https://orcid.org/0000-0001-8868-8900
References
- Benfey, C. (2009, December 23). Out of the shadows. The New York Times.
- Emre, M. (2021). The annotated Mrs. Dalloway. Liveright Publishing Corporation.
- Flaubert, G. (1856/2015). Madame Bovary (Lydia Davis, Trans.). Penguin Books. 2015.
- Griffin, F. (2004, July). One form of self-analysis. The Psychoanalytic Quarterly, 73(3), 683–715. https://doi.org/10.1002/j.2167-4086.2004.tb00174.x
- Griffin, F. (2016). Creative listening and the psychoanalytic process: Sensibility, engagement, and envisioning. Routledge.
- Griffin, F. (2022). Writings and readings of the pandemic: The shadows left behind. The Psychoanalytic Quarterly, 91(1), 5–38. https://doi.org/10.1080/00332828.2022.2057108
- Kindley, E. (2021, March 25). The people we know best. New York Review of Books, 12–14.
- Kohler, S. (2009a). Becoming Jane Eyre. Penguin Books.
- Kohler, S. (2009b). A conversation with Sheila Kohler.
- Kohler, S. (2017). Once we were sisters. Penguin Books.
- Lee, H. (2004, March 19). The great pretender. The Guardian.
- Lee, H. (2017, July 12). In Penelope Fitzgerald was as brilliant and mysterious as her own fiction. Platt, E. The Daily Beast.
- Lee, H. (2021, November 27). Hermione Lee. Auditory presentation (podcast) hosted by Thomas Jones and Malin Hay. London Review of Books.
- Lustig, A. (1998). Auschwitz-Birkenau. In R. Hauptman & S. H. Motin (Eds.), The Holocaust: Memories, research, reference (pp. 5–14). Haworth Press.
- Max, D. T. (2021, September 20). Secrets and lies. The New Yorker, 50–59.
- Maxwell, W. (1937/1997). They came like swallows. Vintage Books.
- Maxwell, W. (1980/1996). So long, see you tomorrow. Vintage Books.
- Ogden, B., & Ogden, T. (2013). The analyst’s ear and the critic’s eye. Routledge.
- Porter, L. (2004). The art of characterization in Flaubert’s fiction. In T. Unwin (Ed.), The Cambridge companion to Flaubert (pp. 122–144). Cambridge University Press.
- Rifkund, D. (2021, August 28-29). ‘The Magician’ review: Colm Toibin conjures Thomas Mann. The Wall Street Journal, C10. https://www.wsj.com/articles/the-magician-review-colm-toibin-conjures-thomas-mann-11630072699
- Seabrook, J. (1982). William Maxwell, the art of fiction no. 71. The Paris Review. https://www.theparisreview.org/interviews/3138/the-art-of-fiction-no-71-william-maxwell
- Steegmuller, F. (1953). The selected letters of Gustave Flaubert. Farrar, Straus, and Giroux, Inc.
- Toibin, C. (2004). The master. Scribner.
- Toibin, C. (2009). A more elaborate web: Becoming Henry James. In G. Zacharias (Ed.), The Henry James review, 30 (2009) (pp. 227–236). The Johns Hopkins University Press.
- Toibin, C. (2021, September 17). Interview in New York Times Book Review podcast.
- Toibin, C. (2022). The art of fiction No. 256. In The Paris Review 242, Winter 2022. Interviewer: B. McKeon (pp. 172–207). The Paris Review Foundation, Inc.
- Woolf, V. (1928, November 28). The diary of Virginia Woolf vol. 5 (Bell, A. O. & McNeillie, A. ed., Vol. III). Hogarth Press, 1977–1984.
- Woolf, V. (1939–1940). A sketch of the past. In J. Schulkind (Ed.), Moments of being (pp. 61–159). Harcourt.
- Young-Bruehl, E. (1998). Subject to biography: Psychoanalysis, feminism, and writing women’s lives. Harvard University Press.