References
- Alexander, Elizabeth. 2007. “‘Coming Out Blackened and Whole’: Fragmentation and Reintegration in Audre Lorde’s Zami and The Cancer Journals.” Power and Possibility: Essays, Reviews, and Interviews. Ann Arbor: University of Michigan Press.
- Ashe, Bertram. 2007. “Theorizing the Post-Soul Aesthetic: An Introduction.” African American Review 41 (4): 609–623.
- Ashe, Bertram, with Crystal Anderson, Mark Anthony Neal, Evie Shockley, and Alexander Weheliye. 2007. “These – Are – the ‘Breaks’: A Roundtable Discussion on Teaching the Post-Soul Aesthetic.” African American Review 41 (4): 787–803.
- Awkward, Michael. 2007. Soul Covers: Rhythm and Blues Remakes and the Struggle for Artistic Identity. Durham: Duke University Press.
- Baldwin, James. 1993. The Fire Next Time. New York: Vintage International.
- Bolaki, Stella. 2011. “‘New Living the Old in a New Way’: Home and Queer Migrations in Audre Lorde’s Zami.” Textual Practice 25 (4): 779–798. doi: 10.1080/0950236X.2011.586784
- Brooks, Daphne. 2011. “Nina Simone’s Triple Play.” Callaloo 34 (1): 176–197. doi: 10.1353/cal.2011.0036
- Carby, Hazel. 1998. “It Jus’ Be’s Dat Way Sometime: The Sexual Politics of Women’s Blues.” In The Jazz Cadence of American Culture, edited by R. G. O’Meally, 469–482. New York: Columbia University Press.
- DeVeaux, Alexis. 2006. Warrior Poet: A Biography of Audre Lorde. New York: W. W. Norton & Co.
- Dobie, Kathy. 1997. “Midnight Train: A Teenage Story.” Trouble Girls: The Rolling Stone Book of Women in Rock, edited by Barbara O’Dair, 225–236. New York: Random House.
- Du Bois, W. E. B. 2008. The Souls of Black Folk. Oxford: Oxford University Press.
- Ellison, Ralph. 2001. “Flamenco.” In Living with Music: Ralph Ellison’s Jazz Writings, edited by R. G. O’Meally, 95–100. New York: Modern Library.
- Feldstein, Ruth. 2013. How it Feels to Be Free: Black Women Entertainers and the Civil Rights Movement. Oxford: Oxford University Press.
- Franklin, Aretha. 1971. Aretha Live at Fillmore West. Atlantic.
- Franklin, Aretha, with D. Ritz. 1999. Aretha: From These Roots. New York: Villard.
- Garland, Phyl. 1969. The Sound of Soul. Chicago: Henry Regnery.
- Gold, J., dir. 1969. Nina: A Historical Perspective. To Be Free: The Nina Simone Story. 2008. Sony BMG.
- Griffin, Farah Jasmine. 2004. “When Malindy Sings: A Meditation on Black Women’s Vocality.” In Uptown Conversation: The New Jazz Studies, edited by R. G. O’Meally, B. H. Edwards, and F. J Griffin, 102–125. New York: Columbia University Press.
- Guillory, Monique, and Richard C. Green. 1998. “Introduction.” In Soul: Black Power, Politics, and Pleasure, 1–4. New York: New York University Press.
- Hall, Joan Wylie, ed. 2004. Conversations with Audre Lorde. Jackson: University of Mississippi Press.
- Haralambos, Michael. 1974. Soul Music: The Birth of a Sound in Black America. New York: Da Capo Press.
- Heilbut, Anthony. 2012. The Fan Who Knew Too Much: Aretha Franklin, The Rise of the Soap Opera, Children of the Gospel Church, and Other Meditations. New York: Knopf.
- Holden, Stephen. 2004. “A Younger Generation's Homage to a Soulful Diva.” NYTimes.com.
- Kelley, Robin D. G. 1997. Yo’ Mama’s Disfunktional! Boston: Beacon Press.
- Kernodle, Tammy. 2008. “‘I Wish I Knew How it Would Feel to Be Free’: Nina Simone and the Redefining of the Freedom Song of the 1960s.” Journal of the Society for American Music 2: 295–317. doi: 10.1017/S1752196308080097
- King, Jr., Martin Luther. 1991. A Testament of Hope: The Essential Writings and Speeches of Martin Luther King, Jr. New York: Harper Collins.
- Leonard, Keith. 2012. “‘Which Me Will Survive’: Rethinking Identity, Reclaiming Audre Lorde.” Callaloo 35 (3): 758–777. doi: 10.1353/cal.2012.0100
- Lorde, Audre. 1982. Zami: A New Spelling of My Name. Berkeley: The Crossing Press.
- Lorde, Audre. 1996. “Uses of the Erotic: The Erotic as Power.” In Sister Outsider: Essays and Speeches by Audre Lorde, 53–59. Freedom, CA: The Crossing Press.
- Neal, Mark Anthony. 2013. Looking for Leroy: Illegible Black Masculinities. New York: New York University Press.
- Pearl, Monica B. 2009. “‘Sweet Home’: Audre Lorde’s Zami and the Legacies of American Writing.” Journal of American Studies 43 (2): 297–317. doi: 10.1017/S0021875809990041
- Porterfield, Chris. 1968. “Lady Soul: Singing it Like it Is.” Time, June 28: 62–66.
- Redmond, Shana. 2014. Anthem: Social Movements and the Sound of Solidarity in the African Diaspora. New York: New York University Press.
- Ritz, David. 2014. Respect: The Life of Aretha Franklin. New York: Little, Brown, and Company.
- Royster, Francesca. 2012. Sounding Like a No-No: Queer Sounds and Eccentric Acts in the Post-Soul Era. Ann Arbor: University of Michigan Press.
- Rudnitsky, Lexi. 2003. “The ‘Power’ and ‘Sequelae’ of Audre Lorde’s Syntactical Strategies.” Callaloo 26 (2): 473–485. doi: 10.1353/cal.2003.0055
- Shange, Ntozake. 1989. For colored girls who have considered suicide when the rainbow is enuf. New York: Collier Books.
- Simone, Nina. 1974. The Great Live Show in Paris. Trip Records.
- Simone, Nina, with Stephen Cleary. 2003. I Put a Spell on You. New York: Da Capo Press.
- Smitherman, Geneva. 2000. Black Talk: Words and Phrases from the Hood to the Amen Corner. Revised Ed. Boston: Houghton Mifflin.
- Taylor, Arthur. 1993. Notes and Tones: Musician-to-Musician Interviews. Expanded Ed. New York: Da Capo Press.
- Thomas, Pat. 2012. Listen, Whitey!: The Sounds of Black Power 1965–1975. Seattle: Fantagraphics.
- Thorsen, Karen. dir. 1989. James Baldwin: The Price of the Ticket. American Masters.
- Tillet, Salamishah. 2012. “My American Dream Sounds Like Nina Simone.” July 2, NPR.org.
- Tillet, Salamishah. 2014. “Strange Sampling: Nina Simone and her Hip-Hop Children.” American Quarterly 66 (1): 119–137. doi: 10.1353/aq.2014.0006
- Wald, Gayle. 1998. “Soul’s Revival: White Soul, Nostalgia, and the Culturally Constructed Past.” In Soul: Black Power, Politics, and Pleasure, edited by M. Guillory and R. C. Green, 139–158. New York: New York University Press.
- Ward, Brian. 1998. Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. Berkeley: University of California Press.
- Young, Kevin. 2012. The Grey Album: On the Blackness of Blackness. Minneapolis: Graywolf Press.