Formula and distinctiveness in movie‐based music videos

Notes

• Burns , Gary . 1988 . “Dreams and Mediation in Music Video,” . Wide Angle , 10.2 : 41 – 61 .
   Google Scholar
• Goodwin , Andrew . 1992 . Dancing in the Distraction Factory: Music Television and Popular Culture , 162 – 64 . Minneapolis : U of Minnesota P .
   Google Scholar
• Gitlin , Todd . 1983 . Inside Prime Time , 75 – 85 . New York : Pantheon .
   Google Scholar
• Burns , Gary . 1993 . “Movie‐Based Music Videos,” . conference paper . 1993 , York, England. Popular Culture Association .
   Google Scholar
• Denisoff , R. Serge and Romanowski , William D. 1991 . Risky Business: Rock in Film , New Brunswick, NJ : Transaction .
   Google Scholar
• Wyatt , Justin . 1994 . High Concept: Movies and Marketing in Hollywood , 36 – 52 . Austin : U of Texas P .
   Google Scholar
• Epstein , Becky Sue . 1984 . “Music Video—The Hot New Way to Sell Hot New Movies,” . Boxoffice , July : 12 – 17 .
   Google Scholar
• Occhiogrosso , Peter . 1984 . “Video Dreams: MTV Goes to the Movies,” . Village Voice , 31 July : 36 – 37 . 87
   Google Scholar
• Blair , Iain . 1985 . “Videos Go to the Movies ... and Vice Versa,” . On Location , Jan. : 170 – 72 .
   Google Scholar
• Tannenbaum , Rob . 1985 . “Soundtracks Thrived in the Summer of “85,” . Rolling Stone , 21 Nov. : 15 – 17 .
   Google Scholar
• Meyer , Marianne . 1985 . “Rock Movideo,” . In The Rolling Stone Review 1985 , Edited by: Robbins , Ira A. 168 – 71 . New York : Rolling Stone Press/Scribner .
   Google Scholar
• Harrington , Richard . 1986 . “The Saga of the Sound Tracks,” . Washington Post , Kl 12 Jan. : K10 – K11 .
   Google Scholar
• Newman , Melinda and McCullaugh , Jim . 1992 . “MTV Fires Up Box‐Office Grosses,” . Billboard , 20 June : 1 88
   Google Scholar
• Doty , Alexander . 1988 . “Music Sells Movies: (Re) New (ed) Conservatism in Film Marketing,” . Wide Angle , 10.2 : 70 – 79 .
   Google Scholar
• Wyatt , Justin and Rutsky , R.L. 1988 . “High Concept: Abstracting the Postmodern,” . Wide Angle , 10.4 : 42 – 49 .
   Google Scholar
• Denisoff , R. Serge and Plasketes , George . 1990 . “Synergy in 1980s Film and Music: Formula for Success or Industry Mythology?” . Film History , 4 : 257 – 76 .
   Google Scholar
• Burns , Gary . 1988 . “Film and Popular Music,” . In Film and the Arts in Symbiosis: A Resource Guide , Edited by: Edgerton , Gary R. 217 – 42 . New York : Greenwood .
   Google Scholar
• Bagdikian , Ben H. 1989 . “Cornering Hearts and Minds: The Lords of the Global Village,” . The Nation , 12 June : 805 – 20 .
   Web of Science ®Google Scholar
• Kinder , Marsha . 1987 . “Phallic Film and the Boob Tube: The Power of Gender Identification in Cinema, Television, and Music Video,” . One Two Three Four 5 , Spring : 33 – 49 . 43 – 45 . analyzes this video in
   Google Scholar
• 1989 . “on‐screen screen.” See Brad Chisholm, “On‐Screen Screens,” . Journal of Film and Video , 41.2 Summer : 15 – 24 .
   Web of Science ®Google Scholar