1,913
Views
0
CrossRef citations to date
0
Altmetric
Articles

Daring to disentangle: towards a framework for art-science-technology collaborations

ORCID Icon, ORCID Icon & ORCID Icon
Pages 109-128 | Received 25 Nov 2021, Accepted 06 Oct 2022, Published online: 16 Nov 2022

References

  • Anzures, F. A. S., and L. Marques. 2022. “The LED Lamp Metaphor: Knowledge and the Creative Process in new Media art.” Poetics, 92: 101644. doi:10.1016/j.poetic.2022.101644.
  • Arnold, K. 2017. “A Very Public Affair: Art Meets Science.” Interdisciplinary Science Reviews 42 (4): 331–344.
  • Ascott, R. 2000. Art, Technology, Consciousness mind@large. Bristol, UK: Intellect Books Ltd.
  • Ausburg, T. 2017. “Interdisciplinary Arts.” In The Oxford Handbook of Interdisciplinarity, edited by Robert Froedman, Julie Thompson Klein, and Roberto C. S. Pacheco, 131–143. 2nd ed. Oxford: Oxford University Press.
  • Barry, A., G. Born, and G. Weszkalnys. 2008. “Logics of Interdisciplinarity.” Economy and Society 37 (1): 20–49.
  • Borgdorff, H. 2012. The Conflict of the Faculties – Perspectives on Artistic Research and Academia. The Netherlands: Leiden University Press.
  • Borgdorff, H., P. Peters, and T. Pinch. 2020. Dialogues between Artistic Research and Science and Technology Studies. New York: Routledge.
  • Born, G., and A. Barry. 2010. “ART-SCIENCE from Public Understanding to Public Experiment.” Journal of Cultural Economy 3 (1): 103–119.
  • Bronstein, L. 2003. “A Model for Interdisciplinary Collaboration.” Social Work 48 (3): 297–306.
  • Bryson, J. M., B. C. Crosby, and M. Stone. 2015. “Designing and Implementing Cross-Sector Collaborations: Needed and Challenging.” Public Administration Review 75 (5): 647–663.
  • Calvert, J., and P. Schyfter. 2017. “What can Science and Technology Studies Learn from Art and Design? Reflections on ‘Synthetic Aesthetics.’” Social Studies of Science 47 (2): 195–215.
  • Cardenas, E., S. Rodegher, and K. Hamilton. 2021. “The Future of Arts Integrative Work; Creating New Avenues for Advancing and Expanding the Field.” In Routledge Handbook of Art, Science and Technology Studies, edited by Megan K. Halpern, Dehlia Hannah, and Kathryn de Ridder-Vignone, 273–395. New York: Routledge.
  • Cateforis, D., S. Duval, and S. Steiner. 2019. Hybrid Practices Art in Collaboration with Science and Technology in the Long 1960s. Oakland: University of California Press.
  • Darbellay, F., Z. Moody, A. Sedooka, and G. Steffen. 2014. “Interdisciplinary Research Boosted by Serendipity.” Creativity Research Journal 26 (1): 1–10.
  • Davis A. 2005. Transvergence in Art History. Switch, 20, CADRE Laboratory for New Media, San Jose State University, CA. Accessed January 7, 2021. http://www.ekac.org/transvergence.html
  • De Wachter, E. M. 2017. Co-Art: Artists on Creative Collaboration. London: Phaidon Press Limited.
  • Dieleman, H. 2012. “Transdisciplinary Artful Doing in Spaces of Experimentation and Imagination.” Transdisciplinary Journal of Engineering & Science 3: 44–57.
  • Dieleman, H. 2017. “Transdisciplinary Hermeneutics: A Symbiosis of Science, Art, Philosophy, Reflective Practice, and Subjective Experience.” Issues In Interdisciplinary Studies 35: 170–199.
  • Durkheim, E. 1933. The Division of Labor in Society. Translated from the French by George Simpson. Glencoe, IL: The Free Press.
  • Ede, S. 2005. Art and Science. London: I.B. Tauris & Co. Ltd.
  • Elkins, J. 2009. “Aesthetics and the Two Cultures: Why Art and Science Should Be Allowed to Go their Separate Ways.” In Rediscovering Aesthetics, Transdisciplinary Voices from Art History, Philosophy, and Art Practice, edited by T. O’Connor, F. Hallsall, and J. Jansen, 34–50. Stanford, CA: Stanford University Press.
  • Gibbons, M., C. Limoges, H. Nowotny, S. Schwartzman, P. Scott, and M. Trow. 1994. The New Production of Knowledge. London: Sage.
  • Gibbs, L. 2014. “Arts-Science Collaboration, Embodied Research Methods, and the Politics of Belonging: ‘SiteWorks’ and the Shoalhaven River, Australia.” Cultural Geographies 21 (2): 207–227.
