References
- Back, Les. The Art of Listening. Oxford: Berg, 2007. Print.
- Bartmanski, Dominik and Ian Woodward. “The Vinyl: The Analogue Medium in the Age of Digital Reproduction.” Journal of Consumer Culture 2013: 1–25. Web. 31 May 2013.
- Bauman, Zygmunt. Intimations of Postmodernity. London: Routledge, 1992. Print.
- Beadle, Jeremy J. Will Pop Eat Itself? Pop Music in the Sound Bite Era. London: Faber, 1993. Print.
- Bennett, Andy. “‘Heritage Rock’: Rock Music, Re-presentation and Heritage Discourse.” Poetics. 37.5–6 (2009): 474–489. Print.
- BennettAndy Music, Style and Aging: Growing Old Disgracefully? Philadelphia: Temple UP, 2013. Print.
- BennettAndy “Plug In and Play! UK Indie Guitar Culture.” Guitar Cultures. Ed. Andy Bennett and Kevin Dawe. Oxford: Berg, 2001. 45–62. Print.
- BennettAndy “Popular Music, Cultural Memory and the Peripheral City.” Music City: Musikalische Annäherungen an die “kreative Stadt. Ed. A. Barber-Kersovan, V. Kirchberg and R. Kuchar. Bielefeld: Transcript, 2014. 105–119. Print.
- Bennett, Andy and Kevin Dawe, eds. Guitar Cultures. Oxford: Berg, 2001. Print.
- Bennett, Andy and Paul Hodkinson, eds. Ageing and Youth Cultures: Music, Style and Identity. Oxford: Berg, 2012. Print.
- Bennett, Andy and Ian Rogers. “In Search of Underground Brisbane: Music, Memory and Cultural Heritage.” Sounds and the City: Popular Music, Place and Globalisation. Ed. Brett Lashua, Karl Spracklen and Stephen Wagg. Basingstoke: Palgrave, 2014. Print.
- Borschke, Margie. “Disco Edits and Their Discontents: The Persistence of the Analog in a Digital Age.” New Media & Society 13.6 (2011): 929–944. Print.
- Bull, Michael. Sound Moves: iPod Culture and Urban Experience. London: Routledge, 2007. Print.
- Chaney, David. The Cultural Turn: Scene Setting Essays on Contemporary Cultural History. London: Routledge, 1994. Print.
- ChaneyDavid Lifestyles (Key Ideas). London: Routledge, 1996. Print.
- Crowdy, Denis. “Chasing an Aesthetic Tail: Latent Technological Imperialism in Mainstream Production.” Redefining Mainstream Popular Music. Ed. Sarah Baker, Andy Bennett and Jodie Taylor. New York: Routledge, 2013. 150–162. Print.
- Dant, Tim. Material Culture in the Social World. Buckingham: Open UP, 1999. Print.
- Dyer, Geoff. The Missing of the Somme. London: Canongate, 1994. Print.
- Errigo, Angie and Steve Leaning. The Illustrated History of the Rock Album Cover. London: Octopus Books, 1979. Print.
- Ferrell, Jeff. “Degradation and Rehabilitation in Popular Culture.” The Journal of Popular Culture 24.3 (1990): 89–100. Print.
- Giddens, Anthony. Modernity and Self Identity: Self and Society in the Late Modern Age. Cambridge: Polity, 1991. Print.
- Hayes, David. “‘Take Those Old Records off the Shelf’: Youth and Music Consumption in the Postmodern Age.” Popular Music and Society 29.1 (2006): 51–68. Print.
- Hodder, Ian, Ed. The Meanings of Things: Material Culture and Symbolic Expression. London: Unwin Hyman, 1989. Print.
- Hosokawa, Shuhei. “The Walkman Effect.” Popular Music 4 (1984): 165–180. Print.
- Kassabian, Anahid. Ubiquitous Listening: Affect, Attention and Distributed Subjectivity. Berkeley: U of California P, 2013. Print.
- Leonard, Marion. “Exhibiting Popular Music: Museum Audiences, Inclusion and Social History.” Journal of New Music Research 39.2 (2010): 171–181. Print.
- Levitin, Daniel. This Is Your Brain on Music: Understanding a Human Obsession. London: Atlantic Books, 2007. Print.
- MacDonald, Dwight. “A Theory of Mass Culture.” Mass Culture: The Popular Arts in America. Ed. Bernard Rosenberg and David Manning White. Glencoe, IL: The Free Press, 1957. 1–17. Print.
- Miller, Daniel. Material Culture and Mass Consumption. Oxford: Blackwell, 1987. Print.
- Reitsamer, Rosa. “‘Born in the Republic of Austria’: The Invention of Rock Heritage in Austria.” International Journal of Heritage Studies 20.3 (2012): 331–342. Print.
- Roberts, Les. “Talkin Bout My Generation: Popular Music and the Culture of Heritage.” International Journal of Heritage Studies 20.3 (2014): 262–280. Print.
- Rogers, Jim. The Death and Life of the Music Industry in the Digital Age. London: Bloomsbury, 2013. Print.
- Ryan, John and Richard A. Peterson. “The Guitar as Artefact and Icon: Identity Formation in the Babyboom Generation.” Guitar Cultures. Ed. Andy Bennett and Kevin Dawe. Oxford: Berg, 2001. 89–116. Print.
- Sacks, Oliver. Musicophilia: Tales of Music and the Brain. New York: Vintage, 2007. Print.
- Stewart, Susan. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. London: Duke UP, 1993. Print.
- Straw, Will. “Music and Material Culture.” The Cultural Study of Music: A Critical Introduction, 2nd edn. Ed. Martin Clayton, Trevor Herbert and Richard Middleton. London: Routledge, 2012. 227–236. Print.
- Waksman, Steve. Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge, MA: Harvard UP, 1999. Print.
- WaksmanSteve “Into the Arena: Edward Van Halen and the Cultural Contradictions of the Guitar Hero.” Guitar Cultures. Ed. Andy Bennett and Kevin Dawe. Oxford: Berg, 2001. 117–134. Print.
- Woodward, Ian. Understanding Material Culture. London: Sage, 2007. Print.