207
Views
0
CrossRef citations to date
0
Altmetric
Articles

Volker Müller & Co.: Electronic Music and Sound Engineering at the WDR

References

  • Aumann, Philipp. 2009. Mode und Methode. Die Kybernetik in der Bundesrepublik Deutschland [Mode and Method. The Cybernetics in the Federal Republic of Germany]. Göttingen: Wallstein Verlag.
  • Bates, Eliot. 2016. Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture. New York, NY: Oxford University Press.
  • Borwick, John. 1973. “The Tonmeister Concept.” In Audio Engineering Society Convention 46.
  • Bücker, Heinrich. 1972. “Ausbildung für Tonmeister [Training for Tonmeister].” In 9. Tonmeistertagung [9th Congress of Tonmeister], edited by Hans-Georg Daehn, 104–110. Düsseldorf: Verband Deutscher Tonmeister.
  • Custodis, Michael. 2004. Die soziale Isolation der neuen Musik: zum Kölner Musikleben nach 1945.
  • Daehn, Hans-Georg. 1969. “Ausschnitt aus der Eröffnungsansprache [Excerpt from the Opening Address].” In 8. Tonmeistertagung [8th Congress of Tonmeister], edited by Hans-Georg Daehn, 60–65. Düsseldorf: Verband Deutscher Tonmeister und Toningenieur.
  • Donhauser, Peter. 2007. Elektrische Klangmaschinen: Die Pionierzeit in Deutschland und Österreich [Electric Sound Machines: The Pioneering Days in Germany and Austria]. Vienna, Cologne, Weimar: Böhlau.
  • Eimert, Herbert, and Hand U. Humpert. 1973. Das Lexikon der elektronischen Musik [The Lexicon of Electronic Music]. Regensburg: Gustav Bosse Verlag.
  • Eloy, Jean-Claude. 2006. “From Kâmakalâ to Shanti.” In Komposition und Musikwissenschaft im Dialog V (2001–2004) [Composition and Musicology in Dialogue], edited by Imke Misch, and Christoph Blumröder, 21–57. Berlin: LIT Verlag.
  • Feisst, Sabine. 2016. “Negotiating Freedom and Control in Composition: Improvisation and Its Offshoots, 1950 to 1980.” In The Oxford Handbook of Critical Improvisation Studies, Vol. 2, edited by Benjamin Piekut, and George E. Lewis, 206–229. New York, NY: Oxford Uniersity Press.
  • Grant, M. J. 2001. Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Cambridge: Cambridge University Press.
  • Greene, Paul D., and T. Porcello. 2005. Wired for Sound: Engineering and Technologies in Sonic Cultures. Middletown, CT: Wesleyan University Press.
  • Iverson, Jennifer. 2017. “Invisible Collaboration: The Dawn and Evolution of Elektronische Musik.” Music Theory Spectrum 39 (2): 200–222.
  • Iverson, Jennifer. 2018. Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde. New York, NY: Oxford University Press.
  • Lenk, Hans, and Günter Ropohl. 1976. Technische Intelligenz im systemtechnologischen Zeitalter [Technical Intelligence in the Age of Systems Technology]. Düsseldorf: Verlag Deutscheringenieur.
  • Moser, Simon. 1970. “Philosophie an der Technischen Hochschule [Philosophy at the University of Technology].” In Philosophie und Kybernetik [Philosophy and Cybernetics], edited by Karl Steinbuch, and Simon Moser, 13–25. Munique: Nymphenburger Verlagshandlung.
  • Müller, Volker. 2018. (Sound Engineer, WDR), interview with the author. March 2018.
  • Patka, Kiron. 2018. “Männer, Mädchen, Mädels. Gegenderte Berufsrollen in der analogen Radioproduktion [Men, Girls, Gals. Opposed Professional Roles in the Analogue Radio Production].” Navigationen - Zeitschrift für Medien- und Kulturwissenschaften 18 (2): 119–133.
  • Shapin, Steven. 1989. “The Invisible Technician.” American Scientist 77 (6): 554–563.
  • Wittje, Roland. 2016. The Age of Electroacoustics: Transforming Science and Sound. Cambridge, MA: The MIT Press.
  • Zagorski-Thomas, Simon. 2014. The Musicology of Record Production. Cambridge: Cambridge University Press.
  • Zak, A. 2001. The Poetics of Rock: Cutting Tracks, Making Records. Berkeley, CA: University of California Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.