536
Views
6
CrossRef citations to date
0
Altmetric
Original Articles

Unapologetic women, "Comic Men" and feminine spectatorship in David E. Kelley's Ally McBeal

Pages 416-435 | Published online: 09 Nov 2010

References

  • American Bar Association Commission on Women in the profession report to the House of Delegates (1988, August 10). [On-line] Available: http://www.philabar.org/pbg/mp_axb1.html.
  • Arbuthnot , L. and Seneca , G. 1990 . “ Pre-text and text in Gentlemen Prefer Blondes ” . In Issues in feminist film criticism , Edited by: Erens , P. 112 – 125 . Bloomington, IN : Indiana University Press .
  • Auslander , P. 1993 . “ Brought to you by “Fem-Rage”: Stand-up comedy and the politics of gender ” . In Acting out: Feminist performances , Edited by: Phelan , P. and Hart , L. 315 – 336 . Ann Arbor, MI : University of Michigan Press .
  • Barreca , R. 1991 . They used to call me Snow White... but I drifted: Women's strategic use of humor , New York : Viking .
  • Barreca , R. , ed. 1992 . New perspectives on women and comedy , Philadelphia : Gordon & Breach .
  • Bellefante , G. 1998 . Feminism. It's about me! . Time , 151 June 29 : 54 – 60 .
  • Carter , B. 1998 . The unintended career of TV's prolific writer: From real law office to two fictional ones . The New York Times , March 2 : E1
  • Cixous , H. 1980 . “ The laugh of the Medusa ” . In New French Feminisms: An Anthology , Edited by: Marks , E. and de Courtivron , I. 245 – 264 . Amherst, MA : University of Massachusetts Press .
  • Clark , D. 1990 . “ Cagney and Lacey: Feminist strategies of detection ” . In Television and women's culture: The politics of the popular , Edited by: Brown , M. E. 117 – 133 . London : Sage .
  • de Lauretis , T. 1984 . Alice doesn't: Feminism, semiotics, cinema , Bloomington, IN : Indiana University Press .
  • de Lauretis , T. , ed. 1986 . Feminist studies, critical studies , Bloomington, IN : Indiana University Press .
  • de Lauretis , T. 1987 . Technologies of gender: Essays on theory, film and fiction , Bloomington, IN : Indiana University Press .
  • de Lauretis , T. 1988 . “ Aesthetic and feminist theory: Rethinking women's cinema ” . In Female spectators: Looking at film and television , Edited by: Pribram , E. D. 174 – 195 . New York : Verso .
  • de Lauretis , T. 1991 . “ Film and the visible ” . In How do I look? Queer film and video , Edited by: Bad Object-Choices . 259 – 262 . Seattle : Bay Press .
  • Doane , M. A. 1987 . The desire to desire: The woman's film of the 1940s , Bloomington, IN : Indiana University Press .
  • Doane , M. A. 1989 . Untitled entry . Camera Obscura , 20/21 : 142 – 147 .
  • Doane , M. A. 1993 . “ Subjectivity and desire: An(other) way of looking ” . In Contemporary film theory , Edited by: Easthope , A. 162 – 178 . New York : Longman Press .
  • Dow , B. 1996 . Prime-time feminism: Television, media culture, and the women's movement since 1970 , Philadelphia : University of Pennsylvania Press .
  • Dudden , A. P. , ed. 1987 . American Humor , New York : Oxford University Press .
  • Dyer , R. 1990 . Now you see it: Studies on lesbian and gay film , London : Routledge .
  • Ellsworth , E. 1986 . Illicit pleasures: Feminist spectators and Personal Best . Wide Angle , 8 ( 2 ) : 45 – 56 .
  • Erens , P. , ed. 1990 . Issues in feminist film criticism , Bloomington, ID : Indiana University Press .
  • Epstein , M. M. 1999 . Breaking the celluloid ceiling: Ally McBeal and the women attorneys who paved her way . Television Quarterly , 30 ( 1 ) : 28 – 39 .
  • Faludi , S. 1991 . Backlash: The undeclared war against American women , New York : Crown .
  • Fiske , J. 1986 . Television: Polysemy and popularity . Critical Studies in Mass Communication , 3 : 391 – 408 .
  • Foss , S. K. and Foss , K. A. 1994 . The construction of feminine spectatorship in Garrison Keillor's radio monologues . Quarterly Journal of Speech , 80 : 410 – 426 .
  • 1998 . Fox's “Ally McBeal” back again . The Utah Statesman (AP) , September 14 : 7
  • Gamman , L. 1989 . “ Watching the detectives: The enigma of the female gaze ” . In The female gaze: Women as viewers of popular culture , Edited by: Gamman , L. and Marshment , M. 8 – 26 . Seattle, WA : Real Comet Press .
  • Gamman , L. and Marshment , M. , eds. 1989 . female gaze: Women as viewers of popular culture , Seattle, WA : Real Comet Press .
