References
- Arau, Javier. 2008. “Augmented Scale Theory.” http://www.javierarau.com/augmented-scale-theory
- Forte, Allen. 1974. The Structure of Atonal Music. New Haven, CT: Yale University Press.
- Jordan, Stanley. 2017. “The Jordan Chromatic System.” StanleyJordan.com. https://stanleyjordan.com/integral.arts/courses/course/index.php?categoryid=5
- Kasler, Ariel. 2014. “Giant Steps: Chord Substitution and Chord-Scales for Improvisation.” MA thesis, Bowling Green State University, OH.
- Mailman, Joshua Banks. 2020. “Portmantonality and Babbitt’s Poetics of Double Entendre.” Music Theory Online 26 (2). doi:https://doi.org/10.30535/mto.26.2.9.
- Martino, Donald. 1961. “The Source Set and its Aggregate Formations.” Journal of Music Theory 5 (2): 224–273.
- Russell, George. 1953. The Lydian Chromatic Concept of Tonal Organization. New York, NY: Concept Pub.
- Weiskopf, Walt, and Roman Ricker. 1993. The Augmented Scale in Jazz. New Albany, IN: Jamey Aebersold Jazz Inc.