- Paris , M. , ed. 1999 . The First World War and Popular Cinema Edinburgh On the effects of the First World War on cinema, see, ed.
- Richards , J. 1973 . Visions of Yesterday London The cinema of empire has been the subject of several important studies, most notably (R. Manvell, The Empire on Film (London, 1973) and J. Mackenzie, Propaganda and Empire (Manchester, 1985)
- Morris , J. 1979 . Farewell the Trumpets 507 London See
- 2000 . The Drum 57 – 130 . See, for example, the case study on Korda's in P. Chowdhry, Colonial India and the Making of Empire Cinema (Manchester
- Richards , J. 2001 . “ ‘Imperial Heroes for a Post Imperial Age: Films and the End of Empire’ ” . In British Culture and the End of Empire Edited by: Ward , S. 130 Manchester in, ed.
- Pearson , G. 1957 . Flashback: The Autobiography of a British Film-Maker London On the CFU, see (J. Burns, ‘Watching Africans Watch Films: Theories of Spectatorship in British Colonial Africa’, Historical Journal of Film, Radio, and Television, 20, 2 (2000)
- Richards . Visions of Yesterday 122
- Durgnat , R. 1971 . A Mirror for England 78 London
- Porter , B. 1984 . The Lion's Share 324 London
- Barr , C. 1998 . Ealing Studio Moffatt
- Durgnat . A Mirror for England 80
- 1950 . On Simba, see S. Carruthers, ‘Two Faces of s Terrorism: The Film Presentation of Mau Mau and the Malayan Emergency’, Small Wars and Insurgencies, 6, 1 (1995);W. Webster, ‘Domesticating the Frontier: Gender, Empire and Adventure Landscapes in British Cinema, 1945–59’, forthcoming
- Quoted in Ward, British Culture, 3
- Ibid.
- 1939–1945 . See, for example, T. Hajkowski, ‘The BBC, the Empire, and the Second World War,’. Historical Journal of Film, Radio, and Television, 22, 2 (2002), 135–56, and K. Castle, ‘Imperial Legacies, New Frontiers: Children's Popular Literature and the Demise of Empire’, in Ward, British Culture, 145–162
South African Historical Journal
Volume 48, 2003 - Issue 1