  • Gilbert , J. R. 1997 . Performing marginality: Comedy, identity, and cultural critique . Text and Performance Quarterly , 17 : 317 – 330 .
  • Gledhill , C. 1988 . “ Pleasurable negotiations ” . In Female spectators: Looking at film and television , Edited by: Pribram , E. D. 64 – 89 . New York : Verso .
  • Gledhill , C. 1991 . Stardom: Industry of desire , New York : Routledge .
  • Griggers , C. 1993 . “ Thelma and Louise and the cultural generation of the new Butch-Femme ” . In Film theory goes to the movies , Edited by: Collins , J. , Radner , H. and Collins , A. P. 129 – 141 . New York : Routledge .
  • Heywood , L. 1998 . Hitting a cultural nerve: Another season of “Ally McBeal.” . The Chronicle of Higher Education , XLV September 4 : B9
  • hooks , b. 1996 . Reel to real: Race, sex and class at the movies , New York : Routledge .
  • Humm , M. 1997 . Feminism and film , Bloomington, IN : Indiana University Press .
  • Hunsaker , P. L. Gender bias in the legal field: Precedents, problems, and implications . Paper presented to the annual convention of the Western Decision Sciences Institute, Hawaii . March .
  • Kaplan , E. A. 1983 . Women & film: Both sides of the camera , New York : Routledge .
  • Kaplan , E. A. 1987 . “ Feminist criticism and television ” . In Channels of discourse:,Television and contemporary criticism , Edited by: Allen , R. C. 211 – 253 . Chapel Hill, NC : University of North Carolina,Press .
  • Katz , A. 1997 . Female Trouble . The Nation , 265 December 15 : 36 – 38 . [Review of Ally McBeal]
  • Kauffmann , S. 2000 . From here to maternity . New Republic , 222 January 31 : 30 [Review of the film, All about my mother]
  • Kelley , D. E. September 15 1997 . “ Compromising positions ” . In Ally McBeal , September 15 , Hollywood, CA : Fox . (J. Pontell, Director), D. E. Kelly (Producer)
  • Kelley , D. E. September 22 1997 . “ The kiss ” . In Ally McBeal , September 22 , Hollywood, CA : Fox . (D. Gordon, Director), D. E. Kelly (Producer)
  • Kelley , D. E. November 3 1997 . “ The attitude ” . In Ally McBeal , November 3 , Hollywood, CA : Fox . (M. Schultz, Director), D. E. Kelly (Producer)
  • Kelley , D. E. November 10 1997 . “ Drawing the lines ” . In Ally McBeal , November 10 , Hollywood, CA : Fox . (M. Damski, Director), D. E. Kelly (Producer)
  • Kelley , D. E. December 15 1997 . “ Silver bells ” . In Ally McBeal , December 15 , Hollywood, CA : Fox . (J. Napolitano, Director), D. E. Kelly (Producer)
  • Kelley , D. E. January 5 1998 . “ Cro-Magnon ” . In Ally McBeal , January 5 , Hollywood, CA : Fox . (A. Arkush, Director), D. E. Kelly (Producer)
  • Kelley , D. E. January 19 1998 . “ The blame game ” . In Ally McBeal , January 19 , Hollywood, CA : Fox . (S. Smolan, Director), D. E. Kelly (Producer)
  • Kelley , D. E. February 2 1998 . “ Body language ” . In Ally McBeal , February 2 , Hollywood, CA : Fox . (M. Damski, Director), D. E. Kelly (Producer)
  • Kelley , D. E. March 2 1998 . “ Forbidden fruits ” . In Ally McBeal , March 2 , Hollywood, CA : Fox . (J. Kagan, Director), D. E. Kelly (Producer)
  • Kelley , D. E. March 9 1998 . “ Theme of life ” . In Ally McBeal , March 9 , Hollywood, CA : Fox . (D. Gordon, Director), D. E. Kelly (Producer)
  • Kelley , D. E. March 16 1998 . “ The playing field ” . In Ally McBeal , March 16 , Hollywood, CA : Fox . (J. Pontell, Director), D. E. Kelly (Producer)
  • Kelley , D. E. April 27 1998 . “ The inmates ” . In Ally McBeal , April 27 , Hollywood, CA : Fox . (M. Schultz, Director), D. E. Kelly (Producer)
  • Kelley , D. E. May 4 1998 . “ Being there ” . In Ally McBeal , May 4 , Hollywood, CA : Fox . (M. Damski, Director), D. E. Kelly (Producer)
  • Kelley , D. E. May 11 1998 . “ Alone again ” . In Ally McBeal , May 11 , Hollywood, CA : Fox . (D. Dugan, Director), D. E. Kelly (Producer)
  • Kruger , B. 1993 . Remote control: Power, culture, and the world of appearances , Cambridge : MIT Press .
  • Landay , L. 1998 . Madcaps, screwballs, con women: The female trickster in American culture , Philadelphia : University of Pennsylvania Press .
  • Leafe , A. S. Blurring the lines: Postfeminism, sanity and Ally McBeal . Paper presented to the Annual meeting of the Association for Education in Journalism and Mass Communication . Baltimore.
  • Mayne , J. 1993 . Cinema and spectatorship , New York : Routledge .
  • Meehan , D. M. 1983 . Ladies of the evening: Women characters of prime-time television , London : Methuen .
