516
Views
0
CrossRef citations to date
0
Altmetric
Articles

Dreams, Gardens, Mirrors: Layers of Narrative in Takemitsu's Quotation of Dream

References

  • Burt, P. (2001). The music of Tōru Takemitsu. Cambridge: Cambridge University Press.
  • Burt, P. (2010). How Japanese was Takemitsu? And is it important to ask this question? In Gianmario Borio & Luciana Galliano (Eds.), Music facing up to silence: Writings on Tōru Takemitsu (pp. 143–150). Pavia: Pavia University Press.
  • Clark, C. (1995). Introduction. In Charles Baudelaire’s selected poems (Rev. ed.), vii–xxxii. London: Penguin, 2004.
  • Dickinson, E. (1998). The poems of Emily Dickinson, R. W. Franklin (Ed.), Reading edition. Harvard, MA: Harvard University Press.
  • Eimert, H. (1961). Debussy's Jeux (1959) (Leo Black, Trans.). Die Reihe, 5, 3–20.
  • Empson, J. (2002). Sleep and dreaming (3rd ed.). Houndmills: Palgrave.
  • Hendry, J. (1997). Nature tamed: Gardens as a microcosm of Japan's view of the world. In Pamela J. Asquith and Arne Kalland (Ed.), Japanese images of nature: Cultural perspectives (pp. 83–105). London: Curzon.
  • Hobson, J. A. (2002). Dreaming: An introduction to the science of sleep. Oxford: Oxford University Press.
  • Howat, R. (1983). Debussy in proportion: A musical analysis. Cambridge: Cambridge University Press.
  • Hutchinson, M. (2012). Redefining coherence: Interaction and experience in new music. PhD thesis, University of York.
  • Joyce, J. (1939). Finnegans wake. London: Faber.
  • Keene, D. (1995). Japanese aesthetics. In Nancy G. Hume (Ed.), Japanese aesthetics and culture: A reader (pp. 27–41). Albany, NY: State University of New York Press.
  • Koozin, T. (2002). Traversing distances: Pitch organization, gesture and imagery in the late works of Tōru Takemitsu. Contemporary Music Review, 21(4), 17–34. doi: 10.1080/07494460216671
  • Lowry, D. (2006). In the dojo: The rituals and etiquette of the Japanese martial arts. Boston, MA: Shambhala Publications.
  • Rands, B. (1987). Two views of Takemitsu: I sing only for myself … . Musical Times, 128(1735), 477–480. doi: 10.2307/964842
  • Rechtschaffen, A. (1978). The single-mindedness and isolation of dreams. Sleep, 1, 97–109.
  • Reynolds, R. (1987). Rarely sudden, never abrupt. The Musical Times, 128(1735), 480–483. doi: 10.2307/964843
  • Takei, J., & Keane, Marc P. (Eds.). (2001). Sakuteiki: Visions of the Japanese garden. Tokyo: Tuttle Publishing.
  • Takemitsu, T. (1987). Dream and number. In Confronting silence: Selected writings (Yoshiko Kakudo & Glenn Glasow, Trans and ed.). (pp. 97–126). Berkeley, CA: Fallen Leaf Press, 1995.
  • Takemitsu, T. (1990). Sound of east, sound of west. In Confronting silence: Selected writings (Yoshiko Kakudo & Glenn Glasow, trans. and ed.). (pp. 59–67). Berkeley, CA: Fallen Leaf Press, 1995.
  • Takemitsu, T. (1992). ‘Mirrors’ (1974), trans. Sumi Adachi and Roger Reynolds. Perspectives of New Music, 30(1), 36–80.
  • Wilson, E. (1947). The dream of H. C. Earwicker. In Seon Givens (Ed.), James Joyce: Two decades of criticism (pp. 319–342). New York: The Vanguard Press, 1963.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.