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Articles

Characterization of Yellow and Red Natural Organic Colorants on Japanese Woodblock Prints by EEM Fluorescence Spectroscopy

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  • Further Reading
  • Barrett, T. 1983. Japanese papermaking: Traditions, tools and techniques. New York: Weatherhill.
  • Clark, T., A. Nishimura Morse, and L. Virgin, with A. Hockley. 2001. The Dawn of the Floating World 1650–1765: Early Ukiyo-e Treasures from the Museum of Fine Arts, Boston. Royal Academy of Arts, London, and Museum of Fine Arts, Boston. The Torii mitsu print (fig.2, MFA #11.19030) is included in this catalogue.
  • Hughes, S. 1978. Washi: The world of Japanese paper. Tokyo: Kodansha International.
  • Jett, P., J. Winter, and B. McCarthy, eds. 2005. Scientific research on the pictorial arts of Asia: Proceedings of the second forbes symposium at the freer gallery of Art. London: Archetype Publications and Freer Gallery of Art.
  • Meech, J. and J. Oliver, eds. 2008. Designed for pleasure: The world of Edo Japan in prints and paintings, 1680–1860. Seattle: Asia Society and Japanese Art Society of America in association with University of Washington Press.
  • Stratis, H. K., and B. Salvesen, eds. 2002. The broad spectrum: Studies in the materials, techniques and conservation of color on paper. London: Archetype Publications.
  • References Used by Uemura for Information on Textile Dyes
  • Engi Shiki: A written compendium of religious laws and ceremonies that were practiced during the Engi era (901–923 CE) in Japan.
  • Izumo Fudoki: The Records of Izumo, were written about 733 and describe the life and customs of the area, from present day Matsue City toward the Grand Shrine of Izumo and along the coast of Shimane. During the Nara period (710–794), the Southeastern side of Matsue was the center of politics, economy, and culture of the Izumo region.
  • List of dye plants: Compiled by the Ministry of Agriculture and Forestry (1925–1978); currently the Ministry of Agriculture, Forestry and Fisheries), titled “Nōrinsho Sanrinkyoku hen, Senryo-yo hompo shinrin shokubutsu ichiranhy.
  • Natsume described in the manuscript “Somemono-hayashinan (染物早指南)” from 1854 AD (this is a woodblock printed book and the MFA has a copy, dated 1853).
  • Shoku Nihongi: An imperially commissioned Japanese history text. Completed in 797AD, it is the second of the Six National Histories, covering the period from 697–791.
  • Tale of Genji: A classic work of Japanese literature written by the noblewoman and lady-in-waiting Murasaki Shikibu in the early years of the 11th century, around the peak of the Heian period.

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