- Bangert, M , and Altenmüller, EO , (2003). Mapping perception to action in piano practice: A longitudinal DC-EEG study , BMC Neuroscience 4 ((2003)), pp. 26–36.
- Cho, YS , and Proctor, RW , (2003). Stimulus and response representations underlying orthogonal stimulus-response compatibility effects , Psychonomic Bulletin & Review 10 ((2003)), pp. 45–73.
- Deutsch, D , (1999). "The processing of pitch combinations". In: The psychology of music . San Diego, CA. (1999). p. pp. 349–411, In D. Deutsch (Ed.),, (2nd ed.,, ).
- Drost, UC , Rieger, M , Brass, M , Gunter, TC , and Prinz, W , (in press). "Action-effect coupling in pianists". In: Psychological Research . (in press).
- Elsner, B , and Hommel, B , (2001). Effect anticipation and action control , Journal of Experimental Psychology: Human Perception and Performance 27 ((2001)), pp. 229–240.
- Eriksen, BA , and Eriksen, CW , (1974). Effects of noise letters upon the identification of a target letter in a non-search task , Perception and Psychophysics 16 ((1974)), pp. 143–149.
- Hall, G , (1991). Perceptual and associative learning . Oxford, UK. (1991).
- Hasbroucq, T , and Guiard, Y , (1991). Stimulus-response compatibility and the Simon effect-toward a conceptual clarification , Journal of Experimental Psychology: Human Perception and Performance 17 ((1991)), pp. 246–266.
- Hommel, B , Müsseler, J , Aschersleben, G , and Prinz, W , (2001). The theory of event coding (TEC): A framework for perception and action planning , Behavioral and Brain Sciences 24 ((2001)), pp. 849–937.
- James, W , (1890). The principles of psychology . New York. (1890).
- Koch, I , and Kunde, W , (2002). Verbal response-effect compatibility , Memory & Cognition 30 ((2002)), pp. 1297–1303.
- Kornblum, S , and Lee, JW , (1995). Stimulus response compatibility with relevant and irrelevant stimulus dimensions that do and do not overlap with the response , Journal of Experimental Psychology: Human Perception and Performance 21 ((1995)), pp. 855–875.
- Kunde, W , (2001). Response-effect compatibility in manual choice reaction tasks , Journal of Experimental Psychology: Human Perception and Performance 27 ((2001)), pp. 387–394.
- Mudd, SA , (1963). Spatial stereotypes of 4 dimensions of pure-tone , Journal of Experimental Psychology 66 ((1963)), pp. 347–352.
- Pitt, MA , (1995). Evidence for a central representation of instrument timbre , Perception & Psychophysics 57 ((1995)), pp. 43–55.
- Prinz, W , (1997). Perception and action planning , European Journal of Cognitive Psychology 9 ((1997)), pp. 129–154.
- Schneider, W , and Chein, JM , (2003). Controlled & automatic processing: Behavior, theory, and biological mechanisms , Cognitive Science 27 ((2003)), pp. 525–559.
- Schön, D , Anton, JL , Roth, M , and Besson, M , (2002). An fMRI study of music sight-reading , Neuroreport 13 ((2002)), pp. 2285–2289.
- Schubö, A , Aschersleben, G , and Prinz, W , (2001). Interactions between perception and action in a reaction task with overlapping S–R assignments , Psychological Research 65 ((2001)), pp. 145–157.
- Simon, JR , (1990). "The effects of an irrelevant directional cue on human information processing". In: Stimulus-response compatibility: An integrated perspective . Amsterdam. (1990). p. (pp. 31–86), In R. W. Proctor & T. G. Reeve (Eds.),.
- Simon, JR , and Rudell, AP , (1967). Auditory S–R compatibility: The effect of an irrelevant cue on information processing , Journal of Applied Physiology 51 ((1967)), pp. 300–304.
- Spitzer, M , (2002). Musik im Kopf [Music in the head] . Stuttgart, Germany. (2002).
- Stewart, L , Henson, R , Kampe, K , Walsh, V , Turner, R , and Frith, U , (2003). Brain changes after learning to read and play music , Neuroimage 20 ((2003)), pp. 71–83.
- Stewart, L , Walsh, V , and Frith, U , (2004). Reading music modifies spatial mapping in pianists , Perception & Psychophysics 66 ((2004)), pp. 183–195.
- Zakay, D , and Glicksohn, J , (1985). Stimulus congruity and S–R compatibility as determinants of interference in a Stroop-like task , Canadian Journal of Psychology 39 ((1985)), pp. 414–423.
When hearing turns into playing: Movement induction by auditory stimuli in pianists
Reprints and Corporate Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
To request a reprint or corporate permissions for this article, please click on the relevant link below:
Academic Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
Obtain permissions instantly via Rightslink by clicking on the button below:
If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.
Related research
People also read lists articles that other readers of this article have read.
Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.
Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.