  • Gray, B., and D. J. Wood. 1991. “Collaborative Alliances: Moving from Practice to Theory.” Journal of Behavioral Science 27 (1): 3–22.
  • Hackman, J. R. 1990. Groups that Work (and Those That Don't). San Francisco, CA: Jossey-Bass.
  • Hall, K. L., A. L. Vogel, B. Stipelman, D. Stokols, G. Morgan, and S. Gehlert. 2012. “A Four-Phase Model of Transdisciplinary Team-Based Research: Goals, Team Processes, and Strategies.” TBM 2: 415–430.
  • Hannula, M., J. Suoranta, and T. Vaden. 2014. Artistic Research Methodology, Narrative, Power and the Public, e-book, www.peterlang.com.
  • Horkheimer, M. (1972) 2002. Critical Theory Selected Essays. New York: The Continuum. (Horkheimer, Max, 1895–1973. Critical Theory. Translation of: Kritische Theorie. “Essays from the Zeitschrift fur Soaalforschung” – Pref. Reprint, Originally published, New York: Seabury Press).
  • Jones, C. A., and P. Gallison. 1998. Picturing Science Producing Art. New York: Routlage.
  • Kester, G. H. 2011. The One and the Many, Contemporary Collaborative Art in a Global Context. Durham: Duke University Press.
  • Klein, J. T. 1990. Interdisciplinarity: History, Theory and Practice. Detroit, MI: Wayne State University Press.
  • Klein, J. T. 2017. “Typologies of Interdisciplinarity: The Boundary Work of Definition.” In The Oxford Handbook of Interdisciplinarity. 2nd ed., edited by R. Froedman, J. T. Klein, and C. S. Pacheco, 21–34. Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780198733522.013.42 (e-book).
  • Koek, A. 2017. “In/Visible: The Inside Story of the Making of Arts at CERN.” Interdisciplinary Science Reviews 42 (4): 345–358.
  • Leach, J. 2005. “‘Being in Between’: Art-Science Collaborations and a Technological Culture, Social Analysis.” The International Journal of Anthropology 49 (1): 141–160.
  • Leach, J. 2011. “The Self of the Scientist, Material for the Artist – Emergent Distinctions in an Interdisciplinary Collaboration.” Social Analysis 55 (3): 143–163.
  • Macklin, J. E., and M. Macklin. 2019. “Art-Geoscience Encounters and Entanglements in the Watery Realm.” Journal of Maps 15 (3): 9–18.
  • Malina, R. F. 2006. “Welcoming Uncertainty: The Strong Case for Coupling the Contemporary Arts to Science and Technology.” In Artists in Labs: Process of Inquiry, edited by Jill Scott, 15–23. Wien: Springer-Verlag.
  • Mansilla, V. B. 2006. “Interdisciplinary Work at The Frontier: An Empirical Examination of Expert Interdisciplinary Epistemologies.” Issues in Integrative Studies 24: 1–31.
  • McGrath, J. E. 1984. Groups: Interaction and Performance. Englewood Cliffs, NJ: Prentice-Hall.
  • Miller, J. 2006. “Activism vs. Antagonism: Socially Engaged Art from Bourriaud to Bishop and Beyond.” FIELD Journal of Socially Engaged Arts Criticism 3: 165–183.
  • Miller, A. 2014. Colliding Worlds How Cutting-Edge Science is Redefining Contemporary Art. New York: W.W. Norton.
  • Muller, L., J. Bennett, L. Froggett, and V. Bartlett. 2020. “Emergent Knowledge in the Third Space of Art-Science.” Leonardo 53 (3): 321–326.
  • Nicolescu, B. 2010. “Methodology of Transdisciplinarity – Levels of Reality, Logic of the Included Middle and Complexity.” Transdisciplinary Journal of Engineering & Science 1 (1): 19–38.
  • Nicolescu, B. 2014. “Methodology of Transdisciplinarity.” World Futures 70 (3-4): 186–199. doi:10.1080/02604027.2014.934631.
  • Nowotny, H., P. Scott, and M. Gibbons. 2001. Rethinking Science: Knowledge and the Public in an Age of Uncertainty. Cambridge, UK: Polity Press.
  • Ozog, M. 2009. “Art Investigating Science: Critical Art as a Meta-discourse of Science, Cognition and Creativity.” Digital Arts and Culture. Arts Computation Engineering, UC Irvine. Accessed September 2, 2021. https://escholarship.org/uc/item/4k9509qj.
  • Pohl, C., J. T. Klein, S. Hoffmann, C. Mitchell, and D. Fam. 2021. “Conceptualising Transdisciplinary Integration as a Multidimensional Interactive Process.” Environmental Science and Policy 118: 18–26.
  • Pohl C, B. Truffer, and G.H. Hadorn. 2017. Addressing Wicked Problems Through Transdisciplinary Research. In: The Oxford Handbook of Interdisciplinarity, 2nd ed., edited by Robert Frodeman, J. T. Klein, and R. S. C. Pacheco, 319–331. Oxford University Press.
