Publication Cover
Critical Arts
South-North Cultural and Media Studies
Volume 37, 2023 - Issue 2
72
Views
0
CrossRef citations to date
0
Altmetric
Articles

Photobooks and South Africa: Notes on Works by Peter Magubane and David Goldblatt

ORCID Icon

References

  • Africa in the Photobook. 2022. “South Africa.” Accessed January 7, 2022. https://africainthephotobook.com/tag/south-africa/.
  • Akassi, Clément. 2010. “El Sujeto Cultural (pos) Colonial y de la Poscolonia:¿ Hacia una Crítica Literaria Para los Estudios Hispanoafricanos?” Sociocriticism 25 (1–2): 329–351.
  • Armstrong, Carol. 1998. Scenes in a Library: Reading the Photograph in the Book, 1843–1875. Cambridge: MIT.
  • Ashcroft, Bill, Gareth Griggiths, and Helen Tiffin. 2003. The Post-Colonial Studies Reader. London: Routledge.
  • Badger, Gerry. 2015. “Why Photobooks are Important.” Zum Magazine. Accessed November 4, 2021. https://revistazum.com.br/en/revista-zum-8/fotolivros/.
  • Bell, Clare. 1996. “Introduction,” In In/sight: African Photographers, 1940 to the Present, edited by Clare Bell et al., 9–16. New York: The Solomon R. Guggenheim Foundation.
  • Clark, Andy. 2004. Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence. Oxford: Oxford University Press.
  • Di Bello, Patrizia, Colette Wilson, and Shamoon Zamir, eds. 2012. The Photobook: From Talbot to Ruscha and Beyond. Abingdon: Routledge.
  • Eisenstein, Sergei. 1957. The Film Sense, Tr. Jay Leyda. New York: Meridian Books.
  • Enwezor, Okwui, and Octavio Zaya. 1996. “Colonial Imaginary, Tropes of Disruption: History, Culture, and Representation in the Works of African Photographers”. In In/sight: African Photographers, 1940 to the Present, edited by Clare Bell et al., 17–48. New York: The Solomon R. Guggenheim Foundation.
  • Fernandes, Ana Luiza, Ana Paula Vitorio, and João Queiroz. 2015. “Quarenta Clics em Curitiba: os haicais intermidiáticos de Leminski e Pires.” Ipotesi – Revista de Estudos Literários 19 (1): 14–27.
  • Fernández, Horacio. 2011. The Latin American Photobook. Nova York: Aperture.
  • Foot, John. 2015. “Photography and Radical Psychiatry in Italy in the 1960s. The Case of the Photobook Morire di Classe (1969).” History of Psychiatry 26 (1): 19–35. doi:10.1177/0957154X14550136
  • Giersberg, Frits, and Rik Suermondt. 2012. The Dutch Photobook: A Thematic Selection from 1945 Onwards. Nova York: Aperture.
  • Goldblatt, David. 1975. Some Afrikaners Photographed. Cape Town: Murray Crawford Ltd.
  • Goldblatt, David, and Nadine Gordimer. 1973. On the Mines. Cape Town: C. Struik (PTY) Ltd.
  • Hallett, L. G. and M.A.F. Helm. 1944. African Tribes employed on the Witwatersrand Gold Mines. Johannesburg: Witwatersrand Gold Mining Industry.
  • Jensen, Ludwig. 1902. African Natives. Their Home and Customs. Durban: Printed by Electric Press.
  • Karasik, Mikhail, and Manfred Heiting. 2015. The Soviet Photobook 1920–1941. Göttingen: Steidl.
  • King, Edward. 2019. “Photography as Anthropotechnique and the Legacy of Canudos in the Contemporary Photobook in Brazil.” The Limits of the Human in Latin American Visual Culture. Gainesville: University Press of Florida.
  • Krantz, David. 2008. “Politics and Photography in Apartheid South Africa.” History of Photography 32 (4): 290–300. doi:10.1080/03087290802334885
  • Lazarus, Joseph and Maurice Lazarus. 1902. South African Natives. Their home and customs. Durban: Sallo Epstein & Co.
  • Mabry, Hannah. 2014. “Photography, colonialism and racism.” International Affairs Review. Fall 2014: 1-7.
  • Magubane, Peter. 1978. Soweto. Cape Town: Don Nelson.
  • Magubane, Peter. 1986. Soweto: The Fruit of Fear. Michigan: Wm. B. Eerdmans Publishing Company.
  • Martin, Michelle H. 2016. “Civil Rights Childhood: Picturing Liberation in African American Photobooks by Katharine Capshaw.” Children's Literature Association Quarterly 41 (4): 444–450. doi:10.1353/chq.2016.0049
