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Australian Journal of Art Volume 12, 1994 - Issue 1: In Memoriam: Ian Burn
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Original Articles

Ian Burn: ‘Valued Added Landscapes’ 1992–93

Ann StephenSocial History at the Powerhouse Museum, Sydney. She is currently curating an exhibition, Ian Burn: The Late Works, in association with the Queensland Art Gallery for a national tour in 1996.
(Curator)
Pages 31-36 | Published online: 02 Jun 2015

  • Ian Burn, ‘Glimpses: On Peripheral Vision’, Dialogue, 1992, p197
  • A residue of his status as a displaced ‘other’ did surface at this time, in the xerox pages of Systematically Altered Photographs, 1968, taken from ‘pictures of kangaroos and other antipodean rubble…(which were) enmeshed in both the exile's dreams and weird necessities of Australia as well as the vivid power of sanitised modernity.’. Mel Ramsden, Ian Burn Minimal- Conceptual Work 1965–70, 1992, pl5.
  • Ian Burn, ‘Notes on the value-added landscapes’, Collaborations exhibition catalogue, Sutton Gallery, August, 1993.
  • Ian Burn & Ann Stephen ‘Namatjira's white mask: a partial interpretation’, The Heritage of Namatjira, Heinemann, Melbourne, 1992, p.270–1.
  • Asger Jorn, ‘A game borne out of the capacity for devalorisation’, ‘Detoured Painting’, On the passage of a few people through a rather brief moment in time, MIT Press, 1989, p. 140.
  • Ian Burn, Off the wall, in the air: A seventies selection, talk, Monash University Gallery, 1991.
  • Homi Bhabha, ‘How newness enters the world: Postmodern space, postcolonial times and the trials of cultural translation’, The Location of Culture, Routledge, 1994, p.218.
  • Elizabeth Gertsakis, ‘Collaborations lost in Western delerium: Ian Burn's Value Added Landscapes’, Photofile 41, 1994, p.25.
  • Michael Baldwin, ‘Art & Language interviewed by David Batchelor’, Hostages XXV- LXXVI, Art & Language catalogue, Lisson Gallery, London & Marian Goodman Gallery, New York, March-April, 1991.
  • Ian Burn, ‘Notes…’, 1993
  • Mel Ramsden, ‘Tribute to Ian Burn’, Art Monthly Australia, No. 65, Nov. 1993, p.35.
  • Interview with Gayatri Chakravorty Spivak by Barbara Creed, Freda Freiberg & Andrea McLaughlan, Artnetwork, No.16, p273.
  • Ian Burn, ‘Notes…’, 1993
  • Michael Baldwin, Charles Harrison, Mel Ramsden, On Conceptual Art and Painting and Speaking and Seeing: Three Corrected Transcripts’, Art-Language, New Series, No. 1, June 1994, p.48.
  • Ian Burn, Looking at Seeing & Reading, catalogue, Ivan Dougherty Gallery, 1993.
  • Gertsakis, 1994, p.27.
  • Craig Owens, ‘The Allegorical Impulse: Towards a Theory of Postmodernism’ October, No.12, Spring, 1980 & No. 13, Summer, 1980, republished in Art in Theory 1900–1990, ed. Charles Harrison & Paul Wood, Blackwells, 1992, p. 1051–1060.
  • Ian Burn, ‘Notes…’, 1993

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