2019). Adam mansplains everything: White-hipster masculinity as covert hegemony. Southern Communication Journal, 84(3), 170–182.
   Web of Science ®Google Scholar
• Butler, J. (1993). Bodies that matter: On the discursive limits of sex. New York, NY: Routledge.
   Google Scholar
• Castiglia, C., & Reed, C. (2012). If memory serves: Gay men, AIDS, and the promise of the queer past. Minneapolis: University of Minnesota Press.
   Google Scholar
• Cavendish, D. (2018, March 29). The inheritance, young vic review: Perhaps the most important American play of the century so far. The Telegraph. Retrieved from https://www.telegraph.co.uk/theatre/what-to-see/inheritance-young-vic-reviewperhaps-important-american-play/
   Google Scholar
• Costas, C. D., (Executive Producer). 2003. Angels in America [TV series]. HBO.
   Google Scholar
• Crowley, M. (2010). The Boys in the Band. New York, NY: Samuel French.
   Google Scholar
• Cucullu, L. (2003). “Only Cathect”: Queer heirs and narrative desires in Howards End. In P. Holden & J. Ruppel (Eds.), Imperial desire: Dissident sexualities and colonial literature (pp. 195–222). Minneapolis: University of Minnesota Press.
   Google Scholar
• Dakak, N. (2017). Walking, strolling and trailing: Ivory’s adaptation of movement in Forster’s Howards End. In L. Mellet & E. Cavalié (Eds.), Only connect: E. M. Forster’s legacies in British fiction (pp. 211–225). Bern, Switzerland: Peter Lang.
   Google Scholar
• Diedrich, L. (2007). Doing queer love: Feminism, AIDS, and history. Theoria, 54(112), 25–50. doi:https://doi.org/10.3167/th.2007.5411203
   Google Scholar
• Duggan, L. (2003). The twilight of equality? Neoliberalism, cultural politics, and the attack on democracy. Boston, MA: Beacon Press.
   Google Scholar
• Evangelista, V. (2020, March 10). “ANGELS IN AMERICA” whaaat!??? It is now irrelevant, dated and stupid because of the brilliance of this opus. @inheritanceplay Part 1&2. Instagram. Retrieved from https://www.instagram.com/p/B9ic4aHl0bI/?igshid=1fjd9gwkfch9a
   Google Scholar
• Fernández Carbajal, A. (2014). Compromise and resistance in postcolonial writing: E. M. Forster’s Legacy. Basingstoke. UK: Palgrave Macmillan.
   Google Scholar
• Forster, E. M. (1972). Maurice. Harmondsworth, UK: Penguin.
   Google Scholar
• Forster, E. M. (2012). Howards End. London, UK: Penguin.
   Google Scholar
• Gilbert, S. (2018, April 18). The Inheritance and the Ambitions of Queer Art. The Atlantic. Retrieved from https://www.theatlantic.com/entertainment/archive/2018/04/the-inheritance-the-young-vic/558209/
   Google Scholar
• Halberstam, J. (2005). A queer time and place: Transgender bodies, subcultural lives. New York: New York University Press.
   Google Scholar
• Hall, M. K. (2003). The reification of high culture in Merchant-Ivory’s. Howards End. Literature/Film Quarterly, 31(3), 221–226.
   Google Scholar
• Huebenthal, J. (2017). Un/detectability in times of “equality”: HIV, queer health, and homonormativity. European Journal of American Studies, 11(3), 1–23. doi:https://doi.org/10.4000/ejas.11729
   Web of Science ®Google Scholar
• Hytner, N., (Director). (2006). The history boys [Film]. BBC Two Films; DNA Films; UK Film Council.
   Google Scholar
• Ivory, J., (Director). (1992). Howards end [Film]. Andrew Marcus; Merchant Ivory; Sumitomo; Imagica; Cinema Ten; JSB Japan Satellite; Ide; Film Four International.
   Google Scholar
• Kushner, T. (2007). Angels in America, part one and two. London, UK: Nick Hern.
   Google Scholar
• Kwa Hawking, F. (2018, October 15). Review: The inheritance at Noël Coward theatre. Exeunt Magazine. Retrieved from http://exeuntmagazine.com/reviews/review-the-inheritance/
   Google Scholar
• Lang, B. (2020, February 20). ‘The Inheritance’ closing in march after box office struggles. Variety. Retrieved from https://variety.com/2020/legit/news/the-inheritance-broadway-box-office-1203509758/
   Google Scholar
• Lopez, M. (2011). The wipping man. New York, NY: Samuel French.
