“Who Run the Music? Girls!” Examining the Construction of Female Digital Musicians’ Online Presence

Works Cited

• “About.” Cimorelli. Universal Music Group 2010. Web. 6 May 2015.
   Google Scholar
• “About.” Cimorelli. YouTube 2008. Web. 6 May 2015.
   Google Scholar
• Albrechtsen, Janet. “The Corruption of Feminism.” Policy 31.2 (2015): 3–6. Web. 10 Mar. 2016.
   Google Scholar
• “Artists and Arts Workers in United States.” National Endowment for the Arts, Oct. 2011. Web. 20 Feb. 2016.
   Google Scholar
• Aubrey, Jennifer Stevens, K. Megan Hopper, and Wanjiru G. Mbure. “Check that Body! The Effects of Sexually Objectifying Music Videos on College Men’s Sexual Beliefs.” Journal of Broadcasting & Electronic Media 55.3 (2011): 360–79. Music Index. Web. 10 Mar. 2016.
   Web of Science ®Google Scholar
• Aufderheide, Pat. “Music Videos: The Look of the Sound.” Journal of Communication 36 1 (1986): 57–78. Print.
   Web of Science ®Google Scholar
• Barber, Lynn. “How Ella Yelich-O’Connor, aka Lorde, Became Pop Royalty.” The Australian 17 May 2014. Web. 10 May 2015.
   Google Scholar
• Burgess, Jean, and Joshua Green. YouTube: Online Video and Participatory Culture. Malden, MA: Polity, 2009. Print.
   Google Scholar
• Chittenden, Tara. “In My Rearview Mirror: Female Teens’ Prospective Remembering of Future Romantic Relationships through the Lyrics in Taylor Swift Songs.” Journal of Children and Media 7.2 (2013): 186–200. Web. 10 Mar. 2016.
   Google Scholar
• Click, Melissa A., Hyunji Lee, and Holly Willson Holladay. “Making Monsters: Lady Gaga, Fan Identification, and Social Media.” Popular Music and Society 36.3 (2013): 360–79. Academic Search Complete. Web. 10 Mar. 2016.
   Google Scholar
• Corona, Victor P. “Memory, Monsters, and Lady Gaga.” Journal of Popular Culture 46.4 (2013): 725–44. International Bibliography of Theatre & Dance with Full Text. Web. 10 Mar. 2016.
   Web of Science ®Google Scholar
• Corriston, Michele. “Megan Nicole Premieres’80s-Inspired Music Video for ‘Electrified.’” People 16 Sept. 2014. Web. 6 May 2015.
   Google Scholar
• Costello, Victor, and Barbara Moore. “Cultural Outlaws: An Examination of Audience Activity and Online Television Fandom.” Television & New Media 8.2 (2007): 124–43. Communication & Mass Media Complete. Web. 10 May 2015.
   Google Scholar
• Denisoff, R. Serge and John Bridges “Popular Music: Who Are the Recording Artists?.” Journal of Communication 32 1 (1982): 132–42. Print.
   Web of Science ®Google Scholar
• Dredge, Stuart. “SoundCloud Revamps iPhone App as Majority Listen on Mobile Devices.” The Guardian 26 June 2014. Web. 6 May 2015.
   Google Scholar
• Durham, Aisha. “‘Check on It’: Beyoncé, Southern Booty, and Black Femininities in Music Video.” Feminist Media Studies 12.1 (2012): 35–49. MLA International Bibliography. Web. 10 Mar. 2016.
   Google Scholar
• Elkind, David. “Egocentrism in Adolescence.” Child Development 38.4 (1967): 1025. Professional Development Collection. Web. 10 Mar. 2016.
   PubMed Web of Science ®Google Scholar
• “Explore.” Google Trends. Web. 10 Mar. 2016.
   Google Scholar
• Fitzgerald, Jon, and Philip Hayward. “Mountain Airs, Mockingjays and Modernity: Songs and Their Significance in the Hunger Games.” Science Fiction Film and Television 8.1 (2015): 75–89. Web. 10 Mar. 2016.
   Google Scholar
• Frisby, Cynthia M. and Jennifer Stevens Aubrey. “Race and Genre in the Use of Sexual Objectification in Female Artists’ Music Videos.” Howard Journal of Communications 23.1 (2012): 66–87. Communication & Mass Media Complete. Web. 10 May 2015.
   Google Scholar
• Gan, Su-lin, Dolf Zillmann, and Michael Mitrook. “Stereotyping Effect of Black Women’s Sexual Rap on White Audiences.” Basic & Applied Social Psychology 19.3 (1997): 381–99. Business Source Premier. Web. 10 May 2015.
   Web of Science ®Google Scholar
• Gow, Joe. “Reconsidering Gender Roles on MTV: Depictions in the Most Popular Music Videos of the Early 1990s.” Communication Reports 9.2 (1996): 152–61. Communication & Mass Media Complete. Web. 10 May 2015.
   Google Scholar
• Haight, Michael, Anabel Quan-Haase, and Bradley A. Corbett. “Revisiting the Digital Divide in Canada: The Impact of Demographic Factors on Access to the Internet, Level of Online Activity, and Social Networking Site Usage.” Information, Communication & Society 17.4 (2014): 503–19. Web. 10 May 2015.
