References
- Berleant, A. (2002). Introduction: Art, environment, and the shaping of experience. In A. Berleant (Ed.), Environment and the arts: Perspectives on art and environment (pp. 1–22). Aldershot: Ashgate Press.
- Cisneros, R. J. (2013). Objecthood #1 (podcast). Retrieved February 11, 2015, from http://rwm.macba.cat/en/specials/objecthood1_graham_harman_luciana_parisi/capsula
- Feyerabend, P. (2010). Against method (4th ed.). London: Verso.
- Gablik, S. (1992). The reenchantment of art. London: Thames and Hudson.
- Huizinga, J. (1955). Homo ludens: A study of the play-element in culture. Boston, MA: Beacon Press.
- Lehari, K. (2012). Embodied metaphor. In A. Berleant (Ed.), Environment and the arts: Perspectives on art and environment (pp. 171–185). Burlington, VT: Ashgate Press.
- Rolston, H. (2002). From beauty to duty: Aesthetics of nature and environmental ethics. In Berleant, A. (Ed.), Environment and the arts: Perspectives on environmental aesthetics (pp. 127–141). Aldershot: Ashgate. Retrieved from http://is.muni.cz/el/1423/jaro2014/HEN580/um/48946649/Rolston-III-beauty-to-duty.pdf
- Saito, Y. S. (2002). Environmental directions for aesthetics and the arts. In A. Berleant (Ed.), Environment and the arts: Perspectives on art and environment (pp. 171–185). Aldershot: Ashgate Press.
- Schafer, R. M. (1977). The tuning of the world: Toward a theory of soundscape design. Philadelphia: University of Pennsylvania Press.
- Schklovsky, V. (1925). Art as technique. Retrieved from http://paradise.caltech.edu/ist4/lectures/Viktor_Sklovski_Art_as_Technique.pdf
- Sontag, S. (1966). Against interpretation, and other essays. New York, NY: Farrar, Straus & Giroux.
- Stravinsky, I. (1970). Poetics of music in the form of six lessons. Cambridge, MA: Harvard University Press.
- Thoreau, H. D. (1995). Walden: Or, life in the woods. New York, NY: Dover Thrift Editions.
- Unwin, S. (1997). Analysing architecture (3rd ed.). New York, NY: Routledge.
- Virilio, P. (2006). Art and fear. London: Continuum.