Critical Interpretation of Hybrid K-Pop: The Global-Local Paradigm of English Mixing in Lyrics

References

• Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis, MN: U of Minnesota P, 1996. Print.
   Google Scholar
• Benjamin, Jeff. “Girls' Generation Makes Big U.S. Debut on Letterman: Watch.” Billboard.Com, Web. 1 Feb. 2012.
   Google Scholar
• Bhabha, Homi. The Location of Culture. New York: Routledge, 1994. Print.
   Google Scholar
• Byun, Eunmi. “Ban on Songs with English Lyrics Stirs Debate: MBC's Move for National Sentiment Elicits Protest from Young Musicians.” The Korea Herald, Web. 12 June 1997.
   Google Scholar
• Choi, Kyusung. “Seo Taiji and Boys.” Weekly Hankook, Web. 12 Jan. 2005.
   Google Scholar
• Covach, John. “Form in Rock Music: A Primer.” Engaging Music: Essays in Music Analysis. Ed. DeborahStein. New York: Oxford UP, 2005. Print.
   Google Scholar
• “Cultural Policy for the 21st Century.” The Korea Herald, Web. 29 Mar. 1999.
   Google Scholar
• Garnham, Nicolas. Emancipation, the Media, and Modernity. London: Oxford UP, 2000. Print.
   Google Scholar
• Hall, Stuart. “The Local and the Global: Globalization and Ethnicity.” Culture, Globalization and World-system: Contemporary Conditions for the Representation of Identity. Ed. DeborahStein. London: Macmillan, 1991. 19–40 Print.
   Google Scholar
• He, Amy. “Can K-Pop Break the U.S.?” The Korean Herald, Web. 3 Oct. 2011.
   Google Scholar
• Hosokawa, Shuhei. “Salsa no Tiene Frontera: Orqesta de la Luz and the Globalization of Popular Music.” Cultural Studies13.3 (1999): 509–534. Print.
   Web of Science ®Google Scholar
• Howard, Keith. “Exploding Ballads: The Transformation of Korean Pop Music.” Global Goes Local: Popular Culture in Asia. Ed. CraigTimothy and RichardKing. Vancouver: UBC Press, 2002. 80–95 Print.
   Google Scholar
• Hwang, Okon. “Korea, V–1 (iii) Popular Music.” The New Grove Dictionary of Music and Musicians. New York: Macmillan, 2001. Print.
   Google Scholar
• Iwabuchi, Koichi. “Cultures of Empire: Transnational Media Flows and Cultural (Dis)Connections in East Asia.” Global Communications: Toward a Transcultural Political Economy. Ed. PaulaChakravartty and YuezhiZhao. Lanham, MD: Rowman & Littlefield, 2008. 143–161 Print.
   Google Scholar
• Jin, Dal Yong. “Critical Interpretation of Hybridization in Korean Cinema: Does the Local Film Industry Create ‘the Third Space.’.” Javnost – The Public17.1 (2010): 55–72. Print.
   Web of Science ®Google Scholar
• JinDal YongHands On/Hands Off: The Korean State and the Market Liberalization of the Communication Industry. Cresskill, NJ: Hampton Press, 2011. Print.
   Google Scholar
• Joseph, May, Ed. Introduction: New Hybridity Identities and Performance. Minneapolis, MN: U of Minnesota P, 1999. Print.
   Google Scholar
• Jung, Eun Young. “Transnational Korea: a Critical Assessment of the Korean Wave in Asia and the United States.” Southeast Review of Asian Studies31 (2009): 69–80. Print.
   Google Scholar
• Kachru, Yamuna. “Mixers Lyrics in Hinglish: Blending and Fusion in Indian Pop Culture.” World Englishes25.2 (2006): 223–233. Print.
   Google Scholar
• Kim, Sunwoo. “A+Report: Idol Group Becomes the Music Industry.” Dong-A Ilbo, 24 Apr. 2010: 40. Print.
   Google Scholar
• Kim, Yoon-mi. “Korean Pop Stars Set Eyes on Global Stage.” The Korea Herald, Web. 25 Feb. 2006.
   Google Scholar
• Kraidy, Marwan. Hybridity or the Cultural Logic of Globalization. Philadelphia, PA: Temple UP, 2005. Print.
   Google Scholar
• Lee, Jamie Shinhee. “Linguistic Hybridization in K-Pop: Discourse of Self-Assertion and Resistance.” World Englishes23.3 (2004): 429–450. Print.
   Google Scholar
• Lee, Jung-yup. “Contesting Digital Economy and Culture: Digital Technologies and the Transformation of Popular Music in Korea.” Inter-Asia Cultural Studies10.4 (2009): 489–506. Print.
   Web of Science ®Google Scholar
• Lee, Soo Hyun. “English Lyrics Occupy Korean Popular Music.” Money Today, Web. 5 Feb. 2009.
