1,394
Views
0
CrossRef citations to date
0
Altmetric
Articles

Improvising Folk Songs: An Inclusive Indeterminacy

References

  • Ahlbäck, Sven. 1986. Tonspråket i äldre svensk folkmusik. Stockholm: Udda Toner.
  • Åkesson, Ingrid. 2007. Med rösten som instrument, perspektiv på nutida vokal folkmusik. (PhD), Stockholms universitet, Stockholm.
  • Berkowitz, Aaron L. 2010. The Improvising Mind. Oxford: Oxford University Press.
  • Bronson, Bertrand H. 1969. “Mrs Brown and the Ballad.” In The Ballad as Song, 64–78. Berkeley, CA: University of California Press.
  • Csikszentmihalyi, Mihaly. 1990. Flow: The Psychology of Optimal Experience. New York, NY: Harper Collins.
  • de Manzano, Örjan, Töres Theorell, László Harmat, and Fredrik Ullén. 2010. “The Psychophysiology of Flow During Piano Playing.” Emotion 10 (3): 301–311.
  • de Manzano, Örjan, and Fredrik Ullén. 2012. “Activation and Connectivity Patterns of the Presupplementary and Dorsal Premotor Areas During Free Improvisation of Melodies and Rhythms.” NeuroImage 63 (1): 272–280.
  • Frisk, Henrik, and Stefan Östersjö. 2013. “Beyond Validity: Claiming the Legacy of the Artistic Researcher.” Svensk Tidskrift för Musikforskning 95: 41–63.
  • Gazzola, Valeria, and Christian Keysers. 2009. “The Observation and Execution of Actions Share Motor and Somatosensory Voxels in All Tested Subjects: Single-Subject Analyses of Unsmoothed fMRI Data.” Cerebral Cortex  19 (6): 1239–1255.
  • Hansen, Lene Halskov, Astrid Nora Ressem, and Ingrid Åkesson. 2009. Tradisjonell sang som levenede prosess, Nordiske studier i stabilitet og forandring, gjentagelse og variasjon. Oslo: Novus.
  • Jansson, Sven-Bertil. 1999. Den levande balladen. Medeltida ballad i svensk tradition. Falun: Prisma.
  • Keysers, Christian, and Valeria Gazzola. 2006. “Towards a Unifying Neural Theory of Social Cognition.” Progress in Brain Research 156: 379–401.
  • Kraus, Michael W. 2017. “Voice-only Communication Enhances Empathic Accuracy.” American Psychologist 72 (7): 644–654.
  • Ling, Jan. 1987. “Balladmelodierna—improviserade eller komponerade?” In Sumlen 1986, edited by Bengt R. Jonsson, 125–132. Uppsala: Samfundet för visforskning.
  • Pinho, Ana Luisa, Örjan de Manzano, Peter Fransson, and F. Fredrik Ullén. 2014. “Connecting to Create: Expertise in Musical Improvisation Is Associated with Increased Functional Connectivity Between Premotor and Prefrontal Areas.” The Journal of Neuroscience: The Official Journal of the Society for Neuroscience 34 (18): 6156–6163. doi:https://doi.org/10.1523/JNEUROSCI.4769-13.2014.
  • Rosenberg, Susanne. 1993. Med blåtoner och krus. Stockholm: Udda Toner.
  • Rosenberg, Susanne. 2009. “Variation—ett sätt att tänka. Om några sångares variation och analysmetod för att undersöka denna.” In Tradisjonell sang som levenede prosess, Nordiske studier i stabilitet og forandring, gjentagelse og variasjon, edited by Lene Halskov Hansen, Astrid Nora Ressem, and Ingrid Åkesson, 157–180. Oslo: Novus.
  • Rosenberg, Susanne. 2013. Kurbits-ReBoot, svensk folksång i ny scenisk gestaltning. Stockholm: (Doctor of Music), KMH and Sibeliusacademy.
  • Rosenberg, Susanne. 2019. “The Singer’s Imprint: Stability and Variation in Contemporary Folk Singers’ Interpretations of Folk Chorales.” STM–SJM 101: 201–225.
  • Unpublished sources:
  • Reflections and e-mails from participants. Interviews and documentation from sessions in Folk Song Lab 2014–2018.