78
Views
0
CrossRef citations to date
0
Altmetric
ARTICLES

A Face Like Mine: An Artist Self-Reflects on Her Identity against the Backdrop of South Africa's Transitions

ORCID Icon

References

  • Anderson, V. N. 2010. “Becoming a Subject: The Case of Michel Foucault and Paul.” Journal for Cultural and Religious Theory 11 (1): 127–141.
  • Bhabha, H. 1994. The Location of Culture. London: Routledge.
  • Boucher, G. 2006. “The Politics of Performativity: A Critique of Judith Butler.” Parrhesia 1: 112–141.
  • Broadhurst, S. 1999. Liminal Acts: A Critical Overview of Contemporary Performance and Theory. London: Cassell.
  • Butler, J. 1988. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40 (4): 519–531. https://doi.org/10.2307/3207893
  • Butler, J. 1990. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
  • Butler, J. 2009. “Performativity, Precarity and Sexual Politics.” Journal of Iberoamerican Anthropology 4 (3): i–xiii. https://doi.org/10.11156/aibr.040303e
  • Butler, J. 2010. “Performative Agency.” Journal of Cultural Economy 3 (2): 147–161. https://doi.org/10.1080/17530350.2010.494117
  • Cock, J. 1980. Maids and Madams. Johannesburg: Raven Press.
  • De Beauvoir, S. 1952. The Second Sex. Translated by H. M. Parsley. New York: Bantam.
  • Elkins, C. 2007. Sunday Book Review: A Life Exposed. The New York Times, January 14, 2007. Accessed on December 12, 2013. http://www.nytimes.com/2007/01/14/books/review/Elkins.t.html?_r=1&
  • Fischer-Lichte, E. 2005. Theatre, Sacrifice and Ritual: Exploring Forms of Political Theatre. London: Routledge.
  • Fleetwood, N. 2011. Troubling Vision: Performance, Visuality and Blackness. Chicago: University of Chicago Press.
  • Flockemann, M. 2011. “The Road That Calls.” In SA Lit Beyond 2000, edited by M. Chapman, and M. Lenta, 159–176. Scottsville: University of KwaZulu-Natal Press.
  • Foucault, M. 1991. “Nietzsche, Genealogy, History.” In The Foucault Reader, edited by Paul Rabinow, 71–100. London: Penguin.
  • Foucault, M. 1994. “The Subject and Power.” In Power: Essential Works of Foucault, Vol. 3, edited by J. D. Faubion, translated by Robert Hurley, 326–348. London: Penguin.
  • Foucault, M. 1997. “The Ethics of the Concern for Self as a Practice of Freedom.” In Ethics: Subjectivity and Truth: Essential Works of Foucault 1954–1984, edited by P. Rabinow, 281–301. New York: The New Press.
  • Hall, S. 1993. “Cultural Identity and Diaspora.” In Colonial Discourse and Post-Colonial Theory: A Reader, edited by P. Williams, and L. Chrisman, 392–403. London: Pearson.
  • Hill-Collins, P. 2000. Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment. New York: Routledge.
  • Kotz, L. 1992. “The Body You Want: Liz Kotz Interviews Judith Butler.” Artforum 31 (3): 82–89.
  • Krueger, A. 2010. Experiments in Freedom: Explorations of Identity in New South African Drama. Newcastle: Cambridge Scholars.
  • Lewis, M. 2010. “South Africa’s National Arts Festival.” Theatre Journal 62 (2): 275–280. https://doi.org/10.1353/tj.0.0367
  • Marais, C. 2014. Lived Realities of Domestic Workers within the South African Labour Legislative Context: A Qualitative Study. Ph.D. thesis. Vanderbijlpark: Faculty of Humanities (School of Behavioural Sciences), North-West University, Vaal Triangle Campus.
  • Nuttall, S. 2004. “City Forms and Writing the ‘Now’ in South Africa.” Journal of Southern African Studies 30 (4): 731–748. https://doi.org/10.1080/0305707042000313988
  • Nuttall, S. 2009. Entanglement: Literary and Cultural Reflections on Post-Apartheid. Johannesburg: Wits University Press.
  • Nuttall, S, and Michael, C. 2000. “Autobiographical Acts.” In Senses of Culture: South African Culture Studies, edited by S. Nuttall, and C. Michael, 298–317. Oxford: Oxford University Press.
  • Ortiz, L., and Jani, J. 2010. “Critical Race Theory: A Transformation Model for Teaching Diversity.” Journal of Social Work Education 46 (2): 175–193. https://doi.org/10.5175/JSWE.2010.200900070
  • Phewa, A. 2008a. A Face Like Mine. Unpublished play text. Can be obtained from the author.
  • Phewa, A. 2008b. A Face Like Mine. Theatre Making course notes. Can be obtained from the author. University of Cape Town, Cape Town.
  • Phewa, A. 2010. “A Face Like Mine.” (Interview for the Afrovibes Festival.) The South African, 28 September. Accessed on June 23, 2013. https://www.thesouthafrican.com/a-face-like-mine-2/
  • Phewa, A. 2011. Interview by Alude Mahali, 29 July. Cape Town, South Africa.
  • Salih, S. 2002. Judith Butler. New York: Routledge.
  • StatsSA. 2013. Quarterly Labour Force Survey: Quarter 3. Pretoria: South Africa.
  • Turner, V. 1982. From Ritual to Theatre: The Human Seriousness of Play. New York: Performing Arts Journal Publications.
  • Young, S. 2016. “Judith Butler: Performativity.” Critical Legal Thinking: Law and the Political, 14 November. Accessed May 29, 2017. http://criticallegalthinking.com/2016/11/14/judith-butlers-performativity/

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.