646
Views
14
CrossRef citations to date
0
Altmetric
Papers

Clustering attendees at the Philharmonic Orchestra’s Summer Festival

&
Pages 314-331 | Received 05 Dec 2012, Accepted 21 Aug 2014, Published online: 29 Sep 2014

References

  • Alderson, A. S., Junisbai, A., & Heacock, I. (2007). Social status and cultural consumption in the United States. Poetics, 35, 191–212.
  • Allmendinger, J., & Hackman, J. R. (1996). Organizations in changing environments: The case of east German symphony orchestras. Administrative Science Quarterly, 41, 337–369.10.2307/2393935
  • Arimond, G., & Elfessi, A. (2001). A clustering method for categorical data in tourism market segmentation research. Journal of Travel Research, 39, 391–397.10.1177/004728750103900405
  • Baerbieri, C., & Mahoney, E. (2010). Cultural tourism behaviour and preferences among the live-performing arts audience: An application of the univorous-omnivorous framework. International Journal of Tourism Research, 12, 481–496.
  • Bailey, K. D. (1994). Typologies and taxonomies: An introduction to classification techniques. Sage University Paper series on Quantitative Applications in the Social Science. Thousand Oaks, CA: Sage.
  • Bowen, H. E., & Daniels, M. J. (2005). Does music matter? Motivations for attending a music festival. Event Management, 9, 155–164.10.3727/152599505774791149
  • Chan, T. W., & Goldthorpe, J. H. (2007). Social stratification and cultural consumption: The visual arts in England. Poetics, 35, 168–190.
  • Derrett, R. (2003). Making sense of how festivals demonstrate a community’s sense of place. Event Management, 8, 49–58.10.3727/152599503108751694
  • Dimmock, K., & Tiyce, M. (2001). Festivals and events: Celebrating special interest tourism. In N. Douglas, & R. Derrett (Eds.), Special interest tourism: Context and cases (pp. 355–383). Sydney: Wiley.
  • Dobson, M. C. (2010). New audiences for classical music: The experiences of non-attenders at live orchestral concerts. Journal of New Music Research, 39, 111–124.10.1080/09298215.2010.489643
  • Dolnicar, S. (2002). A review of data-driven market segmentation in tourism. Journal of Travel & Tourism Marketing, 12(1), 1–22.10.1300/J073v12n01_01
  • Ferrell, O. C., Hartline, M. D. & Lucas, G. H. (2002). Marketing strategy (2nd ed., p. 469). Mason, OH: South-Western College.
  • Field, A. (2005). Discovering statistics using SPSS (2nd ed., p. 779). London: Sage.
  • Field, A. (2009). Discovering statistics using SPSS (3rd ed., p. 821). London: Sage.
  • Glynn, M. A. (2000). When cymbals become symbols: Conflict over organizational identity within a symphony orchestra. Organization Science, 11, 285–298.10.1287/orsc.11.3.285.12496
  • Holbrook, M. B., Weiss, M. J., & Habich, J. (2002). Disintangling effacement, omnivore, and distinction effects on the consumption of cultural activities: An illustration. Marketing Letters, 13, 345–357.
  • Israel, G. D. (2009). Determining sample size. Retrieved from http://edis.ifas.ufl.edu/pd006
  • Johnson, R. A., & Wichern, D. W. (2007). Applied multivariate statistical analysis (6th ed.). Upper Saddle River, NJ: Pearson Prentice Hall.
  • Keller, K. L., & Kotler, P. (2006). Marketing management (12th ed., p. 729). Upper Saddle, NJ: Prentice Hall.
  • Kolb, B. M. (2001). The decline of the subscriber base: A study of the philharmonia orchestra audience. Journal of Arts Management, 3, 51–59.
  • Kruger, M. (2009). Spending behaviour of visitors to the Klein Karoo National Arts Festival ( Unpublished master’s thesis). North-West University, Potchefstroom, South Africa, 66 p.
  • Kruger, M. (2010). A critical evaluation of market segmentation at National Arts Festivals in South Africa ( Unpublished doctoral dissertation). North-West University, Potchefstroom, South Africa, 166 p.
  • Lee, C. K., Lee, Y. K., & Wicks, B. E. (2004). Segmentation of festival motivation by nationality and satisfaction. Tourism Management, 25, 61–70.10.1016/S0261-5177(03)00060-8
  • Lopez-Sintas, J., & Garcia-Alvarez, E. (2004). Omnivore versus Univore consumption and its symbolic: Evidence from Spaniards' performing arts attendance. Poetics, 32, 463–483.
  • Maret, A. M., & Berger, P. D. (2013). Predicting public participation in the arts and its marketing implications. Global Advanced Research Journal of Arts and Humanities, 2, 54–68.
  • Mazanec, J. (2000). Market segmentation. In J. Jafari (Ed.), Encyclopedia of tourism (pp. 1–14). London: Routledge.
  • Morgan, N., & Pritchard, A. (2001). Advertising in tourism and leisure (p. 346). Oxford: Butterworth Heinemann.
  • Moutinho, L., & Witt, S. F. (1994). Tourism marketing and management handbook (2nd ed., p. 617). New York, NY: Prentice Hall.
  • Myers, J. H., & Tauber, E. (1977). Market structure analysis. Psychometrika, 46, 187–199.
  • Najmi, M., Sharbatoghlie, A., & Jafarieh, A. (2010). Tourism market segmentation in Iran. International Journal of Tourism Research, 12, 497–509.
  • Norušis, M. J. (2011). IBM SPSS Statistics 19 Statistical Procedures Companion (p. 672). Upper Saddle River, NJ: Prentice Hall.
  • Oakes, S. (2003). Demographic and sponsorship considerations for jazz and classical music festivals. The Service Industries Journal, 23, 165–178.10.1080/714005121
  • Oakes, S. (2010). Profiling the jazz festival audience. International Journal of Events and Festival Management, 1, 110–119.
  • Perkins, A. A. (2012, December 3–5). Exploring motivations for popular music concert attendance. Paper presented at Australia New Zealand Marketing Academy Conference (ANZMAC), Adelaide.
  • Pitts, S. R., Dobson, M. C., Gee, K., & Spencer, C. P. (2013). Views of an audience: Understanding the orchestral concert experience from player and listener perspectives. Journal of Audience & Reception Studies, 10, 65–95.
  • Polar Engineering and Consulting. (2009). PASW Statistics 18, Release 18.0.0. New York, NY: SPSS.
  • Pompe, J., Tamburri, L., & Munn, J. (2013). Symphony concert demand: Does programming matter? The Journal of Arts Management, Law, and Society, 43, 215–228.10.1080/10632921.2013.818085
  • Richards, G., & van der Ark, L. (2013). Dimensions of cultural consumption among tourists: Multiple correspondence analysis. Tourism Management, 37, 71–76.10.1016/j.tourman.2013.01.007
  • Rizkallah, E. G. (2009). A non-classical marketing approach for classical music performing organizations: An empirical perspective. Journal of Business and Economic Research, 7, 111–124.
  • Roose, H. (2008). Many voices or unisono? An inquiry into motives for attendance and aesthetic dispositions of the audience attending classical concerts. Acta Sociologica, 51, 237–253.10.1177/0001699308094168
  • Royster, J. D., Royster, L. H., & Killion, M. C. (1991). Sound exposures and hearing thresholds of symphony orchestra musicians. The Journal of the Acoustical Society of America, 89, 2793–2803.10.1121/1.400719
  • Saayman, M. (2006). Marketing tourism products and destinations: Getting back to basics. Potchefstroom: Leisure C Publication.
  • Saayman, A., & Saayman, M. (2006). Socio-demographics and visiting patterns of arts festivals in South Africa. Event Management, 9, 211–222.
  • Schulze, G. G., & Rose, A. (1998). Public orchestra funding in Germany: An empirical investigation. Journal of Cultural Economics, 22, 227–247.10.1023/A:1007526028884
  • Slabbert, E., & Saayman, M. (2010). A marketing analysis of current and potential supporters of the Cape Philharmonic Orchestra (p. 45). Potchefstroom: University of the North West, Potchefstroom Campus, South Africa, Institute for Tourism and Leisure studies. Unpublished.
  • Van Der Wagen, L. (2005). Event management for tourism, cultural, business and sporting events (2nd ed., p. 354). Frenchs Forest: Pearson Hospitality Press.
  • Van Zyl, C. (2006). Motivating factors of local residents for attending the Aardklop National Arts Festivals. South African Business Review, 10, 150–171.
  • Wedel, M., & Kamakura, W. A. (2000). Market segmentation: Conceptual and methodological foundations (2nd ed., p. 382). Boston, MA: Kluwer Academic.10.1007/978-1-4615-4651-1
  • Wolf, T. (2006). The search for shining eyes: Audiences, leadership and change in the symphony orchestra field. Miami, FL: John S. and James L. Knight Foundation.
  • Yeoman, I., Robertson, M., Ali-Knight, J., Drummond, S., & McMahon-Beattie, U. (2004). Festival and Events Management: An international arts and culture perspective (p. 418). Burlington, MA: Elsevier Butterworth-Heinemann.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.