   Google Scholar
• Macintyre, Donald. “Flying too High?” Time, Web. 29 July 2002.
   Google Scholar
• Ministry of Culture and Tourism. The Music Industry White Paper of 2008. Seoul: Ministry of Culture and Tourism, 2009. Print.
   Google Scholar
• Ministry of Culture and TourismThe Music Industry White Paper of 2009. Seoul: Ministry of Culture, Sports, and Tourism, 2010. Print.
   Google Scholar
• Moody, Andrew. “English in Japanese Popular Culture and J-Pop Music.” World Englishes25.2 (2006): 209–222. Print.
   Google Scholar
• Morelli, Sarah. “Who is a Dancing Hero? Rap, Hip-hop, and Dance in Korean Popular Culture.” Global Noise: Rap and Hip-Hop outside the USA. Ed. TonyMitchell. Middletown, CT: Wesleyan UP, 2001. 248–257 Print.
   Google Scholar
• Omoniyi, Tope. “Hip-hop through the World Englishes Lens: A Response to Globalization.” World Englishes25.2 (2006): 195–208. Print.
   Google Scholar
• Penney, Joel. “KEVIN07: Cool Politics, Consumer Citizenship, and the Specter of ‘Americanization’ in Australia.” Communication, Culture and Critique4.1 (2011): 80–98. Print.
   Google Scholar
• Pieterse, Jan Nederveen. Globalization and Culture: Global Mélange., 2nd edn.Lanham, MD: Rowman & Littlefield, 2009. Print.
   Google Scholar
• PriceWaterHouseCoopers. Global Entertainment and Media Outlook 2009–2013. New York: PriceWaterHouseCoopers, 2009. Print.
   Google Scholar
• Ritzer, George and MichaelRyan. “Americanisation, McDonaldisation, and Globalization.” Issues in Americanisation and Culture. Ed. NeilCampbell, JudieDavies and GeorgeMcKay. Edinburgh: Edinburgh UP, 2004. 41–60 Print.
   Google Scholar
• Rutten, Paul. “Global Sounds and Local Brews, Musical Developments and Music Industry in Europe.” Music in Europe. Ed. PaulRutte. Brussels: European Music Office, 1996. 64–76 Print.
   Google Scholar
• Ryoo, Woongjae. “Globalization, or the Logic of Cultural Hybridization: The Case of the Korean Wave.” Asian Journal of Communication19.2 (2009): 137–151. Print.
   Web of Science ®Google Scholar
• RyooWoongjae “The Role of the State in the National Mediascape: The Case of South Korea.” Global Media Journal4.6 (2005):, Web. 10 Sept. 2012.
   Google Scholar
• Ryu, Donghyup. “The Shaping of Korean Popular Music from 1945 to the 1960s.” Paper given at International Communication Association Conference, San Francisco, CA, 25–27 May 2007. Address.
   Google Scholar
• Shin, Angela. “Korean-American Singers Thrive in K-Pop Scene.” The Korea Herald, 22 June 2003: 27. Print.
   Google Scholar
• Shin, Hyunjoon. “‘Have You Ever Seen the Rain?’ And ‘Who'll Stop the Rain’? The Globalization Project of Korean Pop.” Inter-Asia Cultural Studies10.4 (2009): 507–523. Print.
   Web of Science ®Google Scholar
• Shin, Hyunjoon and Tung-HungHo. “Translation of America during the early Cold War Period: A Comparative Study on the History of Popular Music in South Korea and Taiwan.” Inter-Asia Cultural Studies10.1 (2009): 83–99. Print.
   Web of Science ®Google Scholar
• Son, Min Jung. “Regulating and Negotiating Trot: A Korean Popular Song Style.” Asian Music37.1 (2006): 51–74. Print.
   Web of Science ®Google Scholar
• Spivak, Gayatri. “Can the Subaltern Speak.” Marxism and the Interpretation of Culture. Ed. C.Nelson and L.Grossberg. Urbana and Chicago, IL: U of Illinois P, 1988. 271–313 Print.
   Google Scholar
• Yang, Jeff. “Can Girls' Generation Break Through in America?” The Wall Street Journal, Web. 8 Feb. 2012.
   Google Scholar
• Yeom, Hee-Jin. “Can You Notice after Listening to Music….” DongA Ilbo, 26 Sept. 2009. Web. 10 Sept. 2012.
   Google Scholar
• Yim, Haksoon. “Cultural Identity and Cultural Policy in South Korea.” International Journal of Cultural Policy8.1 (2002): 37–48. Print.
   Google Scholar
• Yoon, Lina. “Korean Pop, with Online Help, Goes Global.” Time, 26. Aug. 2010. Web. 10 Sept. 2012.
   Google Scholar
• Yue, Audrey. “Hawking in the Creative City: Rice Rhapsody, Sexuality and the Cultural Politics of New Asia in Singapore.” Feminist Media Studies7.4 (2007): 365–380. Print.
   Google Scholar