215
Views
4
CrossRef citations to date
0
Altmetric
Original Articles

The Leisure Class versus the Tourists: The Hidden Struggle in the Collecting of Pueblo Pottery at the Turn of the Twentieth Century

Pages 187-207 | Published online: 27 Oct 2008

References

  • Ames , M. M. 1997 . Cannibal Tours and Glass Boxes: The Anthropology of Museums , Vancouver : University of British Columbia Press .
  • Ayer , Mrs Edward . 1916 . The Memorial of Fray Alonso De Benavides 1630 Edited by: Lummis , Charles F. Privately Printed, Chicago. [Reprint: 1965, Albuquerque: Horn & Wallace]
  • Batkin , J. 1999 . “Tourism is Overrated: Pueblo Pottery and the Early Curio Trade, 1880–1910” . In Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds , Edited by: Phillips , R. B. and Steiner , C. B. 282 – 297 . Berkeley : University of California Press .
  • Berlo , J. C. , ed. 1992 . The Early Years of Native American Art History: The Politics of Scholarship and Collecting , Seattle : University of British Columbia Press .
  • Berlo , J. C. 1999 . “Drawing (upon) the Past: Negotiating Identities in Inuit Graphic Arts Production” . In Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds , Edited by: Phillips , R. B. and Steiner , C. B. 178 – 193 . Berkeley : University of California Press .
  • Bernstein , B. 1994 . “Potters and Patrons: The Creation of Pueblo Art Pottery” . American Indian Art Magazine , : 70 – 79 .
  • Blair , M. E. and Blair , L. 1999 . The Legacy of a Master Potter: Nampeyo and Her Descendants , Tucson : Treasure Chest Books .
  • Blue , M. 2000 . Indian Trader: The Life and Times of J.L. Hubbell , Walnut, CA : Kiva Publishing .
  • Boudieu , P. 1984 . Distinction: A Social Critique of the Judgement of Taste , Edited by: Nice , Richard . Cambridge, MA : Harvard University Press .
  • Bourdon , R. J. 1965 . George Wharton James, Interpreter of the Southwest , Los Angeles : University of California . PhD Dissertation, History
  • Bourke , J. G. 1884/1984 . The Snake Dance of the Moquis of Arizona , Tucson : University of Arizona Press .
  • Brody , J. J. 1971 . Indian Painters and White Patrons , Albuquerque : University of New Mexico Press .
  • Bunzel , R. 1929 . “ The Pueblo Potter: A Study of Creative Imagination in Primitive Art. Columbia University Contributions to Anthropology ” . Vol. 8 , New York : Columbia University Press .
  • Chauvenet , B. 1983 . Hewett and Friends , Santa Fe : Museum of New Mexico Press .
  • Clemmer , R. O. 1995 . Roads in the Sky: The Hopi Indians in a Century of Change , Boulder, CO : Westview/Harper Collins .
  • Cohodas , M. 1999 . “Elizabeth Hichox and Karuk Basketry: A Case Study in Debates on Innovation and Paradigms of Authenticity” . In Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds , Edited by: Phillips , R. B. and Steiner , C. B. 143 – 161 . Berkeley : University of California Press .
  • De Botton , A. 2002 . The Art of Travel , New York : Pantheon .
  • De Veer , Elizabeth and Boyle , Richard J. 1987 . “ Sunlight and Shadow: The Life and Art of Willard L Metcalf ” . New York : Boston University/Abbeville Press .
  • Donham , D. L. 1990 . History, Power, Ideology: Central Issues in Marxism and Anthropology , Berkeley : University of California Press .
  • Dutton , B. , ed. 1955 . New Mexico Indians and Their Arizona Neighbors. Pocket Handbook , Santa Fe : New Mexico Association on Indian Affairs .
  • Eaton , L. B. 1994 . “The Hopi Craftsman Exhibition: The Creation of Authenticity” . Expedition , 36 ( 1 ) : 24 – 32 .
  • Errington , S. 1994 . “What Became Authentic Primitive Art?” . Cultural Anthropology , 9 ( 2 ) : 201 – 226 .
  • Faust , D. 2003 . Influences on the Revival Movement of Pueblo Pottery Production , Department of Anthropology, University of Denver . MA Thesis
  • Graburn , N. H. H. 1976 . “The Arts of the Fourth World” . In Ethnic and Tourist Arts , Edited by: Graburn , Nelson . 1 – 10 . Berkeley : University of California Press .
  • Graves , L. 1998 . Thomas Varker Keam, Indian Trader , Norman : University of Oklahoma Press .
  • Guthe , C. E. 1925 . Pueblo Pottery Making: A Study at the Village of San Ildefonso, for the Department of Archaeology , Andover : Phillips Academy by Yale University Press .
