Works cited
- Albiez, Sean. “Post Soul Futurama: African American Cultural Politics and Early Detroit Techno.” European Journal of American Culture 24.2 (2005): 131–52.
- Brewster, Bill, and Frank Broughton. Last Night a DJ Saved My Life: The History of the Disc Jockey. New York: Grove Press, 2000.
- Brewster, Bill, and Frank Broughton. The Record Players: DJ Revolutionaries. New York: Black Cat, 2010.
- Campkin, Ben. “Degradation and Regeneration: Theories of Dirt and the Contemporary City.” Dirt: New Geographies of Cleanliness and Contamination, Ed. Ben Campkin and Rosie Cox. London, UK: I.B. Tauris, 2007, pp. 68–79.
- Chang, Jeff. Can’t Stop Won’t Stop: A History of the Hip-Hop Generation. New York: Picador, 2005.
- Dery, Mark. “Black to the Future: Interviews with Samuel R. Delany, Greg Tate, and Tricia Rose.” Flame Wars: The Discourse of Cyberculture, Ed. Mark Dery. Durham, NC: Duke University Press, 1994, pp. 179–222.
- DeVito, Lee. “Before Techno Was White and Hedonistic, It Was Black and Political.” Detroit Metro Times, 4 Feb. 2015, www.metrotimes.com/city-slang/archives/2015/02/04/before-techno-was-white-and-hedonistic-it-was-black-and-poor. Accessed 14 Mar. 2017.
- Douglas, Mary. Purity and Danger: An Analysis of the Concepts of Pollution and Taboo. New York: Routledge, 1995.
- Duschinsky, Robbie, Simone Schnall, and Daniel H. Weiss, Ed.. Purity and Danger Now: New Perspectives.New York: Routledge, 2016.
- Forman, Murray. The ‘Hood Comes First: Race, Space, and Place in Rap and Hip-Hop. Hanover, NH: Wesleyan University Press, 2002.
- Hebdige, Dick. Cut ‘N’ Mix: Culture, Identity, and Caribbean Music. London: Methuen, 1987.
- May, Beverly. “Techno.” African American Music: An Introduction, Ed. Mellonee V Burnim and Portia K. Maultsby. New York: Routledge, 2006, pp. 331–52.
- Muhammad, Ali Shaheed, and Frannie Kelley. “Marley Marl on the Bridge Wars, LL Cool J and Discovering Sampling.” Microphone Check, 12 Sept. 2013, http://www.npr.org/sections/microphonecheck/2013/09/11/221440934/marley-marl-on-the-bridge-wars-ll-cool-j-and-discovering-sampling. Accessed 4 Oct. 2017.
- Rivera, Raquel Z. “Policing Morality, Mano Dura Stylee: The Case of Underground Rap and Reggae in Puerto Rico in the Mid-1990s.” Reggaeton, Ed. Raquel Z Rivera, Wayne Marshall, and Deborah Pacini Hernandez. Durham, NC: Duke University Press, 2009, pp. 111–34.
- Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: Wesleyan University Press, 1994.
- Ross, Kevin. “Where Is the Black DJ Making Millions in EDM Music?” RadioFacts, 19 Aug. 2015, www.radiofacts.com/where-is-the-black-dj-making-millions-in-edm-music/. Accessed 14 Mar. 2017.
- Schaub, Christoph. “Beyond the Hood? Detroit Techno, Underground Resistance, and African American Metropolitan Identity Politics.” Forum for Inter-American Research 2.2 (Oct. 2009), http://interamerica.de/volume-2-2/schaub/. Accessed 6 Oct. 2017
- Sicko, Dan. Techno Rebels: The Renegades of Electronic Funk. New York: Billboard Books, 1999.
- Sugrue, Thomas J. The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit. Princeton, NJ: Princeton University Press, 2005.
- Toffler, Alvin. The Third Wave. New York: Morrow, 1980.
- Walters, Wendy S. “Blackness in Present Tense: Broadside Press, Motown Records, and Detroit Techno.” New Thoughts on the Black Arts Movement, Ed. Lisa Gail Collins and Margo Natalie Crawford. New Brunswick, NJ: Rutgers University Press, 2006, pp. 117–33.
- Weheliye, Alexander G. “‘Feenin’: Posthuman Voices in Contemporary Black Popular Music.” Social Text 20.2 (2002): 21–47.
- Williams, Ben. “Black Secret Technology: Detroit Techno and the Information Age.” Technicolor: Race, Technology, and Everyday Life, Ed.Alondra Nelson, Thuy Linh Tu, and Alicia Headlam Hines. New York: New York UP, 2001. 154–76.
- Wolkowitz, Carol. “Linguistic Leakiness or Really Dirty? Dirt in Social Theory.” Dirt: New Geographies of Cleanliness and Contamination, Ed. Ben Campkin and Rosie Cox. London, UK: I.B. Tauris, 2007, pp. 15–24.