References
- Bharucha , J. J. and Stoekig , K. 1987 . Priming of chords: spreading activation or overlapping frequency spectra? . Perception and Psychophysics , 41 : 519 – 524 .
- Brody , L. R. and Hall , J. A. 1993 . “ Gender and emotion ” . In Handbook of emotions , Edited by: Lewis , M. and Havil , J. M. 447 – 460 . New York : Guilford Press .
- Cunningham , J. G. and Sterling , R. S. 1988 . Developmental change in the understanding of affective meaning in music . Motivation and Emotion , 12 : 399 – 413 .
- Dalla Bella , S. , Peretz , L , Rousseau , L. and Gosselin , N. 2001 . A developmental study of the affective value of tempo and mode in music . Cognition , 80 : B1 – B10 .
- Dowling , W. and Harwood , P. 1986 . Music cognition , New York : Academic Press .
- Fraisse , P. 1982 . “ Rhythm and tempo ” . In The psychology of music , Edited by: Deutsch , D. 149 – 180 . New York : Academic Press .
- Gabrielsson , A. and Juslin , P. 1996 . Emotional expression in music performance: Between the performer's intention and the listener's experience . Psychology of Music , 24 : 68 – 91 .
- Gerardi , G. M. and Gerken , L. 1995 . The development of affective response to modality and melodic contour . Music Perception , 12 : 279 – 290 .
- Gregory , A. , Worral , L. and Sarge , A. 1996 . The development of emotional responses to music in young children . Motivation and Emotion , 20 : 341 – 349 .
- Gundlach , R. H. 1935 . Factors determining the characterization of musical phrases . American Journal of Psychology , 47 : 624 – 643 .
- Halpern , A. R. , Bartlett , J. C. and Dowling , J. 1998 . Perception of mode, rhythm and contour in unfamiliar melodies: Effects of age and experience . Music Perception , 15 : 335 – 355 .
- Hevner , K. 1935 . The affective character of the major and minor modes in music . American Journal of Psychology , 47 : 103 – 118 .
- Hevner , K. 1937 . The affective value of pitch and tempo in music . American Journal of Psychology , 49 : 621 – 630 .
- Juslin , P. N. 1997 . Emotional communication in music performance: A functionalist perspective and some data . Music Perception , 14 : 383 – 418 .
- Juslin , P. N. 2000 . Cue utilization in communication of emotion in music performance: Relating performance to perception . Journal of Experimental Psychology: Human Perception and Performance , 26 : 1797 – 1813 .
- Kastner , M. P. and Crowder , R. G. 1990 . Perception of the major/minor distinction: IV. Emotional connotations in young children . Music Perception , 8 : 189 – 202 .
- Krumhansl , C. L. 1997 . An exploratory study of musical emotions and psychophysiology . Canadian Journal of Experimental Psychology , 51 : 336 – 353 .
- Peretz , L and Gagnon , L. 1999 . Dissociation between recognition and emotional judgement for melodies . Neurocase , 5 : 21 – 30 .
- Peretz , I. , Gagnon , L. and Bouchard , B. 1998a . Music and emotion: erceptual determinants, immediacy, and isolation after brain damage . Cognition , 68 : 111 – 141 .
- Peretz , I. , Gaudreau , D. and Bonnel , A.-M. 1998b . Exposure effects on music preference and recognition . Memory? and Cognition , 26 : 884 – 902 .
- Rigg , M. 1937a . An experiment to determine how accurately college students can interpret the intended meanings of musical compositions . Journal of Experimental Psychology , 21 : 223 – 229 .
- Rigg , M. 1937b . Musical expression: An investigation of the theories of Erich Sorantin . Journal of Experimental Psychology , 21 : 442 – 455 .
- Rigg , M. 1939 . What features of a musical phrase have emotional suggestiveness? . Bulletin of the Oklahoma Agricultural and Mechanical College , 36 : 1 – 38 .
- Rigg , M. 1940 . Speed as a determiner of musical mood . Journal of Experimental Psychology , 27 : 566 – 571 .
- Rigg , M. 1964 . The mood effects of music: A comparison of data from four investigators . Journal of Psychology , 58 : 427 – 438 .
- Robazza , C. , Macaluso , C. and D'urso , V. 1994 . Emotional reactions to music by gender, age, and expertise . Perceptual and Motor Skills , 79 : 939 – 944 .
- Scherer , K. R. Emotion expression in speech and music . Music, language, speech and brain: Proceedings of an international symposium at the Wernner-Gren Center . 5-8 September 1990 . Edited by: Sundberg , J. , Nord , L. and Carlson , R. pp. 146 – 156 . Basingstoke , , UK : Macmillan .
- Scherer , K. R. and Oshinsky , J. S. 1977 . Cue utilization in emotion attribution from auditory stimuli . Motivation and Emotion , 1 : 331 – 346 .
- Sloboda , J. A. 1985 . The musical mind: The cognitive psychology of music , London : Oxford University Press .
- Smith , D. J. 1997 . The place of musical novices in music science . Music Perception , 14 : 227 – 262 .
- Szabadi , E. , Bradshaw , C. M. and Besson , J. A. O. 1976 . Elongation of pause-time in speech: A simple, objective measure of motor retardation in depression . British Journal of Psychiatry , 129 : 592 – 597 .
- Terwogt , M. M. and Van Grinsven , F. 1991 . Musical expression of moodstates . Psychology of Music , 19 : 99 – 109 .
- Thompson , W. F. and Robitaille , B. 1992 . Can composers express emotions through music? . Empirical Studies of the Arts , 10 : 79 – 89 .
- Watson , K. B. 1942 . The nature and measurement of musical meanings . Psychological Monographs , 54 Whole No. 244
- Zajonc , R. B. 1980 . Feeling and thinking: preferences need no inferences . American Psychologist , 35 : 151 – 175 .
- Zajonc , R. B. 1984 . On the primacy of affect . American Psychologist , 39 : 117 – 123 .