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Original Articles

Earle Brown's ‘Creative Ambiguity’ and Ideas of Co-creatorship in Selected Works

Pages 377-394 | Published online: 17 Jul 2007

References

  • Brown , E. n.d . “ Prefatory note ” . In Folio , Earle Brown Music Foundation . Unpublished manuscript
  • Brown , E. 1962 . “ Letter to Michael von Biel (2 December) ” . Earle Brown Music Foundation . Unpublished letter
  • Brown , E. 1966 . “ [Untitled, on form.] ” . In Form in der Neuen Musik , Edited by: Thomas , E. 57 – 69 . Mainz : Schott .
  • Brown , E. 1970 . Corroboree , London : Universal Edition .
  • Brown , E. 1972 . Notes on some works: 1952 – 1971 . Contemporary Music Newsletter , 6 ( 1 ) : 1 – 3 .
  • Brown , E. 1975 . Twentyfive Pages , London : Universal Edition .
  • Brown , E. 1979 . “ Earle Brown ” . In The music makers , Edited by: Rosenberg , B. and Rosenberg , D. 79 – 91 . New York : Columbia University Press .
  • Dufallo R. 1989 Trackings: Composers speak with Richard Dufallo New York and Oxford Oxford University Press
  • Feißt , S. 1997 . Der Begriff ‘Improvisation’ in der neuen Musik , Sinzig : Studio .
  • Grimmel , W. M. 1996 . Freies Spiel der Kräfte: Werner M. Grimmel im Gespräch mit Earle Brown . Neue Zeitschrift für Musik , 157 : 46 – 51 .
  • Haskins , R. 2004 . ‘An anarchic society of sounds’: The number pieces of John Cage , Eastman School of Music of the University of Rochester . Doctoral dissertation 2004 (UMI No. 3121333)
  • Karkoschka , E. 1972 . Notation in new music: A critical guide to interpretation and realisation , Edited by: Koenig , R. London : Universal Edition . (Original work published 1966.)
  • Layman Quist , P. 1984 . Indeterminate form in the work of Earle Brown (open form, musical form, improvisation) , Peabody Institute of the Johns Hopkins University . Doctoral dissertation 1984 (UMI No. 8417661)
  • Metzger , H.- K. 1972 . “ Morton Feldman, Earle Brown and Heinz-Klaus Metzger in discussion ” . In Music Before Revolution , Germany : EMI Electrola. Recording number c165-28 945/57 .
  • Nicholls , D. 2002 . “ Getting rid of the glue: The music of the New York School ” . In The New York Schools of Music and the Visual Arts , Edited by: Johnson , S. 17 – 56 New York and London : Routledge .
  • Nyman , M. 1999 . Experimental music: Cage and beyond , 2nd ed. , Cambridge : Cambridge University Press .
  • Rötter , G. 1986 . Interview mit dem Komponisten Earle Brown . Zeitschrift für Musikpädagogik , 36 : 3 – 10 .

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