  • Mellencamp , P. 1995 . A fine romance: Five ages of film feminism , Philadelphia : Temple University Press .
  • Mellencamp , P. 1997 . “ Situation comedy, feminism, and Freud: Discourses of Gracie and Lucy ” . In Feminist television criticism: A reader , Edited by: Brunsdon , C. , D'Acci , J. and Spigel , L. 60 – 73 . Oxford : Clarendon Press .
  • Metz , C. 1982 . The imaginary signifier: Psychoanalysis and the cinema , Bloomington, IN : University of Indiana Press. (Original work published 1975) . C. Britton, A. Williams, B. Brewster, & A. Guzzetti, Trans
  • Mulvey , L. 1975 . Visual pleasure and narrative cinema . Screen , 16 ( 3 ) : 6 – 18 .
  • Mulvey , L. 1989 . Visual and other pleasures , Bloomington, IN : Indiana University Press .
  • Mulvey , L. 1995 . “ The myth of Pandora: A psychological approach ” . In Feminisms in the cinema , Edited by: Pietropaolo , L. and Testaferri , A. 3 – 19 . Bloomington, IN : Indiana University Press .
  • 1999 . Patrick Smith's mailbag . Time , 153 May 3 : 14
  • Pribram , E. D. , ed. 1988 . Female spectators: Looking at film and television , New York : Verso .
  • Rowe , K. 1995 . The unruly woman: Gender and the genres of laughter , Austin, TX : University of Texas Press .
  • Rowe , K. 1997 . “ Rosanne: Unruly woman as domestic goddess ” . In Feminist television criticism: A reader , Edited by: Brunsdon , C. , D'Acci , J. and Spigel , L. 74 – 83 . Oxford : Clarendon Press .
  • Rushing , J. H. 1998 . Putting away childish things: Looking at Diana's funeral and media criticism . Women's Studies in Communication , 21 : 150 – 167 .
  • Schlosser , J. and Grego , M. 1999 . When a kiss ain't a kiss . Broadcasting & Cable , 129 November 8 : 38
  • Shalit , R. 1998 . Canny and lacy . The New Republic , 218 April 6 : 27 – 32 .
  • Squire , C. 1997 . “ Empowering women? The Oprah Winfrey Show ” . In Feminist television criticism: A reader , Edited by: Brunsdon , C. , D'Acci , J. and Spigel , L. 98 – 113 . Oxford : Clarendon Press .
  • Stacey , J. 1991 . “ Feminine fascinations: Forms of identification in star-audience relations ” . In Stardom: Industry of desire , Edited by: Gledhill , C. 141 – 163 . New York : Routledge .
  • Stacey , J. 1994 . Star gazing: Hollywood cinema and female spectatorship , New York : Routledge .
  • Staiger , J. 1992 . Interpreting films: Studies in the historical reception of American cinema , Princeton, NJ : Princeton University Press .
  • Stark , S. D. 1997 . Lady's Night: Ally McBeal's quirky appeal . The New Republic , 217 December 29 : 13 – 14 . [Review of Ally McBeal]
  • Studlar , G. 1990 . Reconciling feminism and phenomenology: Notes on problems and possibilities, texts and contexts . Quarterly Review of Film & Video , 12 ( 3 ) : 69 – 78 .
  • Svetkey , B. 1998a . Everything you love or hate about Ally McBeal . Entertainment Weekly , 416 January 30 : 20 – 26 .
  • Svetkey , B. 1998b . Kelley's heroes . Entertainment Weekly , 451 September 25 : 32 – 34 . 37 – 38 . 40
  • Testaferri , A. 1995 . “ Introduction ” . In Feminisms in the cinema , Edited by: Pietropaolo , L. and Testaferri , A. ix – xix . Bloomington, IN : Indiana University Press .
  • Tong , R. P. 1998 . Feminist thought: A more comprehensive introduction , (2nd ed) , Boulder, CO : Westview Press .
  • Ussher , J. M. 1997 . Fantasies of femininity: Reframing the boundaries of sex , New Brunswick, NJ : Rutgers University Press .
  • Waldman , D. 1989 . Film theory and the gendered spectator: The female or the feminist reader? . Camera Obscura , 18 : 80 – 94 .
  • Walker , N. 1987 . “ Humor and gender roles: The “funny” feminism of the post-World War II suburbs ” . In American Humor , Edited by: Dudden , A. P. 118 – 138 . New York : Oxford University Press .
  • Walker , N. 1988 . A very serious thing: Women's humor and American culture , Minneapolis, MN : University of Minnesota Press .
  • Willis , S. 1993 . “ Hardware and hardbodies, what do women want?: A reading of Thelma and Louise ” . In Film theory goes to the movies , Edited by: Collins , J. , Radner , H. and Collins , A. P. 120 – 128 . New York : Routledge .
  • Women in the law. (1991, October). Dataline, I (4). [On-line] Available: http://cyberwerks.com:70/00h/dataline/mapping/womenlaw
  • 1998 . Yuck. He's old enough to be her... costar . Newsweek , CXXXI June 15 : 70
  • Zeisler , A. 1999 . What's the deal, McBeal? . Ms., IX , August/September : 78

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.