Portrait of the Artist in Difficult Times 1770–1850

NOTES

• In Fuseli's letter to Northcote October 1778, see P.A. Tomory, The Life and Work of Henry Fuseli, London 1972, pp. 29–30.
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• J. K. Lavater, Physiognomische Fragmente: Chodowiecki's engraving in the most accessible English edition, Essays on Physiognomy, ed. T. Holcroft 1840, p. 331. pl. LIII.
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• Reprinted in J. B. Harrison, The Medical Aspects of Death, London 1852, pp. 118–125.
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• J. W. Goethe, Die Leiden des jungen Werthers. Letter of 12 August.
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• Quoted by J. B. Harrison, op.cit., p. 147.
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• H. Balzac, La Comédie Humaine, VI, Paris 1977, p. 1020.
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• Eugène Delacroix, Selected Letters, London 1971, pp. 146–147.
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• James Macpherson, Fingal, 1761; Temora, 1763; Complete works of Ossian, London 1765; see also Exhibition Catalogue, Ossian, Paris/Hamburg, 1974.
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• Quoted in Alfred de Vigny, Stello, ed. M. Eigeldinger, Paris 1984, p. 8.
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• J. C. Jeaffreson, The Real Lord Byron, II, London 1883, pp. 71, 281–282.
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• Quoted in P. Hofer, Goya: Los Caprichos…, New York 1969, p. 5.
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• Helena (Helen of Troy) appears in Faust, Part II, 23 September 1800, Briefwechsel zwischen Schiller und Goethe, XI, Berlin 1955, p. 334.
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• In Annals of the Fine Arts, No. 3., 1816.
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• Quoted by D. Webb, An Inquiry into the beauties of painting, London 1760, p. 20.
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• Eugène Delacroix, op. cit., p. 81. Once identified as Hamlet, informed opinion now favours Ravenswood, the ill-starred hero of Scott's The Bride of Lammermuir, 1819.
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• Gordon Craig, ‘Before his time—Decimus Burton’, Apollo, IV, 1926, pp.140–144.
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• For Rosa's legacy see Exhibition Catalogue, Salvator Rosa, London 1973, pp. 73–86.
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• Laugier quoted in J. Locquin, La Peinture d'Histoire en France, Paris 1978 ed., p. 101, n. 1.
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• Preface to Cromwell, op. cit., p. 15.
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• W. H. Wackenroder, Confessions and Fantasies, ed. Schubert, London 1971, pp. 128–131.
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• D. Webb, op. cit., p. 8. footnote.
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• Art Union, 1848, p. 3.
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• W. Blake, A Descriptive Catalogue, 1809, No. IV, The Bard from Gray.
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