References
- Acharya, Avishek. 2022. “Mecca for the Colored People”: Reexamining the Demolition of Pittsburgh’s Lower Hill District Paper presented to the Undergraduate Research and Scholarship Symposium Duquesne University Scholarship Collection 20 April 2022.
- Baldwin, James. 1984. “Stranger in the Village.” In Notes of a Native Son Boston. Beacon Press.
- Bell, Christopher B. 2016. “A Century Lacking Progress: The Fractured Community in Gem of the Ocean and King Hedley II.” In August Wilson’s Pittsburg Cycle: Critical Perspectives on the Plays, edited by S. G. Shannon, 117–127. Jefferson: McFarland.
- Boan, Devon. 1998. “Call and Response: Parallel ‘Slave Narrative’ in August Wilson’s The Piano Lesson.” African American Review 32: 2: 263–271. https://doi.org/10.2307/3042123.
- Brustein, Robert. 2012. “The Lesson of The Piano Lesson.” Literature Resource Center. 28–30.
- Bull, Michael. 2001. “Soundscapes of the Car: A Critical Study of Automobile Habitation.” In Car Cultures, edited by D. Miller, 185–202. Oxford & New York: Berg.
- Camus, Albert. 1942. The Myth of Sisyphus. Paris: Gallimard.
- Clifford, James. 1986. “Notes on Travel and Theory.” In Travelling Theory, Traveling Theorists, Inscriptions, edited by J. Clifford, and V. Dhareshwar, 177–188. Santa Cruz: University of California Press.
- Cresswell, Tim. 2006. On the Move: Mobility in the Modern Western World. London & New York: Routledge.
- Cresswell, Tim. 2010. “Towards a Politics of Mobility.” Environment and Planning D: Society and Space 28(1): 17–31. doi:10.1068/d11407
- Creswell, Tim, and Merriman Peter. 2011. Geographies of Mobilities: Practices, Spaces, Subjects. Farnham, UK: Ashgate.
- Du Bois, W. E. B. [1903] 1967. The Souls of Black Folk. Greenwich: Fawcett.
- Elam, Harry J. 2004. The Past as Present in the Drama of August Wilson. Ann Arbor: University of Michigan Press.
- Esslin, Martin. 1985. The Theatre of the Absurd. Middlesex: Penguin Books.
- Faires, Nora. 2013. “Across the Border to Freedom: The International Underground Railroad Memorial and the Meanings of Migration.” Journal of American Ethnic History 32(2) (Winter): 38–67. doi:10.5406/jamerethnhist.32.2.0038.
- Faist, Thomas. 2013. “The Mobility Turn: A new Paradigm for the Social Sciences?” Ethnic and Racial Studies 36(11): 1637–1646. doi:10.1080/01419870.2013.812229
- Fleche, Anne. 1994. “The History Lesson: Authenticity and Anachronism in August Wilson’s Plays.” In May All Your Fences Have Gates: Essays on the Drama of August Wilson, edited by A. Nadel, 9–20. Iowa City: University of Iowa Press.
- Foucault, Michel. 2007. Translated by Colin Gordon. Space, Knowledge, and Power: Foucault on Geography. New York: Routledge.
- Gilroy, Paul. 2001. “Driving While Black.” In Car Cultures, edited by D. Miller, 81–104. Oxford & New York: Berg.
- hooks, bell. 1997. “Representing Whiteness in the Black Imagination.” In Displacing Whiteness: Essays in Social and Cultural Criticism, edited by Frankenberg, 165–179. New York: Duke University Press.
- Hughes, Langston, et al. 1951. Montage of a Dream Deferred. New York: Henry Holt.
- Jensen, Ole B. 2013. Staging Mobilities. New York: Routledge.
- Law, John. 2004. After Method: Mess in Social Science Research. London and New York: Routledge.
- Luthi, Barbara. 2016. ““You Don’t Have to Ride Jim Crow”: The Freedom Riders of 1961 and the Dilemma of Mobility.” International Journal of Politics Culture and Society 29: 383–401. doi:10.1007/s10767-016-9238-2
- Nadel, Alan. 1994. May All Your Fences Have Gates: Essays on the Drama of August Wilson. Iowa City: University of Iowa Press.
- O’Brassill-Kulfan, Kristin. 2016. “Vagabonds and Paupers: Race and Illicit Mobility in the Early Republic.” Pennsylvania History: A History of Mid-Atlantic Studies 83(4) (Autumn): 443–469. doi:10.5325/pennhistory.83.4.0443
- Pereira, Kim. 1995. August Wilson and the African American Odyssey. Urbana & Chicago: Chicago University Press.
- Roberson, Suzan L. 2010. Antebellum American Women Writers and the Road: American Mobilities. New York: Routledge.
- Saddler, Sarah, and P. Bryant-Jackson. 2016. “Two Trains Running: Bridging Diana Taylor’s “Rift” and Narrating Manning Marable’s “Living Memory”.” In August Wilson’s Pittsburg Cycle: Critical Perspectives on the Plays, edited by S. G. Shannon, 49–59. Jefferson: McFarland.
- Scott, Joyce H. 2016. ““The Emancipated Century”: Remapping History, Reclaiming Memory in August Wilson’s Dramatic Landscapes of the 120th Century.” In August Wilson’s Pittsburg Cycle: Critical Perspectives on the Plays, edited by S. G. Shannon, 15–38. Jefferson: McFarland.
- Seiler, Cotten. 2006. ““So That we as a Race Might Have Something Authentic to Travel by”: African American Automobility and Cold-War Liberalism.” American Quarterly 58(4): 1091–1117. doi:10.1353/aq.2007.0015.
- Shannon, Sandra G., ed. 2016. August Wilson’s Pittsburg Cycle: Critical Perspectives on the Plays. Jefferson: McFarland.
- Tolnay, Stuart E. 2003. “The African American “Great Migration” and Beyond.” Annual Review Sociology 29: 209–232. doi:10.1146/annurev.soc.29.010202.100009
- Urry, John. 1995. “The ‘System’ of Automobility.” In Automobilities, edited by M. Featherstone et al., 25–39. London: SAGE Publications.
- Urry, John. 2004. “The System of Automobility.” Theory, Culture and Society 21(4/5): 25–39. doi:10.1177/0263276404046059
- Wang, Qun. 1999. An In-Depth Study of the Major Plays of African American Playwright August Wilson: Vernacularizing the Blues on Stage. New York: The Edwin Mellen Press.
- Williams, Dana A., and Sandra G Shannon. 2004. August Wilson and Black Aesthetics. New York: Palgrave Macmillan.
- Williams-Forson, Psyche. 2016. ““He Gonna Give me my ham”: The Use of Food as a Symbol for Social Justice.” In August Wilson’s Pittsburg Cycle: Critical Perspectives on the Plays, edited by S. G. Shannon, 128–141. Jefferson: McFarland.
- Wilson, Edwin, and Alvin Goldfarb. 2004. Living Theatre: A History. New York: McGraw Hill.