References
- Buber, M. (1963). Man and his image-work. Portfolio, 7, 88-99.
- Eliot, T. S. (1943). Four quartets. San Diego: Harvest/HBJ Books.
- Joiner, T. E., Schmidt, K. L., & Barnett, J. (1996). Size, detail, and line heaviness in children's drawings as correlates of emotional distress: (More) negative evidence. Journal of Personality Assessment, 67, 127-141.
- Rattigan, M. D., & Schwartz, A. L. (1999). Cassandra's voice: Finding strengths in psychological and art therapy assessments. Unpublished paper.
- Schwartz, A. L. (1993). Recurrence of things past: Repetition in artistic creativity in theory and in the work of Salvador Dali. Unpublished doctoral dissertation. Widener University, Philadelphia, PA.
- Schwartz, A. L. (1998). Reflections on reflections: Creativity and healthy narcissism on the Rorschach. Unpublished paper presented at the annual meeting of the Society for Personality Assessment, February 21, 1998.
- Schwartz, A. L., & Rattigan, M. D. (1998). Cassandra's voice: Finding strengths in psychological and art therapy assessments. Paper presented at the 106th American Psychological Association Conference, August 16, 1998, San Francisco, CA.
- Spitz, E. H. (1982). Reflections on form and content in modern art. Psychoanalytic Study of the Child, 37, 547-568.
- Winnicott, D. W. (1953). Transitional objects and transitional phenomena. International Journal of Psycho-Analysis, 34, 89-97. 215