Notes
- “Erased de Kooning Drawing ROBERT RAUSCHENBERG 1953” . 210 – 211 . Tomkins
Works cited
- “Ages of the Avant‐Garde.” 1994. Edited by Bonnie Marranca and GautamDasgupta. Collection in the “Bodies of Work” . Performing Arts Journal , XVI.1 ( #46 ) January : 9 – 55 . issue of
- 1979 . “Autoperformance.” . The Drama Review , 23.1 ( T81 ) March Issue of journal
- Banes , Sally . 1980 . Terpsichore in Sneakers: Post‐Modern Dance , Boston : Houghton Mifflin Co .
- Burns , Judy . 1990 . “The Man Who Grew Common in Wisdom.” Review . Women & Performance: A Journal of Feminist Theory , 5.1 ( #9 ) : 169 – 176 .
- Cage , John. 1973a . “Composition as Process.” 1958 ” . In Silence: Lectures and Writings , 18 – 56 . Middletown, CT : Wesleyan University Press .
- _____ . 1973b . Silence: Lectures and Writings. , Middletown, CT : Wesleyan University Press .
- Chatman , Seymour . 1981 . “What Novels Can Do That Films Can't (and Vice Versa).” . In On Narrative, , Edited by: Mitchell , W.J.T. 117 – 136 . Chicago : University of Chicago Press .
- Dell , Cecily . 1977 . A Primer for Movement Description Using Effort‐Shape and Supplementary Concepts , NY : Dance Notation Bureau Press .
- Foster , Hal. 1985 . “The Expressive Fallacy.” . In Recodings: Art, Spectacle, Cultural Politics, , 59 – 78 . Port Townsend, WA : Bay Press .
- Hay , Deborah . 4 August 1996. Personal Interview.
- _____ . 1994 . Lamb at the Altar: The Story of a Dance , Durham, NC and London : Duke University Press .
- _____ . 1988 . “Remaining Positionless.” . Contact Quarterly , Spring/Summer : 22 – 23 .
- _____ . 1980 . “The Grand Dance.” Unpublished score ” . In Terpsichore in Sneakers: Post‐Modern Dance , Edited by: Banes , Sally . 128 – 130 . Boston : Houghton Mifflin Co. .
- Hay , Deborah and Rogers , Donna Jean . 1974 . Moving Through the Universe in Bare Feet: Ten Circle Dances for Everybody , Island Pond, VT : Troll Press .
- Jeffers , Bill . 1979 . “Leaving the House (Deborah Hay).” . The Drama Review , 23.1 ( T81 ) March : 79 – 86 .
- Kaplan , E. Ann . 1983 . “Is the Gaze Male?” . In Powers of Desire: The Politics of Sexuality, , Edited by: Snitow , Ann , Stansell , Christine and Thompson , Sharon . 309 – 327 . NY : Monthly Review Press .
- Livet , Anne . 1978 . “Deborah Hay.” . In Contemporary Dance, , 120 – 133 . NY : Abbeville Press .
- Miller , Nancy K. 1991 . Getting Personal: Feminist Occasions and Other Autobiographical Acts , London, NY : Routledge .
- Mulvey , Laura. Autumn . 1975 . “Visual Pleasure and Narrative Cinema.” . Screen , 16.3 : 6 – 18 .
- Olney , James . 1972 . Metaphors of Self: The Meaning of Autobiography , Princeton : Princeton University Press .
- Rich , Adrienne . 1986 . Blood, Bread, and Poetry: Selected Prose, 1979–1985 , NY : Norton .
- Scott , David and Doubleday , Tony . 1992 . The Elements of Zen , Shaftesbury, Dorset and Rockport, MA : Element, Inc .
- Smith , Diana . 1980 . “Deborah Hay: An Update for the 80's.” . Contact Quarterly , Fall : 10 – 15 .
- Tomkins , Calvin . 1968 . The Bride and the Bachelors: Five Masters of the Avant‐Garde , NY : Penguin Books .