References
- Barad, K., 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham: Duke University Press.
- Barwick, L., Laughren, M., and Turpin, M., 2013. Sustaining women’s yawulyu/awelye: some practitioners’ and learners’ perspectives. Musicology Australia, 35 (2), 1–30.
- Berndt, R., and Berndt, C., 1964. The World of the First Australians. Canberra: Aboriginal Studies Press.
- Bourdieu, P., 1994. The Field of Cultural Production. New York: Columbia University Press.
- Curran, G. 2020a. Sustaining Indigenous Songs: Contemporary Warlpiri Ceremonial Life in Central Australia. London: Berghahn Books.
- Curran, G. 2020b. Incorporating Archival Cultural Heritage Materials into Contemporary Warlpiri Women's yawulyu spaces. In L. Barwick, J. Green and P. Vaarzon-Morel, eds., Archival Returns: Central Australia and Beyond. Sydney: Sydney University Press, 91–110.
- Curran, G., Barwick, L., Turpin, M., Walsh, F., and Laughren, M. 2019. Central Australian Aboriginal Songs and Biocultural Knowledge: Evidence from Women's Ceremonies Relating to Edible Seeds. Journal of Ethnobiology, 39 (3), 354–370.
- Curran, G., and Dussart, F., 2023. We don’t show our womens breasts for nothing: shifting purposes for Warlpiri women’s public rituals–yawulyu–central Australia 1980s–2020s. Sciences religieuses/studies in religions.
- Curran, G. B., Martin, N., and Barwick, L. Forthcoming. Minamina Yawulyu: Musical Change from 1970s Through to 2010s. In G. Curran, L. Barwick, V. N. Martin, S. J. Fisher and N. Peterson, eds., Vitality and Change in Warlpiri Songs, Sydney: Sydney University Press/PAW Media and Communications, TBA.
- Curran, G., and Sims, O., 2021. Performing purlapa: projecting Warlpiri identity in a globalised world. The Asia pacific journal of anthropology, 22 (2-3), 203–219.
- Dé Ishtar, Z., 2005. Holding Yawulyu: White Culture and Black Women’s Law. North Melbourne: Spinifex Press.
- Dussart, F., 2000. The Politics of Ritual in an Aboriginal Settlement. Washington DC: Smithsonian Press.
- Dussart, F., 2004. Shown but not shared, presented but not proffered. The Australian journal of anthropology, 15 (3), 253–266.
- Ellis, C., 1994. Introduction: powerful songs: their placement in aboriginal thought. The world of music, 36, 3–20.
- Gallagher, C., et al., 2014. Jardiwanpa Yawulyu: Warlpiri Women’s Songs From Yuendumu. Batchelor: Batchelor Institute Press.
- Glowczewski, B., 1983. Death, women, and ‘value production’: the circulation of hair strings among the Warlpiri of the central Australian desert. Ethnology, 22 (3), 225–239.
- Glowczewski, B., 2019. Indigenising Anthropology with Guattari and Deleuze. Edinburgh: Edinburgh University Press.
- Kaberry, P., 1939. Aboriginal Woman: Sacred and Profane. London: Routledge.
- Kolig, E., 1981. The Silent Revolution. Philadelphia: The Institute for the Study of Human Issues.
- Kovach, M., 2009. Indigenous Methodologies: Characteristics, Conversations and Contexts. Toronto: University of Toronto Press.
- Incite Arts. 2018. Incite Arts Unbroken Land 2018 Short Story About Southern Ngaliya Dancers. Available at: https://ictv.com.au/video/item/7943?lp=1 [Accessed 15 Aug 2022].
- Langton, M. 1993. ‘Well, I Heard it on the Radio and I Saw it on the Television … ': An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things. Wooloomooloo: Australian Film Commission.
- Kearney, A., 2022. Keeping Company: An Anthropology of Being-In-Relation. London: Routledge.
- Marett, A., 1994. Wangga: socially powerful songs? The world of music, 36, 67–81.
- Meggitt, M., 1966. Desert People. Sydney: Angus and Robertson.
- Merlan, F., 1998. Caging the Rainbow: Places, Politics and Aborigines in a North Australian Town. Honolulu: University of Hawai'i Press.
- Michaels, E., 1991. Bad Aboriginal Art. Minnesota: University of Minnesota Press.
- Moreton-Robertson, A., 2017. Relationality: A Key Presupposition of an Indigenous Social Research Paradigm. In: C. Andersen, and J. M. O'Brien, eds. Sources and Methods in Indigenous Studies. Oxon: Routledge, 69–77.
- Moyle, R., 1986. Alyawarra Music. Canberra: AIAS.
- Moyle, R., 1997. Balgo: The Musical Life of a Community. Nedlands, WA: Callaway International Resource Centre for Music Education.
- Myers, F., 2011. Fathers and Sons, Trajectories of the Self: Reflections on Pintupi Lives and Futures. In: U. Eickelkamp, ed. Growing Up in Central Australia: New Anthropological Studies of Aboriginal Childhood and Adolescence. New York: Berghahn Books, 82–100.
- Patrick, S., Holmes, M., and Box, A., 2008. Ngurra-kurlu: A Way of Working with Warlpiri People, DKCRC Report 41. Alice Springs: Desert Knowledge CRC.
- Peterson, N., Forthcoming. A Warlpiri Winter Solstice Ceremony: Performance, Succession and the Jural Public. In Curran, G. L. Barwick, V. N. Martin, S. J. Fisher and N. Peterson, eds., Vitality and Change in Warlpiri Songs. Sydney/Yuendumu: Sydney University Press/PAW Media and Communications, TBA.
- Poirier, S., 2005. A World of Relationships: Itineraries, Dreams, and Events in the Australian Western Desert. Toronto: University of Toronto Press.
- Treloyn, S., 2014. Cross and Square: Variegation in the Transmission of Songs and Musical Styles Between the Kimberley and Daly Regions. In: A. Harris, ed. Circulating Cultures. Canberra: ANU Press, 203–238.
- Turpin, M. 2005. Form and Meaning of Akwelye: a Kaytetye Women's Song Series from Central Australia. PhD thesis, University of Sydney.
- Von Sturmer, J., 1987. Aboriginal Singing and Notions of Power. In: M Clunies-Ross, T. Donaldson, and S. Wild, eds. Songs of Aboriginal Australia. Sydney: University of Sydney, 63–76.
- Warlpiri women from Yuendumu, 2017. Yurntumu-wardingki juju-ngaliya-kurlangu yawulyu: Warlpiri Women’s Songs from Yuendumu (incl. DVD). Batchelor: Batchelor Press.