   Google Scholar
• Lopez, M. (2017). The legend of Georgia McBryde. New York, NY: Dramatists Play Service Inc.
   Google Scholar
• Lopez, M. (2018). The Inheritance. London, UK: Faber & Faber.
   Google Scholar
• Lopez, M. (2020, February 7). What I wanted to say in “The Inheritance.” And what I didn’t. The New York Times. Retrieved from https://www.nytimes.com/2020/02/07/theater/matthew-lopez-the-inheritance.html
   Google Scholar
• McHenry, J. (2019, October 29). Howards end Comes Out. Vulture. Retrieved from https://www.vulture.com/2019/10/how-matthew-lopez-adapted-howards-end-for-broadway.html
   Google Scholar
• Mead, R. (2019, September 9). The gay genealogist: Matthew Lopez’s theatrical epic. The New Yorker, pp. 36–43.
   Google Scholar
• Mounford, F. (2018, September 17). Matthew Lopez interview: ‘Howards end was a life raft for me. Go London. Retrieved from https://www.standard.co.uk/go/london/theatre/matthew-lopez-interview-howards-end-was-a-life-raft-for-me-a3937496.html
   Google Scholar
• Paulson, M. (2020, February 20). Broadway’s ‘The Inheritance’ to close on March 15. The New York Times. Retrieved from https://www.nytimes.com/2020/02/20/theater/inheritance-broadway-closing.html
   Google Scholar
• René, N., (Director). (1990). Longtime companion [Film]. American Playhouse; Theatrical Films.
   Google Scholar
• Rooney, D. (2020, February 20). ‘The Inheritance’ sets early closing on broadway. The Hollywood Reporter. Retrieved from https://www.hollywoodreporter.com/news/inheritance-sets-early-closing-broadway-1280254
   Google Scholar
• Sachs, I., (Director). (2012). Keep the lights on [Film]. Parts and Labor; Post Factory Films; Alarum Pictures; Film 50.
   Google Scholar
• Said., E. W. (1994). Culture and imperialism. London, UK: Vintage.
   Google Scholar
• Schiermer, B. (2014). Late-modern hipsters: New tendencies in popular culture. Acta Sociologica, 57(2), 167–181. doi:https://doi.org/10.1177/0001699313498263
   Web of Science ®Google Scholar
• Schulman, S. (2012). The gentrification of the mind: Witness to a lost imagination. Berkeley: California University Press.
   Google Scholar
• Scotarts. (2018, December 17). The Inheritance. Broadway World. Retrieved March 23, 2020, from https://www.broadwayworld.com/board/readmessage.php?page=3&thread=1108957
   Google Scholar
• Solomon, A. (2020, March 3). Yikhes. Jewish Currents. Retrieved from https://jewishcurrents.org/yikhes/
   Google Scholar
• Stoppard, T. (1997). The invention of love. London, UK: Faber & Faber.
   Google Scholar
• Thorpe, A. (2018). Hegel’s hipsters: Claiming ownership in the contemporary city. Social & Legal Studies, 27(1), 25–48. doi:https://doi.org/10.1177/0964663917701304
   Web of Science ®Google Scholar
• Trueman, M. (2018, March 29). London theater review: “The Inheritance. Variety. Retrieved from https://variety.com/2018/legit/reviews/the-inheritance-review-play-1202739184/
   Google Scholar
• Turner, K. (2019, November 18). Goodbye to all that: Matthew Lopez’s “The Inheritance. Medium. Retrieved from https://medium.com/@TyleKurner/goodbye-to-all-that-matthew-lopezs-the-inheritance-e0ef942cc9c1
   Google Scholar
• Weir, P., (Director). (1989). Dead poets society [Film]. Touchstone Pictures; Silver Screen Partners IV.
   Google Scholar
• Williams, T. (2009). The Glass Menagerie. London, UK: Penguin.
   Google Scholar
• Woolf., V. (2000). Mrs Dalloway. London, UK: Penguin.
   Google Scholar
• Yanagihara, H. (2016). A little life. London, UK: Picador.
   Google Scholar