Deconstructing the Creation of Daguerre’s dessins-fumées: A Photographic Process or Just Smoke and Mirrors?

References

• Alfeld, Matthias, and Koen Janssens. 2015. “Strategies for Processing Mega-Pixel X-ray Fluorescence Hyperspectral Data: A Case Study on a Version of Caravaggio's Painting Supper at Emmaus.” Journal of Analytical Atomic Spectrometry 30 (3): 777–789. doi:10.1039/c4ja00387j.
   Web of Science ®Google Scholar
• Bann, Stephen. 2001. Parallel Lines: Printmakers, Painters and Photographers in Nineteenth Century France. New Haven, CT: Yale University Press.
   Google Scholar
• Bion, Nicolas. 1709. Traité de la construction et des principaux usages des instrumens de mathématique: avec les figures nécessaires pour l'intelligence de ce traité. Paris: J. Collombat.
   Google Scholar
• Burlingham, Cynthia. 2016. “Revivals and Modernity: The Printed Image in Nineteenth-Century France.” In Noir: The Romance of Black in Nineteenth-Century French Drawings and Prints, edited by Lee Hendrix, 5–15. Los Angeles: J. Paul Getty Museum.
   Google Scholar
• Burns, Thea, and Vojtech Jirat-Wasiutynski. 1996. “Paul Gauguin's Breton “Girl by the Sea": Recovering a Gouache for the Artist's Oeuvre.” Artibus et Historiae 17 (33): 175–185. doi:10.2307/1483556.
   Google Scholar
• Cohn, Marjorie B. 1970. “A Note on Media and Methods.” In Tiepolo, A Bicentenary Exhibition, edited by George Knox, 211–221. Cambridge: Fogg Art Museum, Harvard University.
   Google Scholar
• Cohn, Marjorie B., and Rachel Rosenfield. 1977. Wash and Gouache. A Study for the Development of the Materials of Watercolor. Cambridge: Fogg Art Museum, Harvard University.
   Google Scholar
• Daly, Nathan S., Michelle Sullivan, Lynn Lee, and Karen Trentelman. 2018. “Multivariate Analysis of Raman Spectra of Carbonaceous Black Drawing Media for the in Situ Identification of Historic Artist Materials.” Journal of Raman Spectroscopy 49 (9): 1497–1506.
   Web of Science ®Google Scholar
• Eastaugh, Nicholas, Valentine Walsh, Tracey Chaplin, and Ruth Siddall. 2007. Pigment Compendium: A Dictionary of Historical Pigments. New York: Routledge.
   Google Scholar
• Fielding, Theodore Henry. 1841. The Art of Engraving, with the Various Modes of Operation Under the Following Different Divisions: Etching, Soft-Ground Etching, Line Engraving, Chalk and Stipple, Aquatint, Mezzotint, Lithography, Wood Engraving, Medallic Engraving, Electrography, and Photography: Illustrated with Specimens of the Different Styles of Engraving. London: Ackermann & Company.
   Google Scholar
• Finlay, Michael. 1990. Western Writing Implements in the A ge of the Quill Pen. Wetheral: Carlisle; Cumbria: Plains Books.
   Google Scholar
• Fouque, Victor. 1935. The Truth Concerning the Invention of Photography: Nicéphore Niépce, his Life, Letters, and Works. New York: Tennant & Ward.
   Google Scholar
• Gernsheim, Helmut, and Alison Gernsheim. 1968. LJM Daguerre: The History of the Diorama and the Daguerreotype. 2nd rev. ed. New York: Dover publications.
   Google Scholar
• Hambly, Maya. 1988. Drawing Instruments, 1580-1980. London: Sotheby Parke Bernet Pubns.
   Google Scholar
• Hullmandel, Charles. 1824. The art of Drawing on Stone, Giving a Full Explanation of the Various Styles, etc. London: C. Hullmandel; & R. Ackermann.
   Google Scholar
• James, Carlo, and Marjorie B. Cohn. 1997. Old Master Prints and Drawings: A Guide to Preservation and Conservation. Amsterdam: Amsterdam University Press.