  • Martinez, Laetitia. 2006. “Apartheid, White Society and Photography – David Goldblatt is Interviewed at Arles.” ASX. Accessed May 12, 2022. https://americansuburbx.com/2013/04/interview-david-goldblatt-interview-at-arles-2006.html.
  • Mbembe, Achille. 2001. On the Postcolony. Berkeley, Los Angeles, London: University of California Press.
  • McBride, Patrizia. 2012. “Narrative Resemblance: The Production of Truth in the Modernist Photobook of Weimar Germany.” New German Critique 39 (1): 169–197. doi:10.1215/0094033X-1434542
  • McCausland, Elizabeth. 1942. “Photographic Books.” The Complete Photographer 8 (43): 2783–2794.
  • Parr, Martin, and Gerri Badger. 2004. The Photobook: A History. vol 1. London: Phaidon.
  • Parr, Martin, and Gerri Badger. 2009. The Photobook: A History. Vol 2. London: Phaidon.
  • Parr, Martin, and Gerri Badger. 2014. The Photobook: A History. vol 3. London: Phaidon.
  • Peirce, Charles S. 1931–1966. The Collected Papers of Charles S. Peirce, 8 vols. Eds. Charles Hartshorne et al. Cambridge: Harvard University Press. [Reference to Peirce’s papers was designated CP followed by volume and paragraph number.].
  • Peirce, Charles S. 1998. Essential Peirce: Selected Philosophical Writings 2, 1893–1913. Ed. Peirce Edition Project. Bloomington: Indiana University Press. [Reference to vol. 2 of Essential Peirce was designated EP 2.].
  • Queiroz, João, and Pedro Atã. 2019 “Intersemiotic translation as a creative thinking tool: From Gertrude Stein to dance.” In Transmediations, edited by Niklas Salmose and Lars Elleström, 186–213. New York: Routledge.
  • Roth, Andrew, ed. 2001. The Book of 101 Books: Seminal Photographic Books of the 20th Century. Springfield: Roth Horowitz.
  • Roth, Andrew, et al. 2004. The Open Book: A History of the Photographic Book from 1878 to the Present. Gotemburgo: Hasselblad Center.
  • Shannon, Elizabeth. 2010. “The Rise of the Photobook in the Twenty-First Century.” North Street Review: Arts and Visual Culture 14: 55–62.
  • South African History Online. 2022. Ernest Cole. Accessed October 10, 2022. https://www.sahistory.org.za/people/ernest-cole.
  • Sweetman, Alex. 1986. Photographic Book to Bookwork: 140 Years of Photography in Publication. Riverside: University of California.
  • Thomas, Kylie. 2021. “History of Photography in Apartheid South Africa.” Oxford Research Encyclopedia of African History.
  • Valle, Marcela. 2020. “Três tons sobre o apartheid: as fotografias sitiadas da África do Sul.” Novos Olhares 9 (2): 91–104. doi:10.11606/issn.2238-7714.no.2020.167215
  • Vartanian, Ivan, et al., eds. 2009. Japanese Photobooks of the 1960s and ‘70s. Nova York: Aperture.
  • Vitorio, Ana Paula. 2020. Fotolivro como montagem: Fenômenos de justaposição eisensteiniana. Thesis. Rio de Janeiro: PUC-Rio.
  • Vitorio, Ana Paula, and João Queiroz. 2016. “Semiose e Intermidialidade nos Fotolivros “Silent Book” e “Sí por Cuba”.” Discursos Fotograficos 12 (21): 197–219. doi:10.5433/1984-7939.2016v12n21p197
  • Vitorio, Ana Paula, and João Queiroz. 2019. “Iconic Processes and Intermediality in the Photobooks Silent Book and Sí por Cuba.” Semiotica 231: 39–55. doi:10.1515/sem-2018-0072
  • Von Blum, Paul. 2005. “Resistance, Memory, and Hope: The Photographic Art of Peter Magubane.” Safundi: The Journal of South African and American Comparative Studies 6 (4): 1–14.
  • Wolf, Werner. 1999. “The Musicalization of Fiction: A Study in the Theory and History of Intermediality.” Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft 35. Amsterdam: Rodopi.
  • Willoughby, W.C. 1900. Native Life on the Transvaal Border. London: Simpkin, Marshall, Hamilton, Kent & Co.
  • Yatskevich, Olga, et al., eds. 2017. CLAP! 10x10: contemporary Latin American photobooks: 2000-2016. New York: 10 x 10 Photobook.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.