Notes
- Normand , Mabel , DeMille , C. B. and Lloyd , Harold . 1926 . were his particular friends. Wallace Reid sat in occasionally on drums; Whiteman thought him particularly bad. Whiteman’s Jazz New York
- Stout , Wesley . 1932 . “Hot Music,” . Saturday Evening Post , March 19
- Brun , H. O. 1960 . The Story of the Original Dixieland Jazz Band , Baton Rouge .
- Panassie , Hugues and Gauthier , Madeleine . 1956 . Dictionary of Jazz London
- Dexter , Dave . 1964 . The Jazz Story Englewood Cliffs
- Traill , Sinclair , ed. 1957 . Concerning Jazz London
- Blesh , Rudi . 1966 . They All Played Ragtime New York
- 1963 . The Reluctant Art New York
- 1968 . Early Jazz: Its Roots and Early Development 192 New York
- McCarthy , Albert . 1972 . The Dance Band Era New York
- 1939 . “This Thing Called Jazz,” . Rotarian , June : 34
- Feather , Leonard . 1965 . The Book of Jazz 192 – 6 . New York
- Lowry , Helen B. 1922 . “Putting the Music into Jazz,” . New York Times , February 19
- 1937 . Downbeat , December
- 1924 . “What is Jazz Doing to American Music?” . Etude , XLII August : 523 – 25 .
- Shapiro , Nat and Hentoff , Nat . 1955 . Hear Me Talkin’ To Ya 277 New York
- The author expresses his appreciation to William (Bill) Challis, staff arranger for Paul Whiteman 1927‐30, and to Bill Rank and Chauncey More‐house, former members of the Whiteman orchestra, for information used in this essay.