Outside in the Stereotype: Anglo-Indians' Passage from Community to Singularity

Works Cited

• 36 Chowringhee Lane. Dir. Aparna Sen. Perf. Jennifer Kendall, Dhritiman Chatterjee, and Debashree Roy. Shashi Kapoor, 1981. DVD.
   Google Scholar
• Agamben, Giorgio. The Coming Community. Trans. Michael Hardt. Minneapolis: Minnesota UP, 1993. Print.
   Google Scholar
• Andrews, Robyn. “Living Anglo-India: Making Australia ‘Local’ at St. Joseph's Hostel.” Local Lives: Migration and the Politics of Space. Ed. Brigitte Bonisch-Brednich and Catherine Trundle. Burlington: Ashgate Publishing, 2010. 119–34. Print.
   Google Scholar
• Anthony, Frank. Britain's Betrayal in India: The Story of the Anglo-Indian Community. New Delhi: Allied Publishers, 1969. Print.
   Google Scholar
• Arnold, David. “Touching the Body: Perspectives on the Indian Plague, 1896–1900.” Selected Subaltern Studies. Eds. Ranajit Guha and Gayatri Chakravorty Spivak. New York: Oxford UP, 1988. 391–426. Print.
   Google Scholar
• Bada Din. Dir. Anjan Dutta. Perf. Marc Robinson, Shabana Azmi, Tara Deshpande, and Abhay Chopra. Gramco Films, 1998. DVD.
   Google Scholar
• Banerjee, Surabhji. Jyoti Basu: The Authorized Biography. New Delhi: Penguin, 1997. Print.
   Google Scholar
• Beita, Bei Chatlai. “Ban Bow Barracks Forever Movie, Christians' Cry Louder.” Christian Today. 11 Aug. 2007. Web. 6 Jul. 2014.
   Google Scholar
• Blunt, Alison. Domicile and Diaspora: Anglo-Indian Women and the Spatial Politics of Home. Malden: Blackwell Publishing, 2005. Print.
   Google Scholar
• Bow Barracks Forever. Dir. Anjan Dutta. Perf. Victor Banerjee, Lilette Dubey, Clayton Rodgers, Neha Dubey, Sohag Sen, Chandan Sen, Munmun Sen, Sabyasachi Chakraborty, George Baker, Rupa Ganguly, and Arijit Dutta. Pritish Nandy Communications, 2004. DVD.
   Google Scholar
• Chatterjee, Partha. “Are Indian Cities Becoming Bourgeois at Last?.” The Politics of the Governed: Reflections on Popular Politics in Most of the World. New York: Columbia UP, 2006. Print.
   Google Scholar
• Chatterjee, Partha. The Nation and Its Fragments: Colonial and Postcolonial Histories. Princeton: Princeton UP, 1993. Print.
   Google Scholar
• Chatterjee, Partha. “Jaatiyata.” Itihaser Uttaradhikar. Kolkata: Ananda Publishers, 2000. 69–97. Print.
   Google Scholar
• Chopra, Bhavna. “The Failure of Anjan Dutt's Bada Din Based on the Anglo-Indian Community Made Him Direct Bow Barracks Forever Which also Deals with Them.” Filmi Beat. 18 Jun. 2007. Web. 20 Oct. 2014.
   Google Scholar
• Cotton Mary. Dir. Ismail Merchant. Perf. Madhur Jaffrey, Gretta Scacchi, and James Wilby. Universal Studios, 1999. DVD.
   Google Scholar
• D'Cruz, Carolyn, and Glenn D'. Cruz. “Public Narratives, Minority Voices: Re-cognising Anglo-Indians in Cotton Mary.” Life Writing 4.1 (2007): 111–12. Print.
   Google Scholar
• Dover, Cedric. Cimmerii, or Eurasians and Their Future. London: Simon Wallenberg P, 1929. Print.
   Google Scholar
• Dryden, Konrad. “Pagliacci.” Leoncavallo: Life and Works. Plymouth: Scarecrow P, 2007. 213–26. Print.
   Google Scholar
• Dwyer, Rachel. Filming the Gods: Religion and Indian Cinema. New York: Routledge, 2006. Print.
   Google Scholar
• Forster, E. M. A Passage to India. Harmondsworth: Penguin, 1936. Print.
   Google Scholar
• Gauravchakrabartyfan. Bhalobashar Katha: An Anjan Dutta Telefilm. Online video clip. Youtube. Youtube. 3 Oct. 2012. Web. 21 Oct. 2014.
   Google Scholar
• Hawes, Christopher. Poor Relations: The Making of a Eurasian Community in British India. 1773–1833. New York: Routledge, 1996. Print.
   Google Scholar
• Jhabvala, Ruth Prawer. Heat and Dust. Berkeley: Counterpoint P, 1999. Print.
   Google Scholar
• Julie. Dir. K.S. Sethumadhavan. Perf. Laxmi Narayan, Vikram, and Nadira. Vijaya Productions Pvt. Ltd., 1975. Film.
   Google Scholar
• Khatta Meetha. Dir. Basu Chatterjee. Perf. Rakesh Roshan, Bindiya Goswami, Ashok Kumar, and Pearl Padamsee. Romu Sippy and Gul Anand, 1978. Film.
   Google Scholar
• Lyons, Esther. “My Bow Barracks.” The Way We Are: An Anglo-Indian Mosaic. Ed. Lionel Lumb and Deborah Van Veldhuizen. Monroe Township: Calcutta Tiljallah Relief Inc., 2002. 193–98. Print.
   Google Scholar
• Mahalanobis, P. C. “Analysis of Race-Mixture in Bengal.” Journal and Proceedings, Asiatic Society of Bengal 23 (1927): 301–33. Print.
   Google Scholar
• Mizutani, Satoshi. The Meaning of White: Race, Class, and the “Domiciled Community” in British India, 1858–1930. Oxford: Oxford UP, 2012. Print.
   Google Scholar
• Niyogi, Subhro. “Toast to Trincas Golden Jubilee.” The Times of India. 25 Jun. 2009. Web. 21 Oct. 2014.
   Google Scholar
• Teesri Manzil. Dir. Vijay Anand. Perf. Shammi Kapoor, Asha Parekh, and Helen. Nasir Hussain Films, 1966. DVD.
   Google Scholar
• Thomas, Brandon. Charley's Aunt: A Play in Three Acts. New York: S. French, 1962. Print.
   Google Scholar
• Saptapadi. Dir. Ajoy Kar. Perf. Uttam Kumar, Suchitra Sen, Chhabi Biswas, and Chhaya Devi. Alochhaya Productions Pvt. Ltd., 1961. DVD.
   Google Scholar
• Savarkar, V. D. Hindutva: Who Is a Hindu? Mumbai: Veer Savarkar Prakashan, 1923. Print.
   Google Scholar
• Sinha, Mrinalini. Colonial Masculinity: The “Manly Englishman” and the “Effeminate Bengali” in the Late Nineteenth Century. New York: Manchester UP, 1995. Print.
   Google Scholar
• Wiliams, Blair. Anglo-Indians: Vanishing Remnants of a Bygone Era. Monroe Township: Calcutta Tiljallah Relief Inc., 2002. Print.
   Google Scholar