   Google Scholar
• Lalanne, Maxime. 1880. A Treatise on Etching. Translated by S.R. Koehler. Boston: L. Berville.
   Google Scholar
• Langlois, Claude, and Jean Duvivier. 1744. Description et usage du pantographe, autrement appelé singe: changé & perfectionné par C. Langlois, ingénieur du Roi & de l'Académie royale des sciences pour les instrumens de mathématiques. https://gallica.bnf.fr/ark:/12148/bpt6k315725z. doi:10.4000/perspective.15521.
   Google Scholar
• Pinson, Stephen C. 2012. Speculating Daguerre: Art and Enterprise in the Work of L.J.M. Daguerre. Chicago: University of Chicago Press.
   Google Scholar
• Pinson, Stephen C. 2014. “Omphaloskeptical? On Daguerre, Smoke Drawing, Finger Painting, and Photography.” In Photography and Its Origins, edited by Tanya Sheehan and Andrés Mario Zervigón, 41–52. New York: Routledge.
   Google Scholar
• Rhodes, Barbara J., and William Wells Streeter. 1999. Before Photocopying: The Art and History of Mechanical Copying 1780-1938. New Castle, DE: Oak Knoll Press.
   Google Scholar
• Roldan, María L., Silvia A. Centeno, Adriana Rizzo, and Yana van Dyke. 2017. “Characterization of Bistre Pigment Samples by FTIR, SERS, Py-GC/MS and XRF.” MRS Online Proceedings Library Archive 1656: 139–148.
   Google Scholar
• Rosi, Francesca, Costanza Miliani, René Braun, Roland Harig, Diego Sali, Brunetto G. Brunetti, and Antonio Sgamellotti. 2013. “Noninvasive Analysis of Paintings by Mid-Infrared Hyperspectral Imaging.” Angewandte Chemie International Edition 52 (20): 5258–5261. doi:10.1002/anie.201209929.
   PubMed Web of Science ®Google Scholar
• Scheiner, Christophorus. 1631. Pantographice seu Ars delineandi res quaslibet per parallelogrammum lineare seu cavum. Rome: Ex typographia Ludouici Grignani.
   Google Scholar
• Schenck, Kimberly. 2005. “Crayon, Paper, Paint: An Examination of Nineteenth-Century Drawing Materials.” In The Essence of Line: French Drawings from Ingres to Degas, edited by Jay Fisher, William Johnston, Cheryl Snay, and Kim Schenk, 57–79. University Park, PA: Pennsylvania State University Press.
   Google Scholar
• Senefelder, Alois. 1819. A Complete Course of Lithography: Containing Clear and Explicit Instructions in All the Different Branches and Manners of That Art: Accompanied by Illustrative Specimens of Drawings. To Which is Prefixed a History of Lithography, from Its Origin to the Present Time. London: R. Ackermann.
   Google Scholar
• Solé, V. A., E. Papillon, M. Cotte, Ph Walter, and J. Susini. 2007. “A Multiplatform Code for the Analysis of Energy-Dispersive X-ray Fluorescence Spectra.” Spectrochimica Acta Part B: Atomic Spectroscopy 62 (1): 63–68. doi:10.1016/j.sab.2006.12.002.
   Web of Science ®Google Scholar
• Wallace, William. 1836. “XIX. Account of the Invention of the Pantograph, and a Description of the Eidograph, a Copying Instrument Invented by William Wallace, A.M., F.R.S. Edin., F.R.A.S., Memb. Cam. Phil. Soc, &c., Professor of Mathematics in the University of Edinburgh.” Transactions of the Royal Society of Edinburgh 13 (2): 418–439. DOI: https://doi.org/10.1017/S0080456800024698.
   Google Scholar
• Woodcroft, Bennet. 1857. Subject-Matter Index of Patents of Invention, From March 2, 1617 (14 James I.) to October 1, 1852 (16 Victoriae). N to W. London: Great Seal Patent Office.
   Google Scholar