REFERENCES
- Aberbach , D. 1989 . Creativity and the survivor: The struggle for mastery. . Internat. Rev. Psycho-Anal. , 16 : 273 – 286 .
- Adelman , A. 1995 . Traumatic memory and the intergenerational transmission of holocaust narratives. . Psychoanal. St. Child , 50 : 343 – 367 .
- Akhtar , S. , Rogers , N. and Plotkin , R. 2002 . Holocaust and Hollywood: An annotated filmography. . Journal of Applied Psychoanalytic. Studies , 4 ( 1 ) : 135 – 144 .
- Altman , L. 1957 . The waiting syndrome. . Psychoanal. Quart. , 26 : 508 – 518 .
- Auerhahn , N. and Laub , D. 1987 . Play and playfulness in holocaust survivors. . Psychoanal. St. Child , 42 : 45 – 58 .
- Beckerman , M. 2003, June 8 . “ The 'Pianist' DVD and the case of the missing nocturne. ” . In The New York Times.
- Burnham , S. 2000 . Schubert and the sound of memory. . Musical Quarterly , 84 ( 4 ) : 655 – 663 .
- Celan , P. 1972 . Poems of Paul Celan , Edited by: Hamburger , M. New York : Persea .
- Feder , S. 1990 . “ The nostalgia of Charles Ives: An essay in affects and music. ” . In Psychoanalytic Explorations in Music (First Series). Edited by: Feder , S. and Karmel , R. L. Original work published 1981
- Feder , S. Music as simulacrum of mental life. Paper presented at Meeting of The American Psychoanalytic Association . Jan . New York
- Harrison , M. 1978 . “ Programme notes: Frédéric Chopin. ” . In The Nocturnes. , Musical Heritage Society Recording, 523422A. Claudio Arraupianist .
- Kren , G. M. 1989 . “ The Holocaust survivor and psychoanalysis. ” . In Healing their wounds: Psychotherapy with Holocaust survivors and their families. , Edited by: Marcus , P. and Rosenberg , A. 3 – 21 . New York : Praeger .
- Krystal , H. 1993 . “ Trauma and affect. ” . In Integration and self-healing affect, trauma and alexithymia. , New York : The Analytic Press. .
- Langer , S. 1957 . Philosophy in a new key. , Cambridge, MA : Harvard University Press .
- Laub , D. and Podell , D. 1995 . Art and trauma. . Int J. Psycho-Anal. , 76 : 995 – 1005 .
- Leys , R. 2000 . Trauma: A Genealogy. , Chicago : University of Chicago Press .
- Lindy , D. C. 2002 . Holocaust movies: Watching the unwatchable. . J. Applied Psychoanalytic Studies , 4 ( 1 ) : 127 – 133 .
- Marasse , H. F. 1959 . Isolation. . J. Amer. Psychoanal. Assn. , 7 : 163 – 172 .
- Mcdougall , J. 1995 . The artist and the outer world. . Contemp. Psychoanal. , 31 : 247
- Niederland , W. 1981 . The survivor syndrome: Further observations and dimensions. . J. Amer. Psychoanal. Assn. , 29 : 413 – 425 .
- Noy , P. 1979 . Form creation in art: An ego–psychological approach to creativity. . Psychoanal. Q. , 48 : 229 – 256 .
- Polanski , R. 2002 . The pianist. , Focus Features Films. Universal Studios . Director
- Pratt , C. 1952 . Music and the language of emotion. , Washington, DC : U.S. Library of Congress. .
- Shapiro , C. M. , Kasem , H. and Tewari , S. 1991 . My music: A case of musical reminiscence diagnosed courtesy of the BBC. . J Neurology, Neurosurgery and Psychiatry , 54 ( 1 ) : 88 – 89 .
- Szpilman , W. 1999 . The pianist: The extraordinary story of one man's survival in Warsaw, 1939–1945 , Edited by: Bell , A. New York : Picador/St. Martin's Press. .
- Terr , L. 1984 . Time and trauma. . Psychoanal. Study Child , 39 : 633 – 665 .
- Thass-Thienemann , T. 1968 . “ The interpretation of dreams and words. ” . In The interpretation of language volume 1: Understanding the symbolic meaning of language. , New York : Jason Aronson. .