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Articles

The Height of the Breadth: Pop Culture Infiltrations in the Music of Nicolaus A. HuberFootnote1

Pages 655-664 | Published online: 26 Nov 2008

References

  • Bolz , Norbert . 1999 . Die Konformisten des Andersseins [‘The conformists of being different’] , Munich : Fink .
  • Huber , Nicolaus A. 1999 . Ach, das Erhabene … (G. Benn) betäubte Fragmente, score , Wiesbaden : Breitkopf .
  • Huber , Nicolaus A. 2000a . Durchleuchtungen: Writings on music , Wiesbaden : Breitkopf & Härtel .
  • Huber , Nicolaus A. 2000b . Solo mit Koons Stück , Wiesbaden : Breitkopf .
  • Huber , Nicolaus A. 2004 . Pour les Enfants du Paradis , Wiesbaden : Breitkopf . Short character pieces for piano plus
  • Schläbitz , Norbert . 1998 . “ Die Musik der Stille in Echtzeit [‘The music of silence in real time’] oder: Computer = Sampler_Techno ” . In KlangArt Kongreß 1995 , Edited by: Von Enders , Bernd and Knolle , Niels . 29 – 48 . Osnabrück : B Schott's Söhne .
  • Wall , Jeff . 2007 . Selected essays and interviews , New York : Museum of Modern Art .
  • Zaunschirm , Thomas . 1996 . Kunst als Sündenfall [‘Art as fall from grace’] , Freiburg : Rombach .

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