References
- Douglas, S. and J. Law. 1997. Beating about the Bush(man): reflection on 'Miscast: negotiating Khoisan history and material culture.' Visual Anthropology 10(1): 85–108.
- Fabian, J. 1979. Rule and process: thoughts on ethnography as communication. Philosophy of the Social Sciences 9(1): 1–26.
- Fabian, J. 1983. Time and the Other. Columbia: Columbia University Press.
- Glynn, P. 2013. What Dawid knew: a journey with the Kruipers. Johannesburg: Picador.
- Gordon, R. 1990. People of the Great Sandface: People of the great white lie. Commission of Visual Anthology Review ( Spring): 30-34.
- Isaacson, R. 2001. The healing land. London: Fourth Estate.
- Jackson, S. and S. Robins. 1999. Miscast: the place of the museum in negotiating the Bushman past and present. Critical Arts 13(1): 69–101.
- Lange, M.E., L.M. Jansen, R.C. Fisher, K.G. Tomaselli and D. Morris. 2013. Engraved landscapes. Biesje Poort: many voices. Gordon's Bay: Tormentoso.
- Masilela, N. 1987. The white South African writer in our national situation. Matatu 3(4): 48–75.
- Mikalsen, O. 2008. Development communication and the paradox of choice: imposition and dictatorship in comparing Sámi and San Bushmen experiences of cultural autonomy. Critical Arts 22(2): 295–332.
- Myburgh, P. 2013. The Bushman winter has come: the true story of the last band of ∣Gwike Bushmen on the Great Sandface. London: Penguin.
- Nicholls, B. 2008. Apartheid cinema and indigenous image rights: the 'Bushman myth' in Jamie Uys's The Gods Must be Crazy. scrutiny2 13(1): 20–32.
- Rouch, J. 1988. Our totemic ancestors and crazed maters. In Cinematographic theory and new dimensions in ethnographic film, Senri Ethnological Studies No. 24, ed. P. Hockings and Y. Omori. Osaka: National Museum of Ethnography.
- Ruby, J. 1977. The image mirrored: reflexivity and the documentary film. Journal of the University Film Association 29(1): 104–111.
- Sætre, M. 2003. The bushmen and the Others. Current writing: Text and Reception in Southern Africa 15(3): 118–134.
- Sienaert, E. 1988. Perspectives on and from oral testimony: Piet Draghoender's lament. Mosaic 21(3): 227–241.
- Tomaselli, K.G. 1992. Myths, racism and opportunism: contemporary film and TV representations of the San. In Film as ethnography, ed. I.P. Crawford and D. Turton, 205-222. London: Manchester University Press.
- Tomaselli, K.G. 1993. The post-apartheid era: the San as bridge between past and future. In Eyes across the water II, ed. R.M. Boonzajer Flaes and D. Harper, 81-90. Amsterdam: Het Spinhuis.
- Tomaselli, K.G. 1997. Orality, rhythmography and visual representation. Visual Anthropology 9(1): 93–116.
- Tomaselli, K.G., ed. 2007. Writing in the San/d: autoethnography amongst indigenous southern Africans. New York: Altamira Press.
- Wynberg, R., D. Schroeder and R. Chennels. 2009. Indigenous peoples, consent and benefit sharing: lessons from the San-Hoodia case. London and New York: Springer.
Filmography
- Myburgh, P.J. 1985. People of the Great Sandface. Anglia TV. 120 mins.
- Saetre, M. 2002. I Am, You Are? VHS, DVD. (Ngwatle). 40 mins.