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South Asian Review Volume 36, 2015 - Issue 1: 'Satyajit Ray', Guest edited by Geoffrey Kain
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Editorial

Editor's Column

Pages 7-10 | Published online: 08 Dec 2017

Works Cited

  • Bannerji, Surabhi. Satyajit Ray: Beyond the Frame. New Delhi: Allied Publishers, 1996. Print.
  • Cooper, Darius. The Cinema of Satyajit Ray: Between Tradition and Modernity. Cambridge: Cambridge UP, 2000. Print.
  • Doane, Mary Anne. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge: Harvard U P, 2002. Print.
  • Ganguly, Keya. Cinema, Emergence, and the Films of Satyajit Ray. Berkeley: U of California P, 2010. Print.
  • Gehlawat, Ajay. Reframing Bollywood: Theories of Popular Hindi Cinema. Thousand Oaks, CA: Sage, 2010. Print.
  • Gokulsing, Moti, and Wimal Dissanayake. Popular Culture in a Globalised India. London: Routledge, 2009. Print.
  • Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of the German Film. Princeton: Princeton UP, 2004. Print.
  • Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. Princeton: Princeton UP, 1997. Print.
  • Rai, Amit S. Untimely Bollywood: Globalisation and India's New Media Assemblage. Durham: Duke UP, 2009. Print.
  • Seton, Marie. Portrait of a Director: Satyajit Ray. Bloomington: Indiana UP, 1971. Print.

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