Tapestry, ideology and counter voices in Southern Africa during apartheid

References

• Arnott, B. 1968. Letter to Helge Fosseus, Cape Town, May 27, 1968. Uppsala: Church of Sweden Mission archives.
   Google Scholar
• Attwell, E. 1975. “Rorke’s Drift on the Day Eleven Victoria Crosses Were Won.” Lantern 25 (1): 88–91.
   Google Scholar
• Basson, J. 1976. “Zoeloekuns in Florence.” Bantu XXIII (5): 10–16.
   Google Scholar
• Bonnier, J. 1979. Inblandning: Snitt ur en livshistoria (Interference: A Section of a Life History). Stockholm: Bonniers.
   Google Scholar
• Coplan, D. 1989. “In the Time of Cannibals: Basotho Working-Class Aurature and the Meaning of Sesotho.” Paper presented at the Africa Seminar, University of Cape Town, Centre for African Studies, Cape Town, March 29.
   Google Scholar
• De Jager, E. 1992. Images of Man: Contemporary South African Black Art and Artists. Alice: Fort Hare University Press.
   Google Scholar
• Foucault, M. 1980. Power – Knowledge. New York: Pantheon Books.
   Google Scholar
• Freschi, F. 2011. “Afrikaner Nationalism, Modernity and the Changing Canon of ‘High Art’, 1945–1976.” In Visual Century: South African Art in Context, Vol. 2, 1945-1976, edited by L. van Robbroeck, 8–25. Johannesburg: Wits University Press.
   Google Scholar
• Gombrich, E. 1972. The Story of Art. London: Phaidon.
   Google Scholar
• Gowenius, P. 1963. “Report of the Principal of the Art School, Umpumulo Art School.” Umpumulo, April 18. Records at Rorke’s Drift.
   Google Scholar
• Gowenius, P. 1967. “Proposal for Art and Craft Centre in Lesotho.” Unpublished manuscript. Received at the Church of Sweden Mission, Uppsala, March 3. Uppsala: Church of Sweden Mission archives.
   Google Scholar
• Gowenius, P. 2002. “Personal Memoirs (Unpublished).” On File with the Author.
   Google Scholar
• Granath, O. C.1969. “Vävverkstaden.” Unpublished manuscript. Power, Gender and Community Art Archive, University of Johannesburg.
   Google Scholar
• Hobbs, P. 2019. “Ideology, Imagery and Female Agency in Tapestry at the Evangelical Lutheran Church Art and Craft Centre, Rorke’s Drift, During the Swedish Period 1961–1976.” PhD diss., University of Johannesburg.
   Google Scholar
• Jantjies, G, J Carman, L van Robbroeck, M Majavu, M Pissarra, and T Goniwe, eds. 2011. Visual Century: South African Art in Context 1907–2007. Vols. 1–4. Johannesburg: Wits University Press.
   Google Scholar
• Johansson, A. 2004. “Rorke’s Drift vävverkstäder 1962–1976.” Undergraduate essay, Institutionen för humaniora och samhällsvetenskap, Högskolan i Gävle.
   Google Scholar
• Khaketla, BM. 1972. Lesotho, 1970: An African Coup Under the Microscope. Berkeley: University of California Press.
   Google Scholar
• Kunene, D. 1971. Heroic Poetry of the Basotho. Oxford: Clarendon Press.
   Google Scholar
• “Lesotho Expels Mission Worker.” 1970. Argus, February 14.
   Google Scholar
• Liedholm, A. 1970. “Konst Från Afrika.” Upsala (sic) Nya Tidning, May 14.
   Google Scholar
• Lislerud, G. 1962. “Meeting between the Minister of Bantu Education (Marais) and CSM re: Proposed Art School at Rorke’s Drift.” Unpublished notes, April 7. Pietermaritzburg: Lutheran Theological College archives.
   Google Scholar
• Losell, I. 1970. “Går Lesotho mot inbördeskrig? (Does Lesotho Oppose Civil War?).” Utblick 95 (4): 16.
   Google Scholar
• Made in Africa. 1970. Exhibition catalogue. Stockholm: National Museum.
   Google Scholar
• Minutes of the Meeting of the Church of Sweden Board, Uppsala, Sweden, February 26, 1970.
   Google Scholar
• Mudimbe, V. 1988. The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge. Bloomington: Indiana University Press.
   Google Scholar
• Offringa, D. 1988. “Die Evangeliese Lutherse Kerkkuns- en Handwerksentrum, Rorke’s Drift.” MA diss., University of Pretoria.
   Google Scholar
• Offringa, D. 1990. “Rorke’s Drift-weefwerk: Skakel tussen twee pole.” Suid-Afrikaanse Tydskrif vir Kultuurgeskiedenis 4 (4): 250–257.
   Google Scholar
• Raath, E. 1974. “Zoeloebehoring in Florence.” Bantu XXI (6): 2–7.
   Google Scholar
• Raubenheimer, M. 1979. And Still Man Weaves …. Pretoria: South African Wool Board.
   Google Scholar
• Rosenberg, S, and R Weisfelder. 2013. Historical Dictionary of Lesotho. Plymouth: Scarecrow Press.
   Google Scholar
• ”Svenskar Invävda I Afrika (Swedes Woven into Africa).” 1970. Dagens Nyheter, April 17.
   Google Scholar
• Svenson, E. 1967. Letter to Jytte Bonnier, Rorke’s Drift. Uppsala: Church of Sweden Mission archives, July 26.
   Google Scholar
• Van der Walt, M. 1979. “Weefkuns in Suider-Afrika: Met besondere verwysing na tapyte en tapisserieë.” MA diss., University of Pretoria.
   Google Scholar
• Van Rensburg, W. 2015. Textured Translations: The Stephens Tapestry Studio. Exhibition catalogue. Gallery AOP: Johannesburg.
   Google Scholar
• Van Robbroeck, L. 2006. “Writing White on Black: Modernism as a Discursive Paradigm in South African Writing on Modern Black Art.” PhD diss., University of Stellenbosch.
   Google Scholar
• van Robbroeck, L, ed. 2011a. “Timelines 1945–1976.” In Visual Century: South African Art in Context, Vol. 2, 1945-1976, 188–205. Johannesburg: Wits University Press.
   Google Scholar
• Van Robbroeck, L, ed. 2011b. “Timelines 1945–1976.” In Visual Century: South African Art in Context, Vol. 2, 1945-1976, 188–205. Johannesburg: Wits University Press.
   Google Scholar
• Werth, A. 1973. “Africa do Sul”. In XII Bienal de São Paulo. Exhibition Catalogue, edited by Fundaçāo Bienal de Sāo Paulo, 22–25. São Paulo: Bienal de São Paulo.
   Google Scholar
• Wikblom, U 1970. “Viktigare Lära Afrikan Överleva Än Att VävaViktigare lära afrikanöverleva än att väva (More Important for an African to Survive Than to Weave).” Svenska Dagbladet, April 24.
   Google Scholar
• Winai-Ström, G. 1986. Migration and Development: Dependence on South Africa: A Study of Lesotho. Uppsala: Scandinavian Institute of African Studies.
   Google Scholar