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Part II. Compositional and psychological aspects of form

Image-of-sound, or i-sound: Metaphor/metaform

Pages 165-170 | Published online: 24 Aug 2009

References

  • Barthes , R. 1980 . “ La chambre claire ” . In Cahier du cinéma , 18 – 136 . Paris : Gallimard .
  • Bayle , F. 1984 . “ La musique acousmatique, ou l'art des son projetés ” . In Enjeux , 211 – 218 . Paris : Encyclopedia Universalis .
  • Bayle , F. 1986 . Ecouter et comprendre — In “La recherche musicale au GRM” . La Revue Musicale , 394/397 : 109 – 119 .
  • Chion , M. 1988 . Du son à la chose . Analyse Musicale , 11 : 52 – 58 .
  • McAdams , S. 1984 . “ The auditory image: A metaphor for musical and psychological research on auditory organization ” . In Cognitive Processes in the Perception of Art , Edited by: Crozier , W.R. and Chapman , A.J. 289 – 323 . Amsterdam : North Holland .
  • Merleau-Ponty , M. 1964 . “ Eye and Mind ” . In The Primacy of Perception , Edited by: Edie , James . Evanston, Ill : Northwestern University Press .
  • Petitot-Cocorda , J. 1985 . Morphogenèse du sens , 23 – 26 . Paris : Presses Universitaires de France .
  • Peirce , C.S. 1978 . Ecrits sur le signe , 230 – 239 . Paris : Seuil .
  • Thom , R. 1983 . Paraboles et catastrophes , 154 – 157 . Paris : Flammarion .

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