  • Repko, A. F., N. H. Newell, and R. Szostak. 2012. Case Studies in Interdisciplinary Research. Thousand Oaks, CA: Sage.
  • Richmond, S. 1984. “The Interaction of Art and Science.” Leonardo 17 (2): 81–86.
  • Root-Bernstein, R. S. 1996. “The Sciences and Arts Share a Common Creative Aesthetic.” In The Elusive Synthesis: Aesthetics and Science, edited by Alfred I. Tauber, 49–82 . Boston Studies in the Philosophy of Science, vol. 182. Dordrecht: Springer. doi:10.1007/978-94-009-1786-6_3
  • Root-Bernstein, R. S., T. Siler, A. Brown, and K. Snelson. 2011. “ArtScience: Integrative Collaboration to Create a Sustainable Future.” Leonardo 44 (3): 192. doi:10.1162/LEON_e_00161.
  • Rust, C. 2007. “Unstated Contributions – How Artistic Inquiry Can Inform Interdisciplinary Research.” International Journal of Design 1 (3): 69–76.
  • Salter, C. 2021. “The art-Science Complex.” In Routledge Handbook of Art, Science and Technology Studies, edited by Megan K. Halpern, Dehlia Hannah, and Kathryn de Ridder-Vignone, 273–395. New York, NY: Routledge.
  • Schnugg, C. 2019. Creating Art Science Collaboration. Switzerland: Cham: Palgrave MacMillen.
  • Shanken, E. A. 2005. “Artists in Industry and the Academy: Interdisciplinary Research Collaborations.” Leonardo 38 (4): 278–279.
  • Sheldon, R. 1984. “The Interaction of Art and Science.” Leonardo 17 (2): 81–86.
  • Sleigh, C., and S. Craske. 2017. “Art and Science in the UK: A Brief History and Critical Reflection.” Interdisciplinary Science Reviews 42 (4): 313–330.
  • Snow, C. P. 1959. The Two Cultures and the Scientific Revolution. The Rede Lecture. New York: Cambridge University Press.
  • Snow, C. P. 1964. The Two Cultures and a Second Look: An Expanded Version of the Two Cultures and the Scientific Revolution. Cambridge: Cambridge University Press.
  • Stokols, D., S. Misra, R. P. Moser, K. L. Hall, and B. K. Taylor. 2008. “The Ecology of Team Science Understanding Contextual Influences on Transdisciplinary Collaboration.” American Journal of Preventive Medicine 35 (2S): S96–S115.
  • Thomson, A. M., and J. L. Perry. 2006. “Collaboration Processes: Inside the Black Box.” Public Administration Review. Special Issue, 66: 20–32.
  • Thomson, A. M., J. L. Perry, and T. K. Miller. 2009. “Conceptualizing and Measuring Collaboration.” Journal of Public Administration Research and Theory 19 (1): 23–56.
  • Verena, H., and M. L. Kaiser. 2021. “An Alphabetical Order of Accusations, Beginnings and Groceries.” A Report on connecting, writing and improvisation. https://jegensentevens.nl/2021/11/an-alphabetic-order-of-accusations-beginnings-and-groceries-on-connecting-writing-and-improvisation/?fbclid=IwAR3YK10qHXz6EutqYtuuEj8dRwAIg3h52Zn9w-jXd4YU3KorXoZjGI6xcFU.
  • Vesna, V. 2001. “Towards a Third Culture: Being in Between.” Leonardo 34 (2): 121–125.
  • Vesna, V., B. Campbell, and F. Samsel. 2019. “Victoria Vesna: Inviting Meaningful Organic Art-Science Collaboration.” IEEE Computer Graphics and Applications 39 (4): 8–13.
  • Vienni Bapista, B., M. Maryl, P. Wciślik, I. Fletcher, A. Buchner, D. Wallace, and C. Pohl. 2019. SHAPE-ID: Shaping Interdisciplinary Practices in Europe. Preliminary Report of Literature Review on Understandings of Interdisciplinary and Transdisciplinary Research. www.shapeID.eu (https://www.shapeid.eu/wp-content/uploads/2019/12/SHAPE-ID-822705-D2.1-Preliminary-Report-on-Literature-Review.pdf).
  • Wickson, F., A. L. Carew, and A. W. Russell. 2006. “Transdisciplinary Research: Characteristics, Quandaries and Quality.” Futures 38: 1046–1059.
  • Wilson, S. 2002. Information Arts, Intersections of Art, Science, and Technology. London: The MIT Press.
  • Zurr, I., and O. Catts. 2020. “Tense-disciplinary Collaborations with Frontier Technologies.” Non-Traditional Research Outcomes (NTRO). Accessed September 2, 2021. https://nitro.edu.au/articles/2020/8/31/tense-disciplinary-collaborations-with-frontier-technologies.