NOTES AND REFERENCES
- George Oppen, New Collected Poems, ed. Michael Davidson (New York: New Directions, 2008).
- Ibid.
- “The word ‘barbarism,’ as it comes to us from the Greek barbaros, means ‘foreign’—that is, ‘not speaking the same language’ (barbaros being an onomatopoeic imitation of babbling) …” (Lyn Hejinian, “Barbarism.” In The Language of Inquiry. Berkeley: University of California Press, 2000.)
- PennSound, “PennSound: All the Free Poetry You Care to Download,” PennSound, January 5, 2005, accessed November 18, 2013, http://writing.upenn.edu/pennsound/news/press-release-launch.php.
- UbuWeb, http://ubu.com/ (accessed August 14, 2014)
- Johanna Drucker, Stochastic Poetics, http://ubumexico.centro.org.mx/text/vp/drucker_stochastic_poetics_2012.pdf (accessed August 14, 2014).
- Hejinian, “Barbarism,” 326.
- I use the word “original” in quotes because it’s hard to assume what an “original” might be, or at what encounter it first appeared. It could be the original idea, existing abstractly, and only physically via synaptic firings. It could be the immediate instant after a book has been bound, but before its spine has creaked open and fingertips dirtied its pages.
- Oppen, New Collected Poems.
- John Unsworth, “Unsworth: What Is Humanities Computing and What Is Not?” November 8, 2002, accessed November 18, 2013, http://computerphilologie.uni-muenchen.de/jg02/unsworth.html.
- Ibid.
- Ibid.
- William Pannapacker, “Stop Calling It ‘Digital Humanities,’“ The Chronicle of Higher Education, February 18, 2013, accessed November 18, 2013, http://chronicle.com/article/Stop-Calling-It-Digital/137325/.
- Hejinian, “Barbarism,” 327.