332
Views
1
CrossRef citations to date
0
Altmetric
Images, Technology, and History

Resetting the camera’s clock: Sarony, Muybridge & the aesthetics of wet-plate photography

Bibliography

  • “À la Horse.” The Philadelphia Photographer 15, no. 177 (Sep. 1878): 284–285.
  • “Appareil de pose de M. Sarony.” Bulletin de la Société française de photographie 12 (Nov. 1866): 288–291.
  • Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1980.
  • Bayliss, Anne and Paul Bayliss. Photographers in Mid-Nineteenth Century Scarborough: The Sarony Years. Scarborough: Anne Bayliss, 1998.
  • Braun, Marta. Eadweard Muybridge. London: Reaktion Books, 2010.
  • “Comfort for Photographic Sitters.” The Morning Star, February 7, 1866.
  • Ellenbogen, Josh. Reasoned and Unreasoned Images: The Photography of Bertillon, Galton, and Marey. State College: Penn State University Press, 2012.
  • Gunthert, André. “La Conquête de l’instantané: Archéologie de l’imaginaire photographie en France (1841–1895).” PhD diss., École des Hautes Études en Sciences Sociales, Paris, 1999.
  • Hannavy, John, ed. Encyclopedia of Nineteenth-century Photography. New York: Taylor & Francis, 2008.
  • McCauley, Elizabeth Anne. A.A.E. Disdéri and the Carte de Visite Portrait Photograph. New Haven, CT: Yale University Press, 1985.
  • Newhall, Beaumont. The History of Photography. New York: Museum of Modern Art, 1949.
  • Ott, John. “Iron Horses: Leland Stanford, Eadweard Muybridge, and the Industrialised Eye.” Oxford Art Journal 28, no. 3 (2005): 409–428.
  • Pauwels, Erin. “Napoleon Sarony’s Living Pictures: Photography, Performance and American Art, 1865–1900.” PhD diss., Indiana University, 2015.
  • “Photographic Society of London, Annual General Meeting.” The Photographic Journal 10, no. 166 (Feb. 1866): 251–254.
  • “Photography in the Great Exhibition.” The Philadelphia Photographer 8, no. 150 (Jun. 1876): 182–186.
  • Prodger, Philip. Time Stands Still: Muybridge and the Instantaneous Photography Movement. New York: Oxford University Press, 2003.
  • Rulofson, William. “The California Horse Electric Feat.” The Philadelphia Photographer 15, no. 146 (Aug. 1878): 247.
  • “Sarony’s Posing Apparatus.” The Photographic News 10 (May 1866): 216.
  • “Sarony’s Posing Apparatus & Patent Rest.” The Photographic Journal 10, no. 165 (Jan. 1866): 241–243.
  • “Sarony’s Walking Lady.” The Albion 51, no. 15 (Apr. 1873): 234.
  • Sheehan, Tanya. Doctored: The Medicine of Nineteenth-century Photography. State College: Penn State University Press, 2011.
  • Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.
  • Towler, John. The Negative and Print; or, The Photographer’s Guide in the Gallery and in the Field, Being a Text-Book for the Operator and Amateur, 176–177. New York: Joseph H. Ladd, 1866.
  • Wilson, Edward L. “An Hour with Mr. Sarony – Our Picture.” The Philadelphia Photographer 4, no. 39 (Mar. 1867): 82–84.
  • Wilson, Edward L. “Sarony.” Wilson’s Photographic Magazine 34, no. 482 (Feb. 1897): 65–68.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.