References
- Appelbaum, Barbara. 2007. Conservation Treatment Methodology. Oxford: Butterworth-Heinemann/Elsevier.
- Bishop, Mitchell Hearns. 2001. “Evolving Exemplary Pluralism: Steve McQueen’s ‘Deadpan’ and Eija-Liisa Ahtila’s ‘Anne, Aki and God’-Two Case Studies for Conserving Technology-Based Installation Art.” Journal of the American Institute for Conservation 40 (3): 179–191. doi:https://doi.org/10.2307/3179878.
- Cohen, Michael. 2016. “Dimensions of Spatial Sound and Interface Styles of Audio Augmented Reality: Whereware, Wearware, and Everyware.” In Fundamentals of Wearable Computers and Augmented Reality, edited by Woodrow Barfield, 2nd ed., 277–308. Boca Raton: Taylor & Francis Group.
- Davies, Stephen. 2004. Musical Works and Performances: A Philosophical Exploration. Oxford: Oxford University Press, Incorporated. Accessed March 2, 2021. ProQuest Ebook Central.
- Getty Conservation Institute. 2009. “Competing Commitments: A Discussion about Ethical Dilemmas in the Conservation of Modern and Contemporary Art.” Newsletter 24.2 (Fall). http://www.getty.edu/conservation/publications_resources/newsletters/24_2/dialogue.html.
- Giebeler, Julia, Andrea Sartorius, Gunnar Heydenreich, and Andreas Fischer. 2021. “A Revised Model for Decision-Making in Contemporary Art Conservation and Presentation.” Journal of the American Institute for Conservation, doi:https://doi.org/10.1080/01971360.2020.1858619.
- Hermann, Robert. 2007. “Recording the Sound of Installation Art Objects.” Guide produced under B3 Activity: Documentation of Movement and Sound led by Reinhard Bek, Museum Tinguely. Inside Installations: Preservation and Presentation of Installation Art project co-organized by Netherlands Institute for Cultural Heritage / ICN, Tate (UK), S.M.A.K. (Belgium), Restaurierungszentrum Düsseldorf, Foundation for the Conservation of Contemporary Art/ SBMK (The Netherlands) and Museo Nacional Centro de Arte Reina Sofia, Madrid. Accessed March 7, 2019. https://inside-installations.sbmk.nl/OCMT/mydocs/Recording%20the%20sound%20of%20installation%20art%20objects%20english.pdf.
- Laurenson, Pip. 2006. “Authenticity, Change and Loss in the Conservation of Time-Based Media Installations.” In Tate Papers, no. 6, Autumn. Accessed September 18, 2020. https://www.tate.org.uk/research/publications/tate-papers/06/authenticity-change-and-loss-conservation-of-time-based-media-installations.
- MoMA (The Museum of Modern Art). 2018. “Pre-Acquisition Questions.” Resources for the workshop Getting Started: A Shared Responsibility—Caring for Time-Based Media Artworks in Collections at The Museum of Modern Art, New York, June 11–15. Accessed March 7, 2019. https://www.mediaconservation.io/s/_MoMA_Pre-Acquisition_Questionsdocx.pdf.
- Phillips, Joanna. 2012. “Shifting Equipment Significance in Time-Based Media Art.” In The Electronic Media Review, edited by Jeffrey Warda, Fletcher Durant, and Gwynne Ryan, Vol. 1, 139–154. Washington, DC: Electronic Media Group, American Institute for Conservation of Historic and Artistic Works. Accessed May 31, 2018. http://resources.culturalheritage.org/emg-review/wp-content/uploads/sites/15/2016/07/Vol-1_2010_Ch-6_Phillips.pdf
- Phillips, Joanna. 2015. “Reporting Iterations: A Documentation Model for Time-Based Media Art.” Revista De História Da Arte 4: 168–177. Accessed September 25, 2017. http://revistaharte.fcsh.unl.pt/rhaw4/RHAw4.pdf
- Rivenc, Rachel. 2017. “Interview: Jim Coddington, formerly/retired Agnes Gund Chief Conservator at the Museum of Modern Art.” Triennium 2014-2017 Newsletter 3, Modern Materials and Contemporary Art working group, International Council of Museums Committee for Conservation (ICOM-CC), 21–24.
- van de Vall, Renée, Hanna Hölling, Tatja Scholte, and Sanneke Stigter. 2011. “Reflections on a Biographical Approach to Contemporary Art Conservation.” In ICOM-CC 16th Triennial Conference Preprints, Lisbon 19–23 September 2011, edited by Janet Bridgland. Almada: Critério-Produção Grafica, Lda. Accessed August 31, 2020. https://pure.uva.nl/ws/files/1262883/115640_344546.pdf
- Wharton, Glenn. 2016. “Reconfiguring Contemporary Art in the Museum.” In Authenticity in Transition: Changing Practices in Art Making and Conservation, edited by Erma Hermens, 27–36. London: Archetype Publications.
- White, Glenn D., and Gary J. Louise. 2005. The Audio Dictionary. 3rd ed. Seattle: University of Washington Press.
- Further Reading
- David, Gary D., and Ralph Jones. 1989. The Sound Reinforcement Handbook. Milwaukee: Yamaha, Hal Leonard.
- Kelly, Caleb. 2011. Sound in Art. London: Whitechapel Gallery. Cambridge, MA: MIT Press.