Producing an Other Nation: Autogestión, Zapatismo, and Tradition in Home Studio Music-Making in Mexico City

References

• Aguilar, Adrian. “Mexico City Growth and Regional Dispersal: the Expansion of Largest Cities and New Spatial Forms.” Habitat International 23. 3 (1999): 391–412. Print. 10.1016/S0197-3975(99)00014-4
   Web of Science ®Google Scholar
• Alonso Bolaños, Marina. La “invención” de la música indígena de México: Antropología e historia de las políticas culturales del siglo XX [The ‘invention’ of the indigenous music of Mexico: Anthropology and history of the cultural policies of the 20th century]. Buenos Aires: SB, 2008. Print
   Google Scholar
• Anderson, Benedict. Imagined Communities: Reflections on the Origins and Spread of Nationalism. Rev. and exp. ed. London: Verso, 1991. Print
   Google Scholar
• Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis, MN: U of Minnesota P, 1996. Print
   Google Scholar
• Barber, Benjamin. “Jihad vs. McWorld.” The Atlantic Mar. 1992. 53–63. Print
   Google Scholar
• Baronnet, Bruno, and Mariana Ortega Breña. “Rebel Youth and Zapatista Autonomous Education.” Latin American Perspectives 35. 4 (2008): 112–124. Print. 10.1177/0094582X08318982
   Web of Science ®Google Scholar
• Barry, Tom. Zapata’s Revenge: Free Trade and the Farm Crisis in Mexico. Brooklyn: South End P, 1995. Print
   Google Scholar
• Bennett, W. Lance, and Alexandra Segerberg. The Logic of Connective Action: Digital Media and the Personalization of Contentious Politics. Cambridge: Cambridge UP, 2013. Print. 10.1017/CBO9781139198752
   Google Scholar
• Bernal, Victoria. “Eritrea Goes Global: Reflections on Nationalism in a Transnational Era.” Current Anthropology 19. 1 (2004): 3–25. Print
   Google Scholar
• Boym, Svetlana. The Future of Nostalgia. New York, NY: Basic Books, 2001. Print
   Google Scholar
• Brenner, Neil, and Stuart Elden. “Introduction.” State, Space, World: Selected Essays. Ed. Henri Lefebvre. Trans. Neil Brenner and Stuart Elden. Gerald Moore, Neil Brenner, and Stuart Elden. Minneapolis: U of Minnesota P, 2009. 1–50. Print
   Google Scholar
• Carey, James. Communication as Culture: Essays on Media and Society. London: Routledge, 2009. Print
   Google Scholar
• Cross, John C. “Mexico.” Media Piracy in Emerging Economies. Ed. Joe Karaganis. New York: Social Science Research Council, 2011. 305-325. Print
   Google Scholar
• Crowdy, Denis. “Studios at Home in the Solomon Islands: A Case Study of Homesound Studios, Honiara.” The World of Music 49. 1 (2007): 143–154. Print
   Web of Science ®Google Scholar
• Dinnie, Keith. Nation Branding. London: Routledge, 2010. Print
   Google Scholar
• EZLN. “First Declaration of the Lacandon Jungle.” 1994. Web. 2 Aug. 2015. <https://en.wikisource.org/wiki/First_Declaration_of_the_Lacandon_Jungle>.
   Google Scholar
• EZLN. Resistencia autónoma: Cuaderno de texto de primer grado del curso de “La Libertad según l@s Zapatistas.” Unpublished pamphlet. 2013. Print
   Google Scholar
• Fraser, Nancy. “Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy.” Social Text 25. 25/26 (1990): 56–80. Print. 10.2307/466240
   Google Scholar
• Galeano, Eduardo. Las venas abiertas de América Latina [Open veins of Latin America]. Mexico City: Siglo XXI, 1971. Print
   Google Scholar
• Gallaher, Carolyn, and Oliver Froehling. “New World Warriors: ‘Nation’ And ‘State’ in the Politics of the Zapatista and US Patriot Movements.” Social & Cultural Geography 3 1 (2002): 81–102. Print. 10.1080/14649360120114152
   Google Scholar
• Gamio, Manuel. Forjando patria [Forging a Fatherland]. México, DF: Editorial Porrúa, 1982. Print
   Google Scholar
• García Canclini, Nestor. “Creativided y jóvenes: Prácticas emergentes [Creativity and youth: Emergent practices]. Cultura y desarrollo: Una visión distinta desde los jóvenes. Ed. Nestor García Canclini and Maritza Urteaga. Madrid: Fundación Carolina, 2011. 4–16. Print
   Google Scholar
• Hayes, Joy Elizabeth. Radio Nation: Communication, Popular Culture, and Nationalism in Mexico, 1920-1950. Tucson: U of Arizona P, 2000. Print
   Google Scholar
• Hellier-Tinoco, Ruth. Embodying Mexico: Tourism, Nationalism and Performance. Oxford: Oxford University Press, 2011. Print. 10.1093/acprof:oso/9780195340365.001.0001
   Google Scholar
• Herzfeld, Michael. Cultural Intimacy: Social Poetics in the Nation-State. 2nd ed. New York, NY: Routledge, 2005. Print
   Google Scholar
• Jung, Eun-Young. “Transnational Migrations and YouTube Sensations: Korean Americans, Popular Music, and Social Media.” Ethnomusicology 58. 1 (2014): 54–82. Print. 10.5406/ethnomusicology.58.1.0054
   Web of Science ®Google Scholar
• Kirtley, Bacil. “‘La Llorona’ and Related Themes.” Western Folklore 19 3 (1960): 155–168. Print. 10.2307/1496370
   Google Scholar
• Van Den Berghe Kristine and Bart Maddens. “Ethnocentrism, Nationalism and Post-Nationalism in the Tales of Subcomandante Marcos.”Mexican Studies/Estudios Mexicanos 20.1 (2004): 123-144. Print
   Web of Science ®Google Scholar
• Lefebvre, Henri. State, Space, World: Selected Essays. Ed. Neil Brenner and Stuart Elden. Trans. Gerald Moore, Neil Brenner, and Stuart Elden. Minneapolis: U of Minnesota P, 2009. Print
   Google Scholar
• Long, Ryan. “Challenges to State Hegemony, Competing Nationalisms and the Staging of the Conflict in Chiapas.” Journal of Latin American Cultural Studies: Travesia 8. 1 (1999): 101–113. Print. 10.1080/13569329909361952
   Google Scholar
• Madrid, Alejandro. “The Sounds of the Nation: Visions of Modernity and Tradition in Mexico’s First National Congress of Music.” Hispanic American Historical Review 86. 4 (2006): 681–706. Print10.1215/00182168-2006-047
   Web of Science ®Google Scholar
• Manuel, Peter. “Music as Symbol, Music as Simulacrum: Postmodern, Pre-Modern, and Modern Aesthetics in Subcultural Popular Musics.” Popular Music 14 02 (1995): 227–239. Print. 10.1017/S0261143000007455
   Google Scholar
• Mayer-Serra, Otto. “Silvestre Revueltas and Musical Nationalism in Mexico.” Musical Quarterly XXVII 2 (1941): 123–145. Print10.1093/mq/XXVII.2.123
   Google Scholar
• Milioni, Dimitra. “Probing the Online Counterpublic Sphere: The Case of Indymedia Athens.” Media, Culture and Society 31. 3 (2009): 409–431. Print10.1177/0163443709102714
   Web of Science ®Google Scholar
• Mora, Mariana. “Zapatista Anticapitalist Politics and the ‘Other Campaign’: Learning from the Struggle for Indigenous Rights and Autonomy.” Latin American Perspectives 34. 2 (2007): 64–77. Print10.1177/0094582X06299086
   Web of Science ®Google Scholar
• Newman, Kate. “The Slow Demise of Mexico City’s Organilleros.” 7 Sept. 2012. Web. 28 Sept. 2014. <http://matadornetwork.com/abroad/the-slow-demise-of-mexico-citys-organilleros/>.
   Google Scholar
• O’Toole, Gavin. “A New Nationalism for a New Era: The Political Ideology of Mexican Neoliberalism.” Bulletin of Latin American Research 22. 3 (2003): 269–290. Print10.1111/blar.2003.22.issue-3
   Google Scholar
• Parker, Robert. “A Recurring Melodic Cell in the Music of Carlos Chávez.” Latin American Music Review 12. 2 (1991): 160–172. Print10.2307/780087
   Web of Science ®Google Scholar
• Pieterse, Jan. “Globalisation as Hybridisation.” International Sociology 9 (1994): 161–184. Print. 10.1177/026858094009002003
   Web of Science ®Google Scholar
• Ranger, Terence. “The Invention of Tradition in Colonial Africa.” The Invention of Tradition. Ed. Eric Hobsbawm and Terence Ranger. Cambridge: Cambridge UP, 1983. 211–262. Print
   Google Scholar
• Reuter, Jas. “La Música Popular en la Ciudad de México [Popular music in Mexico City].” Latin American Music Review 5 1 (1984): 97–101. Print. 10.2307/780114
   Web of Science ®Google Scholar
• Rothkopf, David. “In Praise of Cultural Imperialism?” Foreign Policy 107 (1997): 38–53. Print. 10.2307/1149331
   Google Scholar
• Schloss, Joseph. Making Beats: The Art of Sanple-Based Hip-Hop. Middletown, CT: Wesleyan UP, 2004. Print
   Google Scholar
• Stahler-Sholk, Richard. “Resisting Neoliberal Homogenization: The Zapatista Autonomy Movement.” Latin American Perspectives 34. 2 (2007): 48–63. Print. 10.1177/0094582X06298747
   Web of Science ®Google Scholar
• Stobart, Henry. “Constructing Community in The Digital Home Studio: Carnival, Creativity and Indigenous Music Video Production in The Bolivian Andes.” Popular Music 30. 02 (2011): 209–226. Print. 10.1017/S0261143011000031
   Web of Science ®Google Scholar
• Théberge, Paul. Any Sound You Can Imagine: Making Music/Consuming Technology. London: Wesleyan UP, 1997. Print
   Google Scholar
• Vaughan, Mary Kay. “Transnational Processes and the Rise and Fall of the Mexican Cultural State: Notes from the Past.” Fragments of a Golden Age: The Politics of Culture in Mexico Since 1940. “Ed. Gilbert M. Joseph, Anne Rubenstein, and Eric. Zolov.” London: Duke UP 2001. 471–487. Print
   Google Scholar
• Vaughan, Mary Kay, and Stephen Lewis E. “Introduction.” The Eagle and the Virgin: National and Cultural Revolution in Mexico, 1920–1940. Ed. Mary Kay Vaughan and Stephen E. Lewis. London: Duke UP, 2006. 1-20. Print
   Google Scholar
• Velázquez, Marco, and Mary Kay Vaughan. “Mestizaje and Musical Nationalism in Mexico.” The Eagle and the Virgin: National and Cultural Revolution in Mexico, 1920–1940. Ed. Mary Kay Vaughan and Stephen E. Lewis. London: Duke University Press, 2006. 95–118. Print
   Google Scholar
• Walcott, Rinaldo. “Performing the (Black) Postmodern: Rap as Incitement for Cultural Criticism.” Couterpoints 96 (1999): 97–117. Print
   Google Scholar
• Woods, Julián Woodside, Claudia Jiménez López, and Maritza Urteaga. “Creatividad y desarrollo: La música popular alternativa [Creativity and development: Alternative popular music].” Cultura y desarrollo: Una visión distinta desde los jóvenes. Ed Nestor García Canclini and Maritza Urteaga. Madrid: Fundación Carolina, 2011. 90–128. Print
   Google Scholar
• Zheng, Su. Claiming Diaspora: Music, Transnationalism and Cultural Politics in Asian/Chinese America. Oxford: Oxford UP, 2010. Print
   Google Scholar
• Zolov, Eric. “Discovering a Land ‘Mysterious and Obvious’: The Renarrativizing of Postrevolutionary Mexico.” Fragments of a Golden Age: The Politics of Culture in Mexico Since 1940, “Ed. Gilbert M. Joseph, Anne Rubenstein, and Eric. Zolov.” London: Duke UP 2001. 234–272. Print
   Google Scholar