   Web of Science ®Google Scholar
• “The Hot 100.” Billboard 2016. Web. 19 Feb. 2016.
   Google Scholar
• James, Lily. “Body Image Survey of Young Women.” Youth Studies Australia 24.4 (2005): 8. Academic Search Elite. Web. 10 Mar. 2016.
   Google Scholar
• Jang, Meena. “YouTube’s 10th Anniversary: Watch the Top 10 Most Viewed Videos to Date.” Billboard 14 Feb. 2015. Web. 10 May 2015.
   Google Scholar
• Jenkins, Henry, Ravi Purushotma, Margaret Weigel, Katie Clinton, and Alice J. Robison. Confronting the Challenges of Participatory Culture: Media Education for the 21st Century. Cambridge, MA: MIT Press, 2009.
   Google Scholar
• Johnson, Imani K. “From Blues Women to B-Girls: Performing Badass Femininity.” Women & Performance 24.1 (2014): 15–28. International Bibliography of Theatre & Dance with Full Text. Web. 10 Mar. 2016.
   Google Scholar
• Kistler, Michelle E., and Moon J. Lee. “Does Exposure to Sexual Hip-Hop Music Videos Influence the Sexual Attitudes of College Students?” Mass Communication & Society 13.1 (2010): 67–86. Music Index. Web. 10 Mar. 2016.
   Web of Science ®Google Scholar
• Knowles, Julian D. “A Survey of Web 2.0 Music Trends and Some Implications for Tertiary Music Communities.” Music in Australian Tertiary Institutions: Issues for the 21st Century 2007. Web. 10 May 2015.
   Google Scholar
• Kosoff, Maya. “30 Most Popular Vine Stars in the World.” Business Insider 31 Mar. 2015. Web. 6 May 2015.
   Google Scholar
• Lafrance, Marc, Lara Worcester, and Lori Burns. “Gender and the Billboard Top 40 Charts between 1997 and 2007.” Popular Music and Society 34 5 (2011): 557–70. Academic Search Elite. Web. 20 Feb. 2016.
   Web of Science ®Google Scholar
• Lieb, Kristin J. Gender, Branding, and the Modern Music Industry. New York, NY: Routledge, 2013. Print.
   Google Scholar
• Lipshutz, Jason. “Vine Success for Music Stars 2014.” Billboard 15 Dec. 2014. Web. 6 May 2015.
   Google Scholar
• Lynley, Matthew. “With 100 Million People Watching Vine Videos Every Month, Jason Mante Says Monetization Still Isn’t the Focus.” TechCrunch 5 May 2015. Web. 10 May 2015.
   Google Scholar
• “Music on Vine.” Vine Blog. Web. 10 Mar. 2016.
   Google Scholar
• O’Neill, Susan A. “Editor’s Introduction: Crossing the Divide: Feminist Perspectives on Gender and Music.” Feminism & Psychology 12.2 (2002): 133–36. Academic Search Complete. Web. 10 May 2015.
   Web of Science ®Google Scholar
• Peters, Michael A. “On the Edge of Theory: Dadaism, (Ca-Caism), Gagaism.” Review of Education, Pedagogy & Cultural Studies 34.5 (2012): 216–26. Academic Search Complete. Web. 10 Mar. 2016.
   Google Scholar
• Read, Barbara. “Britney, Beyoncé, and Me: Primary School Girls’ Role Models and Constructions of the ‘Popular’ Girl.’” Gender & Education 23.1 (2011): 1–13. Professional Development Collection. Web. 10 May 2015.
   Web of Science ®Google Scholar
• Rose, Tricia. Black Noise. Middletown, CT: Wesleyan UP, 1994. Print.
   Google Scholar
• Ruddock, Andy. “Cultural Studies and Audience Research.” Understanding Audiences: Theory and Method. Thousand Oaks, CA: Sage, 2001. Print.
   Google Scholar
• Schilt, Kristen. “‘A Little Too Ironic’: The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians.” Popular Music and Society 26.1 (2003): 5–16. Academic Search Elite. Web. 10 Mar. 2016.
   Web of Science ®Google Scholar
• Schradie, Jen. “The Digital Production Gap: The Digital Divide and Web 2.0 Collide.” Poetics 39 2 (2011): 145–68. Web. 9 Mar. 2016.
   Web of Science ®Google Scholar
• Seidman, Steven A. “An Investigation of Sex-Role Stereotyping in Music Videos.” Journal of Broadcasting & Electronic Media 36.2 (1992): 209–16. Academic Search Elite. Web. 10 May 2015.
   Web of Science ®Google Scholar
• Sherman, Barry L., and Joseph R. Dominick. “Violence and Sex in Music Videos: TV and Rock ’n’ Roll.” Journal of Communication 36 1 (1986): 79–93.
   Web of Science ®Google Scholar
• Sippey, Michael. “Vine: A New Way to Share Video.” Twitter. 24 Jan. 2013. Web. 10 May 2015.
   Google Scholar
• “Statistics.” YouTube. Web. 10 May 2015.
   Google Scholar
• Théberge, Paul. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover, NH: Wesleyan UP, 1997. Print.
   Google Scholar
• “What is Media Literacy: A Definition…and More.” Center for Media Literacy. Web. 10 May 2015.
   Google Scholar