https://orcid.org/0000-0003-4501-9891
References
- Ahmed, Sara. 2006. Queer Phenomenology: Orientations, Objects, Others. Durham, NC: Duke University Press.
- Barad, Karen. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, NC: Duke University Press.
- Cage, John. 1961. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press.
- Cline, David. 2019. “Two Concepts of Indeterminacy in Music.” The Musical Quarterly 102 (1): 82–110.
- Deleuze, Gilles. 1992. “Postscript on Societies of Control.” October 59: 3–7.
- DePiero, Dan. 2018. “Improvisation as Contingent Encounter, Or: The Song of My Toothbrush.” Critical Studies in Improvisation / Études critiques en improvisation 12 (2). doi:https://doi.org/10.21083/csieci.v12i2.4261.
- Goehr, Lydia. 1994. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon Press.
- Gottschalk, Jennie. 2016. Experimental Music since 1970. New York, NY: Bloomsbury.
- Kline, Ronald R. 2017. The Cybernetics Moment or Why We Call Our Age the Information Age. Baltimore: John Hopkins University Press.
- Lewis, George E. 1996. “Improvised Music after 1950: Afrological and Eurological Perspectives.” Black Music Research Journal 16 (1): 91–122.
- Lushetich, Natasha, ed. 2021. Big Data—A New Medium? London: Routledge.
- Molderings, Herbert. 2010. Duchamp and the Aesthetics of Chance: Art as Experiment. Translated by John Brogden. New York, NY: Columbia University Press.
- Peters, Gary. 2012. “Certainty, Contingency, and Improvisation.” Critical Studies in Improvisation / Études critiques en improvisation 8 (2). doi:https://doi.org/10.21083/csieci.v8i2.2141.
- Piekut, Benjamin. 2011. Experimentalism Otherwise: The New York Avant-Garde and its Limits. Berkeley, CA: University of California Press.
- Piekut, Benjamin. 2019. Henry Cow: The World is a Problem. Durham, NC: Duke University Press.
- Schroeder, Franziska, Koichi Samuels, and Rebecca Caines. 2019. “Music Improvisation and Social Inclusion.” Contemporary Music Review 38 (5): 441–445.
- Wolff, Christian. 2017. “New and Electronic Music (1958).” In Occasional Pieces: Writings and Interviews, 1952–2013. Oxford: Oxford University Press.