  • Halseth , O. S. 1926 . “The Revival of Pueblo Pottery Making” . El Palacio , 21 : 135 – 154 .
  • Hinsley , C. 1981 . Savages and Scientists: The Smithsonian Institution and the Development of American Anthropology 1846–1910 , Washington, DC : Smithsonian Institution Press .
  • Hinsley , C. 1983 . “Ethnographic Charisma and Scientific Routine: Cushing and Fewkes in the American Southwest, 1879–1893” . In Observers Observed: Essays on Ethnographic Fieldwork , Edited by: Stocking , George . 53 – 69 . Madison : University of Wisconsin Press .
  • Hinsley , C. 1991 . “The World as Marketplace: Commodification of the Exotic at the World’s Columbian Exposition, Chicago, 1893” . In Exhibition Cultures: The Poetics and Politics of Museum Display , Edited by: Karp , Ivan and Lavine , Steven D. 344 – 65 . Washington DC : Smithsonian Institution Press .
  • Holmes , W. H. 1886 . “Pottery of the Ancient Pueblos” . In Fourth Annual Report, Bureau of American Ethnology 1882–83 , 265 – 360 . Washington, DC : Government Printing Office .
  • Hough , W. 1898 . The Moki Snake Dance , Santa Fe Route, Chicago : The Henry O. Shepard Co. for the Passenger Department .
  • Howard , K. and Pardue , D. 1996 . Inventing the Southwest: The Fred Harvey Company and Native American Art , Flagstaff : Northland Publishing .
  • Hughes , J. D. 1978 . In The House of Light and Stone: A History of the Grand Canyon , Grand Canyon Natural History Association .
  • Ivory , C. S. 1999 . “Art, Tourism and Cultural Revival in the Marquesas Islands” . In Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds , Edited by: Phillips , R. B. and Steiner , C. B. 316 – 333 . Berkeley : University of California Press .
  • Jacobs , M. D. 1999 . “Shaping a New Way: White Women and the Movement to Promote Pueblo Indian Arts and Crafts, 1900–1935” . Journal of the Southwest , 40 ( 1 ) : 187 – 215 .
  • James , G. W. 1899 . “The Industries of the Navajos and the Mokis” . Good Health , 34 ( 6 ) : 315 – 322 .
  • James , G. W. 1900 . In and Around the Grand Canyon , Boston, MA : Little, Brown .
  • James , G. W. 1908 . What the White Race May Learn from the Indian , Chicago : Forbes & Company .
  • Kramer , B. 1996 . Nampeyo and Her Pottery , Albuquerque : University of New Mexico Press .
  • Krech , S. III and Hail , B. A. , eds. 1998 . Collecting Native America 1870–1960 , Washington, DC : Smithsonian Institution Press .
  • Labinsky , D. and Hieronymus , S. 2001 . Frank Applegate of Santa Fe: Artist & Preservationist , Albuquerque : LPD Press .
  • Le Free , B. 1971 . Santa Clara Pueblo Pottery , Department of Anthropology, University of Denver . MA Thesis
  • Lowenthal , D. 1985 . The Past is a Foreign Country , New York : University of Cambridge .
  • Lummis , C. F. 1892 . A Tramp Across the Continent , New York : Charles Scribner’s Sons .
  • MacCannell , D. 1976 . The Tourist: A New Theory of the Leisure Class , New York : Schocken Books .
  • Marcus , G. E. and Myers , F. R. , eds. 1995 . The Traffic in Culture: Refiguring Art and Anthropology , Berkeley : University of California Press .
  • Marriott , A. 1948 . Maria, The Potter of San Ildefonso , Norman : University of Oklahoma Press .
  • Marx , K. and Engels , F. 1948/1871 . The Communist Manifesto , New York : International Publishers .
  • Maurer , S. G. 1986 . “In the Heart of the Great Freedom: George Wharton James and the Desert Southwest” . Masterkey , 60 ( 1 ) : 4 – 10 .
  • McChesney , L. S. 1983 . “On The Road With The Melvilles” . In Hopis, Tewas and The American Road , Edited by: Walker , W. and Wyckoff , L. L. 15 – 27 . Middletown, CT : Wesleyan University .
  • McFeely , E. 2001 . Zuni and the American Imagination , New York : Hill & Wang .
  • Mullin , M. H. 1995 . “Patronage of Difference: Making Indian Art. Art, Not Ethnology” . In The Traffic in Culture: Refiguring Art and Anthropology , Edited by: Marcus , G. E. and Myers , F. R. 166 – 200 . Berkeley : University of California Press .
  • Mullin , M. H. 2001 . Culture in the Marketplace: Gender, Art and Value in the American Southwest , Durham, NC : Duke University Press .
  • Naranjo , T. 1996 . “Cultural Changes: The Effect of Foreign Systems at Santa Clara Pueblo” . In The Great Southwest of the Fred Harvey Company and the Santa Fe Railway , Edited by: Weigle , M. and Babcock , B. A. 187 – 200 . Phoenix : The Heard Museum .
  • Parezo , N. J. 1986 . “Now is the Time to Collect” . Masterkey , 59 ( 4 ) : 11 – 18 .
  • Parezo , N. J. 1987 . “Formation of Ethnographic Collections: The Smithsonian Institution in the American Southwest” . In Advances in Archaeological Method and Theory , Edited by: Schiffer , M. B. Vol. 10 , 1 – 48 . San Diego : Academic Press .
  • Patterson , A. 1994 . “ Hopi Pottery Symbols. Based on work by Alexander M. Stephen ” . Boulder : Johnson Books .
  • Phillips , R. B. and Steiner , C. B. 1999 . “Authenticity, and the Baggage of Cultural Encounter” . In Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds , Edited by: Phillips , R. B. and Steiner , C. B. 3 – 19 . Berkeley : University of California Press .
  • Sebeok , T. A. 1994 . Signs: An Introduction to Semiotics , Toronto : University of Toronto Press .
  • Simmons , M. 1979 . “History of the Pueblos Since 1920” . In Handbook of North American Indians , Edited by: Otriz , A. Vol. 9 , 206 – 223 . Washington, DC : Smithsonian Institution . Southwest
  • Steiner , C. 1994 . African Art in Transit , Cambridge : Cambridge University Press .
  • Steiner , C. 1999 . “Authenticity, Repetition, and the Aesthetics of Seriality: The Work of Tourist Art in the Age of Mechanical Reproduction” . In Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds , Edited by: Phillips , R. B. and Steiner , C. B. 87 – 103 . Berkeley : University of California Press .
  • Stewart , S. 1984 . On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection , Baltimore, MD : Johns Hopkins University Press .
  • Traugott , J. 1999 . “Fewkes and Nampeyo: Clarifying a Myth‐Understanding” . In Native American Art in the Twentieth Century , Edited by: Jackson Rushing , W. III . 7 – 20 . New York : Routledge .
  • Veblen , T. 1899[reprint of third edition, 1932] . The Theory of the Leisure Class: An Economic Study of Institutions , New York : Vanguard .
  • Wade , E. L. 1976 . The History of the Southwest Indian Ethnic Art Market , Ann Arbor : University of Washington, University Microfilms . PhD Dissertation
  • Wade , E. L. and McChesney , L. S. 1980a . America’s Great Lost Expedition: The Thomas Keam Collection of Hopi Pottery from the Second Hemenway Expedition, 1890–1894 , Phoenix, AZ : Heard Museum .
  • Wade , E. L. and McChesney , L. S. 1980b . Historic Hopi Ceramics: The Thomas V. Keam Collection of the Peabody Museum of Archaeology and Ethnology, Harvard University , Cambridge, MA : Peabody Museum Press .
  • Wade , E. L. and McChesney , L. S. 1983 . Hopis, Tewas and The American Road , Middletown, CT : Wesleyan University .
  • Willard , W. L. and Wyckoff , L. L. , eds. 1983 . Hopis, Tewas and The American Road , Middletown, CT : Connecticut Wesleyan University .
  • Weber , M. 1958/1922 . Max Weber: Essays in Sociology , Edited by: Gerth , H.H. and Wright Mills , C. New York : Oxford University Press .
  • Weigle , M. and Babcock , B. A. , eds. 1996 . The Great Southwest of the Fred Harvey Company and the Santa Fe Railway , Phoenix, AZ : Heard Museum .
  • Wilson , O. 1920 . “The Survival Of An Ancient Art” . Art and Archaeology , 9 ( 1 ) : 24 – 30 .

Unpublished Sources

  • Accession Records, Neprajzi Muzeum (Museum of Ethnography), Budapest.
  • Accession Records, Southwest Museum, Los Angeles.
  • Candelario Collection, Business Correspondence 1892–1903, Boxes 84–99, New Mexico State Museum Library and Archives, Santa Fe.
  • Hubbell Papers, 1925–1948, Boxes 37, 66, 181, 205, 257, 262, Microfiche, Museum of Natural History Library, University of Colorado, Boulder.
  • Metcalf, Willard, artist correspondence, 1881–1884 file folder Ms. 6.ZUNI.1.41, Braun Library, Southwest Museum, Los Angeles.
  • National Anthropological Archives, SPC Southwest, Hopi, Box 5, “Holmes Artwork”, File XY, Southwest, Hopi, NmHo#387K, “Probably Original drawings of pottery of Keam Coll. Keams Canyon, Property of Peabody Mus Drawn by W. H. Holmes C. 1890 W. H.”, Smithsonian Institution, National Museum of Natural History, Washington, DC.
  • Nicholson (Grace), Collection Correspondence C–D Box 2, Huntington Library, San Marino Huntington Library, San Marino.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.