Works Cited
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- Cornwell, Jane . Review of Mariem Hassan: Deseos. Songlines March/Apr. 2006. Print.
- De la Courbe, Sier . Premier Voyage du Sieur de la Courbe Fait a la Costed′Afrique en 1685 [First Trip to the Coast of Africa by Sieur de la Courbe in 1685]. Paris: Palais Culturel, 1913. Print.
- Dominguez, Manuel . Personal interviews. 3 June 2011, 13 June 2011, 15 Dec. 2011, 17 Dec. 2012.
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- Gimenez Amoros, Luis . “Haul Music: Transnationalism and Musical Performance in the Saharawi Refugee Camps of Tindouf, Algeria.” MMus dissertation, Rhodes University, Grahamstown, 2012. Print.
- Gimenez Amoros, Luis . Transnational Habitus: Mariem Hassan as the Transcultural Representation of the Relationship between Saharaui Music and Nubenegra Records . PhD dissertation, Rhodes University, Grahamstown, 2015. Print.
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- Hassan, Mariem . Personal interviews. 1 Dec. 2011, 1 August 2012.
- Hassan, Boika . Personal interview. 15 Jan. 2013.
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- Mariem Hassan . Nubenegra. Web. 13 Sept. 2013. <https://www.mariemhassan.com/downloads/MH%20ENdossier2011.pdf>.
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- Perman, Tony . 2007. “Building Bridges: The Creative Process of Chartwell Dutiro.” Zimbabwean Mbira Music on an International Stage . Ed. Chartwell Dutiro and Keith Howard . Aldershot, UK: Ashgate, 27–41. Print.
- Rammant, Helene . Mariem Hassan: Deseos. Folkroots Jan. / Feb, Bristol, UK. 2006. Print.
- Reitov, Ole , and Marie Korpe . “Remmy Ongala: Moderating through Music.” Sounds of Change: Social and Political Features of Music in Africa . Ed. Stig-Magnus Thorsen . Sida Information Centre International: Edita Sverige, 2004. 57–69. Print.
- Ruano Posada, Violeta , and Vivian Solana Moreno . ”The Strategy of Style: Music, Struggle, and the Aesthetics of Sahrawi Nationalism in Exile.” Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World 5.3 (2015): 40–61. Print.
- Ruby, Tabassum F. “Listening to the Voices of Hijab.” Women’s Studies International Forum 29 1 (2006): 54–66. Print. 10.1016/j.wsif.2005.10.006
- Sayeh, Ismail , and Mohamed Es-Sweyih . Les Sahraouis . Paris: L’Harmattan, 1998. Print.
- Stock, Jonathan P. J. “Toward an Ethnomusicology of the Individual, or Biographical Writing in Ethnomusicology.” The World of Music 43.1 (2001): 5–19. Print.
- Tanoukhi, Nirvana , and Ali Mazrui . “Arab Spring and the Future of Leadership in North Africa.” Transition 106 (2011): 148–162. Print. 10.2979/transition.106a.148
- Taylor, Timothy D. Beyond Exoticism: Western Music and the World . Durham: Duke UP, 2007. Print. 10.1215/9780822389972
- Teeter, Emily . “Female Musicians in Pharaonic Egypt.” Rediscovering the Muses: Women’s Musical Traditions . Ed. Kimberly Marshall . Boston, MA : Northeastern UP, 1993. 68–92. Print.
- Turino, Thomas . “The Mbira, Worldbeat, and the International Imagination.” The World of Music 40 2 (1998): 85–106. Print.
- Waldinger, Roger , and David Fitzgerald . “Transnationalism in Question.” The American Journal of Sociology 109 (2004): 1117–1195. Print.
- Werbner, Pnina , ed. Anthropology and New Cosmopolitanism . New York, NY : Berg Publishers, 2008. 1–32. Print.
- Whiteley, Sheila . Women and Popular Music: Sexuality, Identity and Subjectivity . New York, NY : Routledge, 2000. Print.
Filmography
- Los Mares del Desierto. Luis Gimenez Amoros, director and writer.: Visualsonora, 2006. DVD.
Discography
- Ambiances du Sahara: Desert Blues 1. Various artists, compilation. Harmonia mundi, 1998.
- Desert Blues. Various artists, compilation. Rough Guides, 2010.
- Mariem Hassan. El Aaiun Egdat, Nubenegra, 2012.
- Mariem Hassan. Shouka. Nubenegra, 2010.
- Mariem Hassan. Deseos, Nubenegra, 2005.
- Mariem Hassan and Leyoad. Compilation. Nubenegra, 2002.
- Medej: Cantos Antiguos Saharawis. Various artists, compilation. Nubenegra, 2004.
- A Pesar de las Heridas. Compilation. Nubenegra, 1998.
- Sahara, Tierra Mia. Various artists, compilation. Nubenegra, 1998.
- El Ualy. Polisario Vencera. Compilation. Nubenegra, 1998.