Works Cited
- Angier, Carole. Jean Rhys. Harmondsworth: Penguin, 1985.
- Bishop, Jacqueline and Dolace McLean. ‘(Re)Rooted: An Interview with Caryl Phillips’. Calabash 4.2 (2007) , np. Accessed 3 Mar. 2018 <https://www.nyu.edu/calabash/vol4no2/0402139.pdf>.
- Buonanno, Giovanna. ‘Exploring Literary Voices in The Lost Child’. Commonwealth Essays and Studies 40.1 (2017): 95–104.
- Clingman, Stephen. ‘The Nature of Empathy: An Interview with Caryl Phillips’. Journal of Postcolonial Writing 53.5 (2017): 590–612. doi: https://doi.org/10.1080/17449855.2016.1275339
- Emery, Mary Lou. ‘Misfit: Jean Rhys and the Visual Cultures of Colonial Modernism’. Journal of Caribbean Literatures 3.3 (2003): xi–xxii.
- James, Louis. ‘The Lady Is Not A Photograph: Jean Rhys, D.Litt., and “The Caribbean Experience”’. Journal of Caribbean Literatures 3.3 (2003): 175–84.
- Ledent, Bénédicte. Caryl Phillips. Manchester: Manchester U P, 2002.
- Ledent, Bénédicte.. ‘Is Counter-Discursive Criticism Obsolescent? Intertextuality in Caryl Phillips’s Higher Ground’. A Talent(ed) Digger. Ed. Hena Maes-Jelinek, Gordon Collier and Geoffrey V. Davis. Amsterdam: Rodopi, 1996. 301–08.
- Ledent, Bénédicte and Evelyn O’Callaghan. ‘Caryl Phillips’ The Lost Child: A Story of Loss and Connection’. Ariel: A Review of International English Literature 48.3&4 (2017): 229–47. doi: https://doi.org/10.1353/ari.2017.0032
- Ledent, Bénédicte and Daria Tunca. ‘“A Growth to Understanding”: An Interview with Caryl Phillips about Biographical Fiction’. Journal of Commonwealth Literature, forthcoming.
- Nun Halloran, Vivian. ‘Race, Creole, and National Identities in Rhys’s Wide Sargasso Sea and Phillips’s Cambridge’. Small Axe 21 (2006), 87–104. doi: https://doi.org/10.2979/SAX.2006.-.21.87
- Phillips, Caryl. ‘Biographical Fiction or Fictional Biography’. ‘Illuminating Lives: the Biographical Impulse in Postcolonial Literatures’, 2–3 March 2017, University of Liège. Unpublished conference address.
- Phillips, Caryl. Cambridge. London: Bloomsbury, 1991.
- Phillips, Caryl. ed. Extravagant Strangers: A Literature of Belonging. London: Faber & Faber, 1997.
- Phillips, Caryl. The Final Passage. London: Faber & Faber, 1985.
- Phillips, Caryl. ‘Following On: The Legacy of Lamming and Selvon’. Wasafiri 29 (1999): 34–36. doi: https://doi.org/10.1080/02690059908589629
- Phillips, Caryl. ‘The “High Anxiety” of Belonging’. A New World Order: Essays. London: Secker & Warburg, 2001. 303–09.
- Phillips, Caryl. Higher Ground. London: Penguin, 1989.
- Phillips, Caryl. The Lost Child. London: Oneworld, 2015.
- Phillips, Caryl. A View of the Empire at Sunset. London: Vintage, 2018.
- Rhys, Jean. Voyage in the Dark. 1934. Harmondsworth: Penguin, 1984.
- Rhys, Jean. ‘First Steps’. Smile Please: An Unfinished Autobiography. 1979. Harmondsworth: Penguin, 1982. 97–105.
- Rhys, Jean. ‘Let Them Call it Jazz’. Tales of the Wide Caribbean: A New Collection of Short Stories. London: Heinemann, n.d. 164–80.
- Rhys, Jean. Wide Sargasso Sea. 1966. London: Penguin, 2000.
- Sharfman, Ronnie. ‘Mirroring and Mothering in Simone Schwarz-Bart’s Pluie et vent sur Telumée Miracle and Jean Rhys’s Wide Sargasso Sea’. Yale French Studies, 62 (1981): 88–106. doi: https://doi.org/10.2307/2929895
- Tiffin, Helen. ‘Mirror and Mask: Colonial Motifs in the Novels of Jean Rhys’. World Literature Written in English 17.1 (1978): 328–41. doi: https://doi.org/10.